Attack of the Puppet People

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Attack of the Puppet People
Attack of the Puppet People Poster.jpg
Directed by Bert I. Gordon
Jack R. Berne (assistant director)
Produced by Bert I. Gordon
Samuel Z. Arkoff (exec. producer)
James H. Nicholson (exec. producer)
Written by Bert I. Gordon
George Worthing Yates
Starring June Kenney
John Agar
John Hoyt
Music by Don A. Ferris
Henry Schrage
Cinematography Ernest Laszlo
Edited by Ronald Sinclair
Distributed by American International Pictures
Release dates
  • April 1958 (1958-04)
Running time
79 minutes
Country United States
Language English

Attack of the Puppet People (also known as I Was a Teenage Doll (working title), Six Inches Tall (UK) and The Fantastic Puppet People) is a 1958 American black-and-white science fiction horror film directed, produced and written by Bert I. Gordon. It stars John Hoyt as an eccentric doll maker. It was produced by Alta Vista Productions and distributed by American International Pictures as a double feature with War of the Colossal Beast.

The film was rushed into production by American International Pictures and Bert I. Gordon to capitalise on the success of The Incredible Shrinking Man, which had been released in 1957.


The film begins with a Brownie troop visiting a doll manufacturing company called Dolls Inc., owned and operated by the seemingly kindly Mr. Franz (John Hoyt). As the girls tour the factory, they see a number of very lifelike dolls stored in glass canisters locked in a display case on the wall. These are part of Mr. Franz’s special collection.

Sally Reynolds (June Kenney) answers a newspaper advertisement for a secretary; Franz's previous one has mysteriously vanished. Although she is concerned about his obsession with his dolls, she reluctantly agrees to take the job.

She soon meets a traveling salesman, Bob Westley (John Agar), who introduces himself as the best salesman in St. Louis and immediately sets about attempting to seduce her. Their relationship become serious enough that Bob persuades Sally to quit her job, promising to break the news to Franz.

The next day however, Franz informs Sally that Bob has gone back home to take care of business and that she should forget him. She, however, is unwilling to accept this and goes to the police with a theory about Franz' role in her boyfriend's disappearance ("He made Bob into a doll!"), but Sergeant Paterson (Jack Kosslyn) is skeptical. Franz has developed a machine which can shrink people down to a sixth of their original size. He then uses it on anyone who tries to leave him. When he finds that Sally plans to quit, she becomes his latest victim.

Franz has already miniaturized at least four other "friends". They are stored in suspended animation (which he has also invented) in glass jars in a display case in his office. After a reunion between Sally and Bob, Franz reveals how the process works and why he miniaturizes people (it seems that he developed a strong phobia against being alone after his wife left him). Periodically, Franz awakens his captives to enjoy parties he throws for them.

During a welcoming party for the two newcomers, Franz has to deal with full-size friend and customer Emil (Michael Mark). The prisoners try, but fail to call for help. However, Sergeant Paterson begins investigating Franz, as many people he knows seems to be missing. After Franz is questioned by Paterson, he panics, announcing to his miniature prisoners that he plans to kill them and himself before he can be caught. He takes his troupe to an old theatre, supposedly to test his repairs on Emil's marionette. There, he throws one last party, making his captives act out Dr. Jekyll and Mr. Hyde for him.

Bob and Sally manage to escape and make it back to Franz's workshop. Franz tracks them down, but not before they are able to return themselves to normal size. They leave to fetch the police, despite his feeble pleas. The fate of the other prisoners still miniaturized and frozen is not revealed.

Director Gordon's daughter Susan Gordon appears as a young girl, and another of Gordon's films is referenced when a scene from The Amazing Colossal Man is shown at a drive-in.



The film was shot under the title The Fantastic Puppet People.[1] Director Bert I. Gordon's daughter, Susan Gordon, was a last-minute substitute for another actress who was ill and unable to work. This was also her film debut.[2]


The film has gained somewhat of a cult status among fans of the B movie genre and this led to its ultimate release by Metro-Goldwyn-Mayer on DVD as part of the "Midnite Movies" collection. The strong acting performances have been praised by fans as has the music and singing.

The theme of loneliness prevalent has caused critics to view the film in a new light, a psychological horror with a deranged but misunderstood villain. The film was it a complimentary running commentary, and the special effects have also been praised for being simplistic yet very effective for a late 1950s film. The actual critical analysis of the film has led to some[who?] to call it one of the best films of all time.

The Donald Barthelme 1961 short story The Hiding Fan features two characters viewing the film.[3]

See also[edit]


  1. ^ Gary A. Smith, The American International Pictures Video Guide, McFarland 2009 p 18
  2. ^ Internet Movie Database Trivia
  3. ^ Daugherty, Tracy Hiding Man: A Biography of Donald Barthelme Macmillan, 3 Feb 2009

External links[edit]