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Arcadia (Greek: Αρκαδία) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word Arcadia to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires.
The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions. It is also sometimes referred to in English poetry as Arcady. The inhabitants of this region bear an obvious connection to the figure of the noble savage, both being regarded as living close to nature, uncorrupted by civilization, and virtuous.
According to Greek mythology, Arcadia of Peloponnesus was the domain of Pan, a virgin wilderness home to the god of the forest and his court of dryads, nymphs and other spirits of nature. It was one version of paradise, though only in the sense of being the abode of supernatural entities, not an afterlife for deceased mortals.
In the Renaissance
Arcadia has remained a popular artistic subject since antiquity, both in visual arts and literature. Images of beautiful nymphs frolicking in lush forests have been a frequent source of inspiration for painters and sculptors. Because of the influence of Virgil in medieval European literature, e. g. in Divine Comedy, Arcadia became a symbol of pastoral simplicity. European Renaissance writers (for instance, the Spanish poet Garcilaso de la Vega) often revisited the theme, and the name came to apply to any idyllic location or paradise. Unlike "utopia", which Saint Thomas More innovated by authoring his book Utopia, "Arcadia" connotes not a human civilization, yet rather a spontaneous result of life lived naturally and thus not corrupted by civilization.
Of particular note is Et in Arcadia Ego by Nicolas Poussin, which has become famous both in its own right and because of its (possible) connection with the gnostic histories or the Rosicrucians. In 1502 Jacopo Sannazaro published his long poem Arcadia that fixed the Early Modern perception of Arcadia as a lost world of idyllic bliss, remembered in regretful dirges.
In the 1580s Sir Philip Sidney circulated copies of his influential heroic romance poem The Countess of Pembroke's Arcadia, which established Arcadia as an icon of the Renaissance; although the story is plentifully supplied with shepherds and other pastoral characters, the primary characters are all royal visitors of the countryside. In 1598 the Spanish playwright and poet Lope de Vega published Arcadia: Prose and Verse, which was a bestseller at the time. In it de Vega writes:
Though depicted as contemporary, this pastoral form is often connected with the Golden Age. It may be suggested that its inhabitants have merely continued to live as persons did in the Golden Age, and all other nations have less pleasant lives because they have allowed themselves to depart from original simplicity.
The 16th-century Italian explorer Giovanni da Verrazzano applied the name "Arcadia" to the entire North American Atlantic coast north of Virginia. In time, this mutated to Acadia. The Dictionary of Canadian Biography says: "Arcadia, the name Verrazzano gave to Maryland or Virginia 'on account of the beauty of the trees', made its first cartographical appearance in the 1548 Gastaldo map and is the only name on that map to survive in Canadian usage. . . . In the 17th century Champlain fixed its present orthography, with the 'r' omitted, and Ganong has shown its gradual progress northwards, in a succession of maps, to its resting place in the Atlantic Provinces".
Revival of Mi'kmaq language has provided strong reason to believe that Verrazzano was informed by the name the Mi'kmaq gave to this place. The name Acadie may be derived from the Mi'kmaq, because in their language the word “cadie” means "place of abundance” and can be found in names such as “Tracadie” and “Shubenacadie”.
Arcadia has been a popular setting for artists of the 19th and 20th centuries.
In 1848, Judge Samuel Treat, of St. Louis described life of the early settlers in the Midwest with the sentence "Each family produced whatever was necessary for its own consumption, and lived in almost Arcadian simplicity."
Around 1880, the German painter Wilhelm von Kaulbach produced an etching, named "Faust und Helena in Arkadien". Faust and Helena are shown in the Arcadian grove, at the place of cheerful poetry, where they produced a son, Euphorion. He represent the spirit of antiquity married to the Nordic-German spirit, as an allegory of German-Greek poetry.
