Ateneo de Manila College Glee Club
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|Ateneo de Manila College Glee Club|
Ateneo de Manila College Glee Club logo
|Origin||Quezon City, Philippines|
|Music director||Dr. Beverly Shangkuan-Cheng|
|Affiliation||Ateneo de Manila University|
The Ateneo de Manila College Glee Club (Ateneo Glee Club, or ACGC) is a choir based in the Ateneo de Manila University, Philippines. It is distinguished as the oldest university chorale in the Philippines, celebrating its 98th season in 2018. It has held concerts internationally, and has released several albums with songs genres ranging from Classical, Negro spiritual, Sacred choral works, as well as Pop, and OPM. The Glee Club remains active internationally through the performances it stages and choral festivals it participates in.
The Glee Club was started in 1921, the year the American Jesuits took over the administration of Ateneo Municipal de Manila. Its primary function was providing liturgical music at the San Ignacio Church in old Intramuros. Jose Mossesgeld Santiago, a 1911 graduate of the Ateneo who became the first Filipino to sing at La Scala de Milan, was appointed conductor.
Following a three-year hiatus, James B. Reuter restarted the Glee Club. In 1974, when the university turned co-educational, the choir became mixed.
The ACGC peaked in 1979 when Joel Navarro, a recipient of an award from the Metro Manila Popular Music Festival for his composition "Swerte Swerte Lang", arrived at the scene. A string of performances of the choir including the innovative Concert in Your Homes, TV and 5-star hotel shows and the 1980 National Music Competition for Young Artists (NAMCYA) where they won the First Prize in the College Division, followed. When the second International Choral Festival was held in the Cultural Center of the Philippines the year after, the Glee Club was top-rated among the Philippine choirs that participated for "opening the gates of heaven with their moving rendition of Thompson's Alleluia" as a critic wrote.
In 1989, they went on a brief European tour and were cited Best Choir in the international festivals in Loreto, Italy and Nancy, France. A year later, Navarro took a 3-year leave due to the pressure of work from the University of the Philippines (UP), and the Asian Institute of Liturgy and Music (AILM). Eudenice Palaruan, Navarro's friend and replacement as the conductor, began North American and Guam concert tours, a national tour, and a concert with Lea Salonga in Manila.
Navarro's determination to eschew the lure of European tilts and steer his group toward a niche in the recording arena paid off in 1996 when the GC snared a couple of Katha awards: for Best rendition of a Traditional song "Lagi kitang Naaalala" and for Best Traditional Music Album for "Lahi". It was a first for any university-based chorale, and more importantly, Lahi became the first and by far the only classical, choral or traditional recording to be nominated Album of the Year competing against the country's mainstream commercial recordings. Then, he led them in successful concert tours in Guam and North America (1997), in a national tour (1998), and in Guam again (1999).
Year 2000 and onwards
At the turn of the millennium, the glee club scaled the greatest heights. Under Navarro and Jonathan Velasco, two of the country's leading conductors, they swept all the competitions they joined in two months in Slovenia, Italy, Ireland and France - and reached the apex by winning the Grand Prix in Tours, France. In less than a year they added more laurels to their credentials - top prizes in Tolosa, Spain. In 2001, they won First Prize in Marktoberdorf, Germany, under the leadership of Velasco.
The following year, the Glee Club embarked on a new paradigm in choral singing after Ramon Acoymo, alumnus of the Philippine Madrigal Singers, accomplished tenor soloist, and vocal pedagogue, took over as Musical Director. He led the new batch of the Glee Club and honed the raw but promising skills of the Katipunan-based singers. He culminated his term by commissioning new compositions of Marian songs set into choral idiom.
In 2002 the Glee Club had its first female conductor in the person, Ma. Lourdes Hermo, an alumna of the Philippine Madrigal Singers and the Philippine Youth Orchestra. Under Hermo, the choir went on a concert tour of the United States and Guam in 2004, performed in festivals, had a live recording in 2005, and celebrated its 85th year with a European competition-concert tour where they won all awards in Miltenberg, Germany and top prizes in Arezzo, Italy in 2006.
