Arnold Zweig (left) with Otto Nagel
10 November 1887
|Died||26 November 1968 (aged 81)|
Arnold Zweig (10 November 1887 – 26 November 1968) was a German writer and anti-war and anti-fascist activist. He is best known for his six-part cycle on World War I.
Life and work
Zweig was born in Glogau, Prussian Silesia (today Głogów, Poland), the son of a Jewish saddler. (He is not related to Stefan Zweig.) After attending a gymnasium in Kattowitz (Katowice), he made extensive studies in history, philosophy and literature at several universities – Breslau (Wrocław), Munich, Berlin, Göttingen, Rostock and Tübingen. He was especially influenced by Friedrich Nietzsche's philosophy. His first literary works, Novellen um Claudia (1913) and Ritualmord in Ungarn, gained him wider recognition.
Zweig volunteered for the German army in World War I and saw action as a private in France, Hungary and Serbia. He was stationed in the Western Front at the time when Judenzählung (the Jewish census) was administered in the German army. Shaken by the experience, he wrote in his letter dated February 15, 1917 to Martin Buber: "The Judenzählung was a reflection of unheard sadness for Germany's sin and our agony. ... If there was no antisemitism in the army, the unbearable call to duty would be almost easy." He began to revise his views on the war and to realize that it pitted Jews against Jews. Later he described his experiences in the short story Judenzählung vor Verdun. The war changed Zweig from a Prussian patriot to an eager pacifist.
By the end of the war he was assigned to the Press department of the German Army Headquarters in Kaunas and there he was first introduced to the East European Jewish organizations.
In a quite literal effort to put a face to the hated 'Ostjude' (Eastern European Jew), due to their Orthodox, economically depressed, "unenlightened", "un-German" ways, Zweig published with the artist Hermann Struck Das ostjüdische Antlitz (The Face of East European Jewry) in 1920. This was a blatant effort to at least gain sympathy among German-speaking Jews for the plight of their eastern European brethren. With the help of many simple sketches of faces, Zweig supplied interpretations and meaning behind them.
In the 1920s, Zweig became attracted to the psychoanalytical theories of Sigmund Freud and underwent Freudian therapy himself. In March 1927 Zweig wrote to Freud asking permission to dedicate his new book to Freud. In the letter Zweig told Freud: "I personally owe to your psychological therapy the restoration of my whole personality, the discovery that I was suffering from a neurosis and finally the curing of this neurosis by your method of treatment."
Freud returned this ardent letter with a warm letter of his own, and the Freud-Zweig correspondence continued for a dozen years – momentous years in Germany's history. This correspondence is extensive and interesting enough to have been published in book form.
In 1927 Zweig published the anti-war novel The Case of Sergeant Grischa, which made him an international literary figure. The theme of his sequence of World War I fiction is that Germany was perverted by brutal men who shifted the purpose of the war from defense to conquest. Major contestants in this struggle are characters in his books. Some, like Kaiser Wilhelm II, Field Marshal von Hindenburg, and commander on the Eastern Front during the last two years of the war Prince Leopold of Bavaria, are named. Others are masked, but would have been easily identified by many readers at the time: for example, General Ludendorff is "Schieffenzahn", the politician Matthias Erzberger is "Deputy Hemmerle", General Max Hoffmann is "Clauss", and Field Marshal von Eichorn is "von Lychow".
From 1929 he was a contributing journalist of anti-Nazi newspaper Die Weltbühne (World Stage). That year, Zweig would attend one of Hitler's speeches. He told his wife that the man was a Charlie Chaplin without the talent. Zweig would later witness the burning of his books by the Nazis. He remarked that the crowd "would have stared as happily into the flames if live humans were burning." He decided to leave Germany that night.
Exile in Palestine
When the Nazis took power in Germany in 1933, Zweig was one of many Jews who immediately went into voluntary exile. Zweig went first to Czechoslovakia, then Switzerland and France. After spending some time with Thomas Mann, Lion Feuchtwanger, Anna Seghers and Bertolt Brecht in France, he set out for Palestine, then under British rule.
In Haifa, Palestine, he published a German-language newspaper, the Orient. In Palestine, Zweig became close to a group of German-speaking immigrants who felt distant from Zionism and viewed themselves as refugees or exiles from Europe, where they planned to return. This group included Max Brod, Else Lasker-Schüler and Wolfgang Hildesheimer. During his years in Palestine, Zweig became disillusioned with Zionism and turned to socialism.
In Haifa, Zweig underwent psychoanalysis with Ilya Schalit. His novels De Vriendt Goes Home and A Costly Dream are partly set in Mandatory Palestine and describe, among other things, the encounter between Zionism, socialism and psychoanalysis. In De Vriendt Goes Home, a young Zionist, recently immigrated to Palestine from Eastern Europe, kills the Dutch Jew De Vriendt who, on the basis of a more orthodox religious sentiment, was seeking an understanding with the local Arab population. During his stay in Palestine, Zweig may have been the main link between Freud and the local psychoanalytic community.
His 1947 book The Axe of Wandsbek concerned the Altona Bloody Sunday (Altonaer Blutsonntag) riot, an SA march on 17 July 1932 that turned violent and led to 18 people being shot dead, with four Communists including Bruno Tesch subsequently being beheaded for their alleged involvement.
