Auckland War Memorial Museum
Tāmaki Paenga Hira[a]
|Established||25 October 1852|
|Type||Encyclopaedic (or 'universal')|
|Collection size||4.5 million objects|
|Visitors||859,779 (FY 2016–17)|
|Director||Dr. David Gaimster|
|Chairperson||Dr. William Randall|
|Public transit access||Parnell railway station|
|Nearest parking||On-site and in Domain|
The Auckland War Memorial Museum Tāmaki Paenga Hira (or simply the Auckland Museum) is one of New Zealand's most important museums and war memorials. Its collections concentrate on New Zealand history (and especially the history of the Auckland Region), natural history, and military history. The present museum building, which is considered one of the most iconic in Auckland, was constructed in the 1920s in the neo-classicist style, and sits on a grassed plinth (the remains of a dormant volcano) in the Auckland Domain, a large public park close to the Auckland CBD.
Auckland Museum's collections and exhibits began in 1852. In 1867 Aucklanders formed a learned society – the Auckland Philosophical Society, later the Auckland Institute. Within a few years the society merged with the museum and Auckland Institute and Museum was the organisation's name until 1996. Auckland War Memorial Museum was the name of the new building opened in 1929, but since 1996 was more commonly used for the institution as well. From 1991 to 2003 the museum's Māori-language name was Te Papa Whakahiku.
AK is the index herbariorum code for the Auckland War Memorial Museum.
The Auckland Museum traces its lineage back to 1852 when it was established in a farm workers' cottage on Princes Street in central Auckland, where the University of Auckland is now located. An announcement in newspapers in October of that year read:
Also, Weapons, Clothing, Implements, &c., &c, of New Zealand, and the Islands of the Pacific. Any Memento of Captain Cook, or his Voyages will be thankfully accepted. Also, Coins and Medals (Ancient and Modern.) In connection with the above, there is an Industrial Museum, to exhibit—Specimens of:
- building & ornamental Stone,
- Timber for various purposes
- Clays, Sands, &c., &c.,
- Dyes--Tanning substances, &c,
- Gums, Resins, &c.,
- Flax, Hemp, Hair, &c., &c.
As it is desirable that samples of New Zealand Wool should be exhibited—contributors are requested to send samples in duplicate, as soon as convenient, stating—the Sheep, where bred—of what breed—also the age—who contributed by. Donors are requested to send their contributions directed to the Honorary Secretary, at the Museum, any day in the week, except those open to the public.—Stating—the name of the contributor—where from—who contributed by—date—and any remarks that are considered necessary.
J. A. Smith,
Auckland, 25th Oct., 1852.
The Museum attracted 708 visitors in its first year. Interest in the museum dwindled over the following decade even as its collection grew, and in 1869 the somewhat neglected and forlorn museum was transferred to the care of the Auckland Institute, a learned society formed two years earlier. An Italianate-style building was constructed for the museum in Princes Street, near Government House and across the road from the Northern Club. It was opened on 5 June 1876 by the Governor of New Zealand, George Phipps, 2nd Marquess of Normanby. These new premises included a large gallery top-lit by a metal framed skylight. This room proved problematic as it was impossible to heat during the winter but overheated during the summer. Canvas awnings used to shield the roof from harsh sunlight made the exhibits difficult to view in the resulting gloom. Several exhibition halls were added to the side of the original building. One of the visitors during the 1890s was the French artist Gauguin, who sketched several Maori items and later incorporated them into his Tahitian period paintings.
