The first known reference to an Art Strike appears in an Alain Jouffroy essay: "What's To Be Done About Art?" (included in "Art and Confrontation," New York Graphic Society 1968).
"It is essential that the minority advocate the necessity of going on an 'active art strike' using the machines of the culture industry to set it in total contradiction to itself. The intention is not to end the rule of production, but to change the most adventurous part of 'artistic' production into the production of revolutionary ideas, forms, and techniques."
Art Workers Coalition (1969-70)
On October 15, 1969, the AWC organized a successful "Moratorium of Art to End the War in Vietnam." The Museum of Modern Art, the Whitney Museum, the Jewish Museum, and a large number of commercial art galleries closed for the day. The Metropolitan Museum and the Guggenheim Museum did not comply. Under pressure from the AWC, the Metropolitan postponed the opening of its American painting and sculpture show scheduled for that day, and the Guggenheim got picketed.
The group also called upon all museums in New York to close on May 22, 1970, as part of the protests against the Vietnam War. While many did, the Metropolitan Museum of Art failed to do so. This led to picketing by an offshoot, led by Robert Morris and Poppy Johnson, under the name Art Strike Against Racism, War, and Oppression.
The group extended its antiwar protests and protests against the illing of student protesters by the Police at Jackson, Augusta, and Kent by calling for a boycott of the American Pavilion at the 1970 Venice Biennale. The group organized a counter-biennial in New York. This was then criticized by the Women Students and Artists for Black Art Liberation (WSABAL) directed by Faith Ringgold and joined by Michele Wallace, which led to it opening up to women and people of color. The WSABAL group also influenced the Ad Hoc Women Artists, conducted by Lucy Lippard. These two groups both had a demand of 50 percent women artist representation. Their protests led to the inclusion of black women artists Barbara Chase Riboud and Bettye Saar in the next Whitney Biennial.
Years without Art 1977-1980
The call criticizes doctrines such as "artists engagement with political struggle" and "the use of art for social change" as well as "art in the service of revolution" as reactionary. Instead, it states that "artists have attacked the prevailing methods of production, distribution, and consumption of art" and that "the refusal of labor is the chief weapon of workers fighting the system." Three years cite as the "minimum period required to cripple the system."
Although the call does not use the words "Art Strike," Metzger has come to be associated with the concept.
The Art Strike 1990-93
The Art Strike was a campaign launched in 1986 by Stewart Home which called upon all artists to cease their artistic work between January 1, 1990, and January 1, 1993. Home, who was a Neoist artist at the time, used the same language as Metzger's 1974 call, only replacing the dates 1977-80 with 1990-93.
In the lead-up to the strike, various groups formed to propagate and co-ordinate the action, such as the Art Strike Action Committee in California and the Art Strike Action Committee in the United Kingdom.
Art Strike Biennial(2009 - 2012)
In 2008, an Art Strike conference held in Alytus with an international group of artists attending. After this conference, Redas Diržys, under the name the Second Temporary Art Strike Action Committee–Alytus Chapter (STASAC-Alytus), decided to retitle the annual Festival of Experimental Art as the Art Strike Biennial. This was done in response to Vilnius becoming the European Capital of Culture for 2009. Stewart Home also took part in this event, calling himself the Transient Art Strike Biennial Supreme Council of One (London)
This led to a series of art strikes including:
- Denis Limonov of the Belorussian art collective Lipovy Tzvet From January 1, 2014, through January 1, 2017
- Pablo Herman and OKK, an art strike in Berlin
In 2011, the biennial began to organize as the Data Miners Travailleurs Psychique. Redas and others formally refused the identification of artists and put forward the idea of psychic workers instead, calling for a General strike in 2012.
Other recent and contemporary groups
In both the US and England, there are other examples of artists, artist unions, and artists collectives working concurrently. Of these, three prominent groups are Artists' Union England, Occupy Wall Street Arts & Labor, and Working Artists and the Greater Economy (W.A.G.E.)
Comparisons have made between the psychic worker's art strike and the idea of the "Human Strike." The notion of the Human Strike as an act of defiance introduced by Communization theorists Tiqqun, The Invisible Committee and Claire Fontaine.
- Molesworth, Helen Anne; Alexander, M. Darsie; Bryan-Wilson, Julia (2003). Work Ethic. Penn State Press. ISBN 0-271-02334-1.
- Wallace, Michele (1990). Invisibility Blues: From Pop to Theory. Verso. pp. 196–. ISBN 978-0-86091-519-5.
- Art Into Society - Society Into Art: Seven German Artists : Institute of Contemporary Arts, London, 30 October - 14 November 1974. Institute of Contemporary Arts. 1974.
- "Gustav Metzger". e-flux. 2011. Archived from the original on October 8, 2012. Retrieved 1 April 2017.
- Assessing the Art Strike, Stewart Home
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- "Alytus-Meno striko sostine," "Alytaus Naujienos," No.155, August 21, 2009
- Stewart Home, Transient Art Strike Biennial Supreme Council of One (London). "ART STRIKE BIENNIAL". Self-published. Retrieved 14 January 2016.
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- 'Notes on the "Human Strike" or the "Grève humane"'. The Anvil, February 6, 2011
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