Return to Germany
In 1948, after a formal invitation from the East German authorities, Zweig decided to return to the Soviet occupation zone in Germany (which became East Germany in 1949). In East Germany he was in many ways involved in the communist system. He was a member of parliament, delegate to the World Peace Council Congresses and the cultural advisory board of the communist party. He was President of the DDR Academy of Arts, Berlin from 1950 to 1953.
He was rewarded with many prizes and medals by the regime. The USSR awarded him the Lenin Peace Prize (1958) for his anti-war novels. He was nominated for the Nobel Prize in Literature seven times.
After 1962, due to poor health, Zweig virtually withdrew from the political and artistic fields. Arnold Zweig died in East Berlin on 26 November 1968, aged 81.
- Novellen um Claudia, 1912.
- Ritualmord in Ungarn (Ritual Murder in Hungary), 1914
- Das ostjüdische Antlitz [The Face of East European Jewry], Illustrated by Hermann Struck (2nd ed.), Univ of California Press, 2004 .
- Playthings of Time
- Der große Krieg der weißen Männer [The Great War of the White Men] - a cycle in six parts
- Der Streit um den Sergeanten Grischa [The Case of Sergeant Grischa], 1927.
- Junge Frau von 1914 [Young Woman of 1914], 1931.
- Erziehung vor Verdun [Education before Verdun], 1935.
- Einsetzung eines Königs [Crowning of a King], 1937.
- Die Feuerpause, 1954.
- Die Zeit ist reif [The Time is Ripe], 1957.
- De Vriendt kehrt heim [De Vriendt Goes Home], 1932.
- Spinoza [The Living thoughts of Spinoza], 1939.
- Das Beil von Wandsbek [The Axe of Wandsbek], 1948 [1943 in Hebrew, 1947 in German, 1947 in English].
- Freud, Ernst L, ed. (1987), The Letters of Sigmund Freud and Arnold Zweig, New York University Press.
- Traum ist Teuer [A Costly Dream], Aufbau Verlag, 1962.
Einsetzung Eines Königs  the Crowning of a King  Viking Press translated by Eric Sutton
- Das Beil von Wandsbek (1951) (The Axe of Wandsbek), directed by Falk Harnack, produced in East Germany
- Das Beil von Wandsbek (1982), a West German TV film documentary directed by Horst Königstein and Heinrich Breloer
- The Case of Sergeant Grischa 1930, US film directed by: Herbert Brenon. This film is presumed lost, as no negative or print material is known to have survived.
- Der Streit um den Sergeanten Grischa, 1968, directed by: Helmut Schiemann as a TV film in two parts for the East German broadcaster Deutscher Fernsehfunk
- Junge Frau von 1914, 1970, East German film directed by Egon Günther
- Erziehung vor Verdun, 1973, East German film directed by Egon Günther
- Isenberg, Noah William, Between Redemption and Doom. The Strains of German-Jewish Modernism, pp. 59–60.
- Freud, Ernst L., ed. (1970). The letters of Sigmund Freud & Arnold Zweig;. London: Hogarth Press [for] the Institute of Psychoanalysis. ISBN 0701203285.
- Elon 2002, p. 380.
- Elon 2002, p. 397.
- Liptzin, Sol (2007). "Zweig, Arnold". In Berenbaum, Michael; Skolnik, Fred. Encyclopaedia Judaica (2nd ed.). Detroit, US: Macmillan Reference. p. 696.
- Rolnik, Eran J. (2012) [2007 in Hebrew]. Freud in Zion. London: Karnak. p. 107.
- Rolnik 2012, p. 112.
- See Jonathan Skolnik, “’Hier wuchsen die historischen Romane wild...’: Arnold Zweig’s De Vriendt kehrt heim,” in Arnold Zweig. Sein Werk im Kontext der deutschsprachigen Exilliteratur. Akten des IV. Internationalen Arnold-Zweig-Symposiums Durham, N.C. 1996, edited by Arthur Tilo Alt und Julia Bernhard (Bern: Peter Lang, 1998): 103-10.
- Rolnik 2012, p. 185.
- Altonaer Stiftung für philosophische Grundlagenforschung, DE: ASFPG.
- "Das Beil Von Wandsbek – Trailer – Cast – Showtimes". The New York Times.
- "Nomination Database". www.nobelprize.org. Retrieved 2017-04-19.
- Wiznitzer, Manuel (1983), Arnold Zweig – Das Leben eines deutsch-jüdischen Schriftstellers, Athenäum, ISBN 3-596-25665-8.
- Reich-Ranicki, Marcel (1983), "Der preußische Jude Arnold Zweig", Deutsche Literatur in Ost und West, Stuttgart: Deutsche Verlags-Anstalt.
- Cohen, Robert, "Arnold Zweig's War Novellas of 1914 and their Versions: Literature, Modernity, and the Demands of the Day." War, Violence and the Modern Condition. Bernd Hüppauf (ed.). De Gruyter, 1997. 277-289.
- Elon, Amos (2002), The Pity of it All: A History of Jews in Germany 1743-1933, New York: Metropolitan Books.
- Rolnik, Eran J. (2012) [2007 in Hebrew]. Freud in Zion. London: Karnak. ISBN 978 1 78049 053 3.