The Arts Lab was an alternative arts centre, founded in 1967 by Jim Haynes at 182 Drury Lane, London. Although only active for two years, it was influential in inspiring many similar centres in the UK, continental Europe and Australia, including the expanded Institute of Contemporary Arts (ICA) in London, the Milky Way/Melkweg in Amsterdam (where Jack Henry Moore was one of the founders), the Entrepôt in Paris and the Yellow House Artist Collective founded by Martin Sharp in Sydney.
Drury Lane Arts Lab
The Lab contained a 'soft floor' cinema in the basement designed and run by David Curtis. In the entrance there was a gallery space co-curated by Biddy Peppin (Curtis's partner) and Pamela Zoline. In a separate (but connected) warehouse was the theatre, designed by Jack Henry Moore, who initially co-directed the activities there. Both the cinema and theatre were constructed by David Jeffrey, whose partner, Philippa James, was closely involved in the Lab's day-to-day running. Upstairs, the space in front initially housed a film workshop put together by Malcolm Le Grice and students from St. Martin's School of Art and the London School of Film Technique, and subsequently a restaurant run by Susan Miles. Haynes lived in the back above the storage and dressing rooms. A number of other people lived in various corners of the building, and the all-night cinema was often seen as a cheap crash-pad. Such amenities made it perfect for live events and "happenings" and helped establish it as the quintessential drop-in/drop-out centre of the London counterculture.
Arts Lab Movement
One of the most significant features of the Arts Lab was that it encouraged similar establishments to create other independent centres, many of which outlived Haynes' original, which closed in the autumn of 1969. On 18 December 1968 the Alchemical Wedding benefit for the Arts Lab and BIT alternative information centre took place at the Royal Albert Hall, and following it, on 25–26 January 1969, the Arts Lab Conference in Cambridge emphasized the strength of the Arts Lab movement, listing 50 such centres across the whole country, including the Birmingham Arts Lab, Brighton Combination and centres in Exeter, Farnham, Guildford, Huddersfield, Loughborough, Manchester, Southampton, Bath and Swindon.
David Bowie, who used to rehearse (and perform mime) at the Drury Lane Arts Lab, co-founded a Beckenham Arts Lab, which organised a one-day free festival, but was disillusioned by the lack of interest of other performers/artists taking an active role in the continuation of the centre.
Wheeler Winston Dixon worked at the Arts Lab in the Summer of 1968, writing for the Lab's newsletter, as well as making and screening his own films.
The Worthing Workshop, an Arts Lab formed in 1968, included Leo Sayer, Brian James of The Damned, Billy Idol and Steamhammer, whose guitarist, Martin Quittenton, went on to co-write Rod Stewart's UK number one hits "You Wear It Well" and "Maggie May".
Alan Moore, writer of comic books including Watchmen, V for Vendetta, regarded as "one of the most important British writers of the last fifty years". was involved with many activities, including poetry, in the Northampton Arts Lab.
In London, a New Arts Lab (also titled 'Institute for Research in Art and Technology') was founded by a breakaway group of original members and others, including the London Film-Makers' Co-op. Housed (1969-1971) in a short-life factory building in Robert Street, London NW1, it contained a cinema run by David Curtis, theatre and gallery spaces, the London Film Makers' Co-op workshop, John Hopkins' TVX and a printing workshop run by John Collins. The full-width opening doors at ground floor level enabled J.G. Ballard's 'Crashed Cars' exhibition to be held there.
- Jack Henry Moore obituary, The Guardian, 23 April 2014.
- Sue Miles obituary, The Guardian, 13 October 2010.
- Jim Haynes biography.
- Noel Greig obituary, The Guardian, 23 September 2009.
- "Summer of love: psychedelic art, social crisis and counterculture in the 1960s" By Christoph Grunenberg, Jonathan Harris, Tate Gallery Liverpool
- Philip Norman (2008), John Lennon: The Life, p. 542.
- Kerry Juby, In Other Words...David Bowie, Omnibus Press, 1987.
- Arts Lab Newsletter, 1969.
- The Art History Archive - Stuckism.
- Was Worthing the birthplace of punk? - Dan Thompson
- "About - Leo Sayer". Leo Sayer. Retrieved 4 December 2018.
Leo and some friends formed an Arts and Music club called “The Worthing Workshop”
- May, John (31 August 2006). "The Generalist: ALTERNATIVE SOCIETY 1970s: Arts Labs". The Generalist.
My mates and I formed the WORTHING WORKSHOP, which was part of the South-East Arts Lab Co-op
- "ROD STEWART – "You Wear It Well"". FreakyTrigger. 2 September 1972. Retrieved 8 January 2012.
- "Rolling Stone Artists - Rod Stewart". Rolling Stone. Retrieved 3 February 2012.
- Doyle-White, Ethan (Summer 2009). "Occultic World of Alan Moore". Pentacle (29).
- Wright, Peter. "The Gnomes Alan Moore bits". www.gbd.freeuk.com.
Covers of Northampton Arts Lab magazine and the "Embryo" edited by Alan Moore
- The Extraordinary Works of Alan Moore By George Khoury
- LuxOnline - Drury Lane Arts Lab + IRAT
- J. G. Ballard's 'Crashed Cars' Exhibition of 1970.
- Cambridge Free Festival
- New Brighton Arts Lab
- Alan Moore, Scroobius Pip and Robin Ince talk counter culture at University of Northampton - Northampton Herald & Post
- Should artists be reared in laboratories? By Steve Scoles - Northampton Herald & Post
- IT - Covent Garden - Jim Haynes has found a space for his new arts' supermarket - 28 April 1967
- Biddy Peppin and David Curtis talk for Adhocracy - August 2011 at Rich Mix Arts Centre[permanent dead link]
- LUX history - The Arts Lab, LFMC and IRAT
- Lee Harris' involvement with the Arts Lab, 1966-68
- Portsmouth Arts Workshop by Stefan Szczelkun
- BIT Report on Arts Labs around the country, 1969 - compiled by Nick Albery
- The Generalist - David Bowie and the Arts Labs Movement, 2016 and Arts Lab and Worthing Workshop, 2006
- Mary Finnigan on the Beckenham Arts Lab 'Growth'