The American painter Thomas Eakins produced a series of Arcadian works in the 1880´s: His painting "In Arcadia", which was an "unusual venture into mythology, tackled using the most modern of methods: the camera" and a relief with nearly 20 sculptures, paintings and phothographs connected with it. The atmosphere of the relief has been described as "vespertinal mixture of sadness and tranquility", a "sylvan realm far removed from the realities in 1883 Philadelphia". New York magazine critic Mark Stevens wrote "His [Eakins] joy in the natural body rarely made its way into his major paintings, perhaps because the subject was so personally complex for him. Only in his great "Swimming", which shows naked young men at a swimming hole, did he create an American Arcadia." Easkins student Thomas Pollock Anshutz (1851-1912) had a long preoccupation painting "Arcadian subjects".
In Gabriel García Márquez's 1967 novel One Hundred Years of Solitude, the founder and patriarch of the Macondo community bears the name José Arcadio Buendía. Over the course of the novel, Arcadio becomes a multigenerational patronym that resonates with many of the other utopian tropes explored elsewhere in the text.
In 1988, experimental / industrial / post punk / psychedelic art and music collective Psychic TV released the song "Just Like Arcadia."
In fantasy literature, Arcadia has been used as a magical realm, respective to the fictional universe in which the story occurs. Arcadia Darell is the name of a character in Second Foundation by Isaac Asimov.
In the movie Resident Evil: Extinction, the characters seek to travel to Arcadia, Alaska, which is promised to be free of zombies. In Resident Evil: Afterlife 3D, it is revealed that Arcadia refers to the USS Arcadia, a ship that collects survivors for Human subject research.
A number of role-playing games have adopted the idea, either using it as a separate realm within the multiverse (à la the Arcadia of the Dungeons & Dragons universe), or even using it as the central focus of an entire game system (as in White Wolf's Changeling: The Dreaming game). In Changeling: The Lost, Arcadia is presented as a hellish realm, where humans abducted by the True Fae are subject to unimaginable torment and torture, in sharp contrast to its usual utopian description. Dragonhaven, a young adult fantasy novel by Robin McKinley, ends with the phrase "Arcadiae vias peregrinentur," which the author has stated roughly translates to "May they walk in Arcadia". According to the best-selling PC-game The Longest Journey, Arcadia was divided from the primordial original world, and represents fantasy, dreams and magic, while our world, Stark, is the world of science and technology. In the game BioShock, Arcadia is a level in which the protagonist has to navigate through an artificial forest. Arcadia was created by Dr. Julie Langford. This forest provides the oxygen for the rest of the underwater city of Rapture, and was used as a peaceful retreat for the citizens. Arcadia is the name of the world in the Sega Dreamcast game Skies of Arcadia in which the inhabitants live on floating islands and continents, and fly through the skies in airships. "Neo Arcadia" is the name given to the now center-of-the-world paradise city in the post-apocalyptic world of the Mega Man Zero series, as a place where humans and reploids live together side by side, though the Neo Arcadian government proves to be overbearing & ruthless in the fight against mavericks, going so far as to unjustly condemn innocent reploids to retirement(i.e. death). As such, they are the main antagonistic force throughout the majority of the "Zero" series. In "The Longest Journey" and "Dreamfall" PC games, Arcadia is a realm of magic which the player is transported to.
The phrase is used frequently in conspiracy fiction and lore, such as the pseudo-historical work Holy Blood, Holy Grail and the novel The Da Vinci Code, where it is interpreted as an anagram of I! Tego Arcana Dei ("Begone! I know the secrets of God").
The Gods of Arcadia is a sci-mythology series by Andrea Stehle. It is a world in mankind's future controlled by the gods of ancient Greece.
Arcadia is released as one of the singles from Lana Del Rey's Blue Banisters, possibly referring to the Californian city of the same name.
Divergence of Darkness, the alternate history mod for the grand strategy video game Victoria 2, uses the name Arcadia for that universe’s USA equivalent.
"Lawrence of Arcadia" is the first song on the album "Strip Me Bare", released by David Keenan in 2018.
- Arcadia (region of Greece)
- Golden Age
- Locus amoenus
- Et in Arcadia ego (Guercino), painting by Italian artist Giovanni Francesco Barbieri
- Olam Haba
- Garden of Eden
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- JSTOR daily, Cottagecore debuted 2300 years ago
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