War Memorial building
In the early years of the 20th century the museum and its collections flourished under visionary curator Thomas Cheeseman, who tried to establish a sense of order and separated the natural history, classical sculpture and anthropological collections which had previously been displayed in a rather unsystematic way. The need for better display conditions and extra space necessitated a move from the Princes Street site, and eventually the project for a purpose-built museum was merged with the idea creating a memorial to commemorate soldiers lost in the First World War. The site was a hill in the Government Domain commanding an impressive view of the Waitematā Harbour. Permission was granted by the Auckland City Council in 1918, the Council in its liberality being given three seats on the Museum Council. In addition to an initial gift of GB£10,000 (equivalent to about £400,000 in 2019), the council also agreed to an annual subsidy from rates towards maintenance of the facility, and eventually coaxed several of the other local bodies to the principle of an annual statutory levy of GB£6,000 to support the museum's upkeep.
A worldwide architectural competition was funded by the Institute of British Architects, with a prize of GB£1,000 (equivalent to about £40,000 in 2019) sterling drawing more than 70 entries. The Auckland firm of Grierson, Aimer and Draffin won with their neo-classical design reminiscent of Greco-Roman temples. In 1920, the present site was settled on as a home for the museum, and in August 1925, after successful fund-raising led by Auckland Mayor Sir James Gunson, building of the Auckland War Memorial Museum began. Construction was completed in 1929, and the Museum's new building was opened by the Governor-General, General Sir Charles Fergusson. The museum's architects commissioned Kohns Jewellers of Queen Street to create a finely detailed silver model of the museum. This was presented to Gunson upon completion of the museum, in recognition of his leading the project.
The building is considered[by whom?] to be one of the finest Greco-Roman buildings in the Southern Hemisphere. It has an 'A' classification from the New Zealand Historic Places Trust, designating it as a building whose preservation is of the utmost importance. Of particular interest is the interior plasterwork which incorporates Māori details in an amalgamation of Neo-Greek and art-deco styles. Likewise the exterior bas-reliefs, carved by Richard Gross (1882 – 1964) and depicting 20th-century armed forces and personnel, are in a style which mixes Neo-Grec with Art Deco.
Restored 19th-century plaster casts of three Greek statues—"The Dying Gaul", "Laocoön and His Sons", and "Discobolus"—emphasise the Greek Revival architecture of the building, and are considered "an acknowledgement of the historical importance of the arts and learning of classical antiquity to [New Zealand's] imported European culture". They are among 33 statues donated to the Museum in 1878 by a wealthy expatriate Aucklander, Thomas Russell .
The bulk of the building is English Portland stone, with detailing in New Zealand granite from the Coromandel. The quotation over the front porch—which begins "THE WHOLE EARTH IS THE SEPULCHRE OF FAMOUS MEN"—is attributed to the Greek statesman Pericles; its appearance is in keeping with the Museum's status as a war memorial. The full text reads as follows:
Two additions were made to the 1929 building, the first in the late 1950s to commemorate the Second World War when an administration annexe with a large semi-circular courtyard was added to the southern rear. This extension is of concrete-block construction rendered in cement stucco to harmonise with the Portland stone of the earlier building. In 2006, the inner courtyard was enclosed by a "Grand Atrium" at the southern entrance.
Renovation and extension
In the last two decades, the museum was renovated and extended in two stages. The first stage saw the existing building restored and the exhibits partly replaced during the 1990s for NZ$43 million. The second stage of this restoration has seen a great dome and atrium constructed within the central courtyard, increasing the building's floor area by 60 per cent (an addition of 9,600 m2 (103,000 sq ft)) at a cost of NZ$64.5 million. NZ$27 million of that was provided by the government, with the ASB Trust (NZ$12.9 million) and other donors making up the remainder. This second stage was finished in 2007.
The copper and glass dome, as well as the viewing platform and event centre underneath it, had been criticised by some as "resembling a collapsed soufflé", but quickly won the admiration of critics and public, being noted for "its undulating lines, which echo the volcanic landscape and hills around Auckland". Standing in the event centre underneath the top of the dome was likened to being underneath the "cream-coloured belly of a giant stingray, with its rippling wings hovering over the distinctive city skyline". In June 2007, the Grand Atrium project also received the Supreme Award of the New Zealand Property Council, which noted it as being "world-class", and a successful exercise in combining complex design and heritage demands. It has also received the ACENZ Innovate NZ Gold Award (Structural Engineering) for the redevelopment.
