Asian Art Museum of San Francisco
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The Asian Art Museum of San Francisco is one of the most comprehensive Asian art collections in the world, with over 18,000 works of art in its permanent collection, some as many as 6,000 years old.
The museum owes its origin to a donation to the city of San Francisco by Chicago millionaire Avery Brundage, who was a major collector of Asian art. The Society for Asian Art, incorporated in 1958, was the group that formed specifically to gain Avery Brundage's collection. The museum opened in 1966 as a wing of the M. H. de Young Memorial Museum in Golden Gate Park. Brundage continued to make donations to the museum, including the bequest of all his remaining personal collection of Asian art on his death in 1975. In total, Brundage donated more than 7,700 Asian art objects to San Francisco.
Until 2003, the museum shared a space with the de Young Museum in Golden Gate Park. As the museum’s collection grew, the facilities in Golden Gate Park were no longer sufficient to display or even house the collection. In 1987 Mayor Dianne Feinstein proposed a plan to revitalize Civic Center that included relocating the museum to the Main Library. In 1995, Silicon Valley entrepreneur Chong-Moon Lee made a $15 million donation to launch the funding campaign for a new building for the museum.
During its last year in the park it was closed for the purpose of moving to its new location, and it reopened on March 20, 2003, in the former San Francisco city library building opposite the San Francisco Civic Center, renovated for the purpose under the direction of Italian architect Gae Aulenti. Lord Cultural Resources, a cultural professional practice, was also commissioned to undertake a three-part sequence of planning studies for the relocation of the Museum.
The old Main library was a Beaux Arts-style building designed by George Kelham in 1917. The new $160.5 million project, designed by Gae Aulenti, introduced an indoor sky-lit court to provide a dramatic central core to the museum. Removing some interior walls, Aulenti created a sense of openness to facilitate visitor movement and the display of the artwork. The new 185,000-square-foot (17,200 m2) museum increased the exhibition space by approximately 75 percent compared to the former Golden Gate Park location.
In October 2011, the museum launched a new identity. Designed by the branding agency Wolff Olins, the logo is an upside down A, representing the idea of approaching Asian art from a new perspective.
The collection has approximately 18,000 works of art and artifacts from all major Asian countries and traditions, some of which are as much as 6,000 years old. Major galleries are devoted to the arts of South Asia, West Asia and Central Asia, Southeast Asia, the Himalayas, China, Korea and Japan. There are 2,500 works on display in the permanent collection.
The museum has become a focus for special and traveling exhibitions, including: the first major Chinese exhibition to travel outside China since the end of World War II (in 1975), an archaeological exhibition which attracted 800,000 visitors over an eight-week period, and an exhibition on wisdom and compassion opened by the Dalai Lama in 1991.
Green Tea in Tetsubin at the café
12th-century Cambodian sculpture of Buddha
Samurai armor on display
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- "Asian Art Museum | Collection". www.asianart.org. Retrieved 2015-09-02.