In celebration of its 90th year in 2011, the group embarked on another European Tour. It won in the 33rd International May Choir Competition in Varna, Bulgaria, earning them the distinction to compete in the European Grand Prix for Choral Singing (GPE) in Maribor, Slovenia on April 2012.
9th Internationale Chortage Mainhausen (2011)
- Gold Diploma (5th Place), Mixed Choirs
Harmonie Festival 2011 - Lindenholzhausen-Limburg, Germany (2011)
- 1st Place (Gold Diploma), Category 10 (Mixed Choirs performing folk songs)
- 3rd Place (Gold Diploma), Category 4 (Mixed Choirs w/o compulsory choral work)
47th Montreux Choral Festival - Montreux, Switzerland (2011)
- Prix du Jury (1st Prize)
- Prix des Oeuvres Imposées (Compulsory Works' Prizes)
- Prix du Meilleur Programme et de son Interprétation (Program's Choice and its Interpretation's Prize)
- Prix du Public
33rd Varna International May Choir Competition - Varna, Bulgaria (2011)
- First Prize, Mixed Choir Category
- Special prize by Ivan Spassov Foundation for performance of Bulgarian song "Begala Rada, Radole"
11 Mednarodno Zborovsko Tekmovanje Maribor (International Choral Competition Maribor) - Maribor, Slovenia (2011)
- Second Place
54 Concorso Polifonico Internazionale “Guido d’Arezzo” – Arezzo, Italy (2006)
- Secondo Premio, Categoria Polifonia Premi speciali
- Sezione D (Romanticism) Premio assegnato dal pubblico
- Festival Corale Internazionale di Canto Popolare
6. Internationaler Chorwettbewerb 2006 – Miltenberg, Germany (2006)
- 1. Preis und Diplom in Gold, Sinfonie der Stimmen (Chorkompositionen)
- Bavarian Lion for Best Interpretation of the Compulsory piece
- 1. Preis, Publikumspreise
7. Internationaler Kammerchor Wettbewerb Marktoberdorf – Marktoberdorf, Germany (2001)
- First Prize, Mixed Choir Category
- Best Interpretation of a Religious Piece
Tolosako Abesbatz Lehiaketa – Tolosa, Spain (2000)
- First Prize, Mixed Choirs Polyphony
- Second Prize, Mixed Choirs Folklore
- Second Prize, Vocal Groups Sacred Music
- Second Prize, Vocal Groups Profane Music
- Public’s Prize
29ème Florilège Vocal de Tours – Tours, France (2000)
- Grand Prix de la Ville de Tours
- 1er prix Chœurs Mixtes
- 1er prix Programe Libre
- Prix Spécial de l'an 2000
- Prix du Public
47th Cork International Choral Festival – Cork, Ireland (2000)
- Fleischmann International Trophy
- Lady Dorothy Mayer Memorial Trophy
- Schumann-Europe Trophy
- Heinrich Schütz Perpetual Trophy
6 Concorso Corale Internazionale – Riva del Garda, Italy (2000)
- Gold 7 Diploma, Classical choirs with compulsory piece, Sacred Music
- Gold 6 Diploma, Classical choirs with compulsory piece, Mixed Choirs
Mednarodno Zborovsko Tekmovanje – Maribor, Slovenia (2000)
- First Prize and Gold Medal, Choral Singing Category
- First Prize and Gold Medal, Folkloric Category
National Music Competition for Young Artists – Manila, Philippines (1980)
- First Prize, College Choirs Category
Notable music directors
- Langit: The Filipino Sings Of Faith (1994)
- Lahi: The Filipino Sings From The Heart (1995)
- An Offering (1999)
- European Tour 2000
- European Tour 2001
- ACGC Anthology (2004)
- Tagumpay Nating Lahat (2006)
- Tayo'y Mga Pinoy (2008)
- In Excelsis (2012)
- Cristina Jayme Montiel (2007). Living and dying: in memory of 11 Ateneo de Manila martial law activists. Ateneo de Manila University Press. ISBN 978-971-550-508-6.