The new sections underneath the dome, mostly contained within a kauri-wood-panelled sphere approximately 30 m (98 ft) across, add 900 m2 (9,700 sq ft) of additional exhibition space, as well as an event centre under the dome roof with a free span 48 metres (157 ft) wide, plus new areas for tour and school groups, including an auditorium in the sphere-bowl with 200 seats. The bowl, which is the internal centre-piece of the expansion, weighs 700 tonnes and is suspended free-hanging from trusses spanning over it from the four elevator shafts located around it. A new 204-space underground parking garage at the rear has also been constructed to help cover the high demand for parking in the Domain.
Parnell Railway Station, which features the historic station building of the Newmarket station, was opened on 12 March 2017 in the suburb of Parnell, directly to the east of the Museum. It was thought that the station would see high demand from museum visitors, especially students and school children.
Collections, exhibitions and research
Auckland Museum's collections are organised into three principal areas: documentary heritage (manuscripts, correspondence and other historical documents in archives, along with pictorial art); the major branches of the natural sciences; and human history (broadly, material culture). The Museum maintains a high degree of regional cooperation and complementary collecting with other organisations across Auckland (among them Auckland Libraries and Auckland Art Gallery Toi o Tāmaki), and has done since its inception.
The Museum's nationally and internationally significant Documentary Heritage collections comprise manuscripts, ephemera, maps, charts and plans, newspapers and periodicals, rare and contemporary books and pamphlets, photographs, and works of art in the form of paintings, bookplates, and sketches and drawings. Among the areas of significant focus are Māori and Pacific cultures, the human and natural history of the Greater Auckland region, New Zealanders' involvement in global conflicts, and exploration and discovery. The Museum holds the only known extant copy of A Korao no New Zealand, the first book written in the Māori language, published at Sydney in 1815 by the missionary Thomas Kendall.
The Museum has considerable holdings in historic paintings, rare watercolours, photographs and other artworks. The Pictorial collection numbers in the millions, and contains some of the earliest examples of the development of the photographic arts and technology in New Zealand, including calotypes by William Fox Talbot; some of the first known daguerrotypes made in New Zealand, and an ambrotype portrait of the Ngā Puhi chief Tāmati Wāka Nene attributed to John Nicol Crombie.
The latter part of the 20th century is substantially represented by the collection of the documentary photographer Robin Morrison, while among the women photographers of note represented are Una Garlick and Margaret Matilda White. Other collections include the documentary photographs of the Auckland Star and New Zealand Herald newspapers; some work by Arthur Ninnis Breckon and George Bourne, including images made for the Auckland Weekly News; the work of Tudor Washington Collins and John Watt Beattie, and the archive of Sparrow Industrial Pictures. The paintings and drawings collection includes works by Charles Heaphy, Gustavus von Tempsky, George French Angas, and John Webster, as well as portraits of Māori by C. F. Goldie and Gottfried Lindauer, and an impressive set of albums by the 19th-century clergyman and watercolour artist John Kinder. The Museum also has a significant bookplate collection, which contains more than 7,000 plates collected by the renowned Australian scholar Percy Neville Barnett.
Manuscripts and archives
The Manuscripts and Archives collection is of major regional importance and, at approximately 2,000 linear metres, it is one of the largest non-governmental archives in New Zealand. The collection covers large organisational and business archives and smaller personal collections which record and illustrate New Zealanders' lives within the country and abroad, especially during military service.
