As with other Aeolic metrical lines, the asclepiad is built around a choriamb. The Asclepiad may be described as a glyconic that has been expanded with one (Lesser Asclepiad) or two (Greater Asclepiad) further choriambs. The pattern (using "-" for a long syllable, "u" for a short and "x" for an "anceps" or free syllable, which can be either - or u) is:
x x - u u - - u u - u - (Lesser Asclepiad / Asclepiadeus minor) x x - u u - - u u - - u u - u - (Greater Asclepiad / Asclepiadeus maior)
West (1982) designates the Asclepiad as a "choriambically expanded glyconic" with the notation glc (lesser) or gl2c (greater).
Asclepiads were used in Latin by Horace in thirty-four of his odes, as well as by Catullus in Poem 30, and Seneca. Examples in English verse include parts of Sir Philip Sidney's Arcadia ("Here wrong's name is unheard, slander a monster is; / Keep thy sprite from abuse, here no abuse doth haunt. / What man grafts in a tree dissimulation?") and W. H. Auden's "In Due Season" ("Springtime, Summer and Fall: days to behold a world").
- Printed sources
- West, M. L. (1982). Greek Metre. Oxford University Press.
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