|Birth name||Arthur Butler|
December 2, 1942 |
Brooklyn, New York, US
|Occupation(s)||Arranger, songwriter, pianist|
|Instruments||Piano, keyboards, drums|
Arthur "Artie" Butler (born December 2, 1942) is an American popular music arranger, songwriter, and pianist. In a long career, he has been involved in numerous hit records and other recordings, and has been awarded over 60 gold and platinum albums.
Life and career
Butler was born in Brooklyn, New York, and learned to play various instruments including piano, clarinet and drums as a child. He attended Erasmus Hall High School. At the age of 13, he auditioned for Henry Glover of King Records, who offered him a contract as a result. His single, "Lock, Stock and Barrel", credited to Arthur Butler, was issued on the DeLuxe label in 1957, but was not successful.
By the early 1960s he was working as an assistant at Bell Sound Studios in New York City, where he met songwriters and record producers Jerry Leiber and Mike Stoller. He began working for them in the Brill Building, initially as a pianist and then as an arranger. He contributed to records by The Drifters and others before, in 1964, arranging his first hit, "Sally Go 'Round the Roses" by The Jaynetts, on which he claims to have played all the instruments except guitar. He co-wrote Alvin Robinson's "Down Home Girl" with Leiber, and later in 1964 joined the team working with songwriters Jeff Barry and Ellie Greenwich. He contributed keyboards to several hits on Red Bird Records, including The Shangri-Las' "Leader of the Pack," The Dixie Cups' "Chapel of Love," and The Ad Libs' "The Boy from New York City." He also arranged Neil Diamond's early releases, including "Solitary Man" and "Cherry, Cherry," and Janis Ian's "Society's Child".
In 1967 he moved to Los Angeles. The following year he started work for A&M Records, where he worked with jazz musicians including Herbie Hancock, and contributed keyboards on Joe Cocker's hit "Feelin' Alright". He then went freelance, and suggested to Louis Armstrong that he should record the song "What a Wonderful World". Armstrong agreed, and Butler arranged and recorded the song with Armstrong despite the opposition of ABC Records President Larry Newton. From the 1970s onwards, Butler arranged many commercially successful records, including Neil Sedaka's "Laughter in the Rain", Barry Manilow's "Copacabana", and Dionne Warwick's "I'll Never Love This Way Again". In 1990 he co-wrote, with lyricist Phyllis Molinary, "Here's to Life", recorded by Shirley Horn and later by Barbra Streisand. He has been awarded over 60 gold and platinum albums during his career.
In the 1970s he began working on films, creating the scores for The Love Machine (1971), What's Up Doc? (1972), The Harrad Experiment (1973), the TV movie Wonder Woman (1974), For Pete's Sake (1974), Rafferty and the Gold Dust Twins (1975), Sextette (1978) and the Disney film The Rescuers (1977). In 1992, he was nominated for an Emmy award for the CBS miniseries Sinatra. In 2004 he worked with Mike Stoller on a stage musical, Laughing Matters, which premiered in New York in 2006, and in 2011 worked again with Stoller and lyricist Iris Rainer Dart on the musical The People in the Picture.
- Erasmus Hall High School, Famous Alumni. Retrieved 12 May 2013
- Biography by Jason Ankeny at Allmusic.com. Retrieved 12 May 2013
- DeLuxe Records Discography. Retrieved 12 May 2013
- "In the Beginning", ArtieButler.com. Retrieved 12 May 2013
- "Sally Go 'Round the Roses" at ArtieButler.com. Retrieved 12 May 2013
- "Society's Child" at ArtieButler.com. Retrieved 12 May 2013
- Jack Doyle, “What A Wonderful World”, The Pop History Dig. Retrieved 12 May 2013
- Biography at ArtieButler.com. Retrieved 12 May 2013
- Artie Butler home page. Retrieved 12 May 2013
- Kenneth Jones, People in the Picture, With Donna Murphy Living Two Lives, Comes Into Focus on Broadway April 1, Playbill.com, 1 April 2011. Retrieved 12 May 2013
- Official website
- Artie Butler at the Internet Movie Database
- "The Rock Arranger - A Necessity, But What Does He Actually Do?", Billboard, 6 November 1971, p. 28, including comments by Butler