Among the personal papers held at the Museum are 19th-century papers relating to the pioneering Williams family and the Reverend Vicesimus Lush; the papers of the politician John Logan Campbell, who has been called "the father of Auckland"; the mountaineer, explorer and philanthropist Edmund Hillary; and those of the British Resident James Busby. In addition, the Library also holds the papers of:
- Former Museum Director and Curator Thomas Frederick Cheeseman
- Botanist Leonard Cockayne
- Librarian and author Johannes C. Andersen
- Historians Ruth Ross and Jack Lee[i]
- Potter, writer, and conservationist Barry Brickell
- John Roland Preston Lee, 1913–1998.
Among the companies and organisations represented in the collection are:
- Crown Lynn Potteries (covering the period 1959 – 1987)
- The Martha Gold Mining Company (covering the period 1915 – 1951)
- Seed merchants Arthur Yates & Co. (covering the period 1882 – 1940)
- Pelorus Press Ltd. (covering the period 1947 – 1978)
- The Farmers' Trading Company (covering the period 1909 – 1987)
The collection includes both local and national society records; some examples include:
- Ornithological Society of New Zealand
- Auckland Society of Arts
- Auckland Acclimatisation Society
- Auckland Amateur Operatic Society
- Auckland Choral Society
- Auckland Studio Potters
- Auckland Photographic Society
About 600 manuscripts contain material by or about women. These provide fascinating insights into the lives of both pioneering and contemporary women, and are described in the Museum publication Womanscripts, compiled by Sue Loughlin and Carolyn Morris (1995).
Nearly 300 manuscripts are described as being Māori or having Māori elements. Most of these are recorded in Jenifer Curnow's 1995 book Ngā Pou Ārahi, a tribal inventory relating to Māori treasures, language, genealogy, songs, history, customs and proverbs.
Maps and plans
The Museum is one of a small number of organisations in New Zealand which collects and cares for historic maps. The map collection contains large sequences of official New Zealand maps, WWII-era military maps, subdivision plans, and other material, including atlases, which helps record and provide evidence of early New Zealand development. There is also a small collection of significant maps relating to the discovery and exploration of the Pacific Ocean and islands by Europeans, dating from before 1800.
Serials and newspapers
Serials were the first collection items ordered by the Auckland Institute when it was formed in 1867. There are approximately 4,500 historical and current titles in the assemblage, excluding electronic journals. The extent, and in some cases uniqueness, of the Museum's holdings of historical and current journals makes their research value of national importance.
The Museum holds the country's most significant collection of Auckland newspapers, based on a 1967 donation by Wilson & Horton of their historical Auckland newspapers dating from the early 1840s and supplemented by individual donations. The Museum contributes to the research site Papers Past, as well as to the national network of institutions that hold historical newspapers.
Museum Library Te Pātaka Mātāpuna
The Museum's own business and research archives (covering its governance, curation, exhibitions, education, publishing, building development and maintenance, and internal management) are housed alongside the above, and are accessed by way of the Museum Library Te Pātaka Mātāpuna, one of the country's leading heritage research libraries. The Library's collections of books and other publications are focused on New Zealand subject areas and are developed chiefly to support curatorial work and collecting, but also feature significant holdings of Māori-language material, and an impressive collection of rare books, including 16th-century herbals and florilegia, and many rare volumes on conchology. In addition, there exists an extensive collection of ephemera, built for the most part on donations from private collectors starting in the 19th century.
The Museum's natural sciences collections are principally a research and reference assemblage that provides information on the distribution and morphology of plant, animal and mineral species in New Zealand and the regional Pacific. The Museum stores and exhibits 1.5 million natural history specimens from the fields of botany, entomology, geology, land vertebrates and marine biology.
The botanical collections of the Auckland Museum Herbarium (code "AK") were first established in 1870, and are the means by which the department carries out its function of collection and preservation of botanical materials, education—through public enquiries, individual and group visits, outreach programmes, and the display of material—and research and publication on various aspects of New Zealand flora. The focus of the herbarium collection is on wild plants (native and naturalised) in all plant groups principally from northern New Zealand and its offshore islands. Auckland Museum's is one of only three significantly sized herbaria in New Zealand; the others are at Landcare Research Auckland and the Museum of New Zealand Te Papa Tongarewa, in Wellington.
The herbarium contains a number of collections from significant botanists including Thomas Cheeseman (curator, 1874 – 1923), and Captain James Cook's botanists, Joseph Banks and Daniel Solander. The Herbarium holds over 333,000 botanical specimens—including 200,000 angiosperms, 5,000 gymnosperms, 30,000 pteridophytes, 21,500 mosses, 12,300 liverworts, 22,000 algae, 27,200 lichens, and 1,000 timber samples. The Museum also holds a substantial collection of kauri gum, and a specialist collection of "fern books" (bound collections of ferns made by amateurs and professionals) along with a small "wet" collection—specimens preserved in liquid—of flowers, fruit and algae.
The Entomology collection contains about 250,000 catalogued specimens and, while focused on the northern areas of New Zealand, includes important collections ranging from Three Kings Islands to the sub-Antarctic Islands. It is part of a national and international network and aims to contain a comprehensive reference collection of all insect types as well as other terrestrial and freshwater invertebrates (worms, spiders, millipedes and centipedes, some isopods and amphipods) from the New Zealand region. This includes both native and introduced species. Its importance lies in the ability to support research into the biodiversity of New Zealand's terrestrial invertebrates (particularly beetles, moths and parasitic wasps), and their contribution to complex ecologies. Foreign collections of beetles and butterflies feature also, for comparative and educational value.
In 2009, the Museum acquired a collection of butterflies and books about butterflies bequeathed by the late Ray Shannon, a private collector whose interest in lepidopterology began while he was stationed in the Solomon Islands during the Second World War. The collection contains about 13,000 specimens of just under 3,000 species and subspecies.
The Geology collection was originally focused on material from the Waihi, Thames and Coromandel gold fields, through deliberate collecting by the Museum's geologists as well as those donated by private collectors. It has been augmented by volcanic specimens of research and historical interest. The collection of around 12,000 specimens contains a number of nationally significant materials, and supports research work and collections held at other museums, universities and Crown Research Institutes.
The Palaeontology collection was established in the early 1900s and, with more than 20,000 specimen lots, is one of the largest collections of fossil invertebrates in New Zealand. Its importance lies in its ability to contribute understanding of evolutionary change, past biodiversity and the record of dynamic change during the past 65 million years with rapid submergence and uplift at various times during New Zealand's geological history. Past climate change and the significance of glacial cycles and oscillation are reflected in the specimens and their associated data as well.
The Land Vertebrates collection comprises more than 12,500 bird specimens, 2,500 amphibians and reptiles, and 1,000 land mammals, primarily collected from Northern New Zealand. Among the specimens are the oldest surviving New Zealand stuffed birds, bought around 1856–57, from Mr I. St John, a taxidermist from Nelson. The collection is particularly strong in kiwi and moa, oceanic seabirds, penguins, cormorants, ducks, waders and allies (Charadriiformes), passerine birds, tuatara, geckos, skinks, Pacific reptiles and New Zealand bats.
The Marine collection, especially its shell assemblage, was largely established through A. W. B. Powell's association with the Museum (1916 – 1987). Numbering an estimated 200,000 specimens in the collection, it includes fishes, most invertebrate phyla and the largest collection of endangered New Zealand land snails. Extensive surveys of Auckland Harbour from the 1930s and later fieldwork in the harbours and estuaries of the upper North Island have built the country's most important collections for taxonomic and biodiversity research in the northern region of the country. Other important aspects of the collection comprise material from the southwest Pacific, including the most comprehensive record of the Kermadec Islands' marine species.
Established in 1966, the Museum's Applied Arts and Design collection includes ceramics, jewellery, furniture, glass, metalwork, costumes, textiles, costume accessories, musical instruments, horological objects and objets d′art from around the world. The collection numbers nearly 7,000 objects and represents key makers, manufacturers, designs, designers and technical developments and styles primarily of Auckland, but also of the Auckland region of New Zealand, and Western and Eastern cultures. The Applied Arts and Design department receives acquisition funds from the Charles Edgar Disney Art Trust, and has a number of loan collections including the Mackelvie Trust Collection. A collection of 7,000 objects from across Asia is displayed on rotation.
The Museum has on loan all of the applied arts objects donated to the city of Auckland by James Tannock Mackelvie, a Glaswegian Scot who lived and worked in Auckland from 1865 to 1871. He made a fortune in land speculation and gold-mining investments before returning to London, and was perhaps Auckland's single biggest arts benefactor. Mackelvie was a prodigious collector and from the beginning intended his acquisitions to one day form a teaching collection in New Zealand.
Castle Collection of musical instruments
A collection of more than 480 musical instruments was acquired in 1996 from Zillah and Ronald Castle. The Casle Collection contains "rare violins, an 18th century harpsichord and an eclectic collection of instruments associated with New Zealand's pioneer days". The items in the collection "range over every imaginable un-powered device capable of producing music", and includes "workable examples of every member of the violin family, as well as didgeridoos, a zuffolo, harpsichords, a crwth, harps, tablas, a sáhn, horns, trumpets, clarinets, [and] a hurdy-gurdy".
The main focus of the Archaeology collection is Māori material with a range of stylistic and material variation over time and space. Auckland Museum is the only collecting institution to have a curator Archaeology permanently on staff and, significantly, the only institution to curate archaeological assemblages containing not only formal artefacts but also faunal bone and shell samples, stone flakes, and botanical material from excavated sites in the Greater Auckland, Northland and Coromandel Peninsula regions. The collections are in high demand by academic researchers and students, and Pacific collections such as those from Samoa are also well used. Other collections, particularly those from Egypt and Greece, were obtained through the Museum's relationship in the 1920s with the Egyptian Exploration Society and the British Museum.
Taonga Māori (Ethnology)
The museum houses a large collection of Māori and Pacific Island artefacts, including Hotunui, a large whare rūnanga (carved meeting house) built in 1878 at Thames, and Te Toki-a-Tapiri, a Māori war canoe from 1830 carved by Te Waaka Perohuka and Raharuhi Rukupō. Within New Zealand, the Taonga Māori collection is of equal significance to that of the national museum, Te Papa Tongarewa. It is a cultural and research resource of the first order, having the most comprehensive range of types and periods of material and is essential for the whole spectrum of studies in Māori art and material culture. The collection dates from the early decades of the founding of the Museum; its focus has been on acquiring first-quality 'masterworks' from all tribal and geographic areas of New Zealand, as well as representative material-culture items. The Museum's collection of ethnic musical instruments is the largest in the country, and is one of the most important in the world.
The Museum's comprehensive Pacific collection has a range of arts and material culture from tropical Polynesia, Melanesia and Micronesia. The collection is diverse both geographically and in type of material, covering all the cultures of the Pacific, from West Papua, north-east to Hawaii and south-east to Easter Island. Objects are collected for their intrinsic cultural or artistic importance, and also for their place within a temporal or geographic range by virtue of the relevance of their maker, who may be anonymous.
The World (Foreign Ethnology) collection is diverse, the largest and most significant of its type in the country. It aims to reflect a well-balanced range of arts and artefacts of non-Western, -Pacific, and -Māori cultures, and it is an important collection in terms of its ability to portray the diversity of world cultures, in particular that of South-east Asia, because of that area's "prehistoric links with Polynesian cultures and its contemporary regional political significance".
Social and War History
The War History collection was established in 1920, following the end of the First World War and spurred on by the decision to build a new museum as the War Memorial for the Auckland Provincial region. The collection addresses four major themes: the experiences of war, the impact of war, remembering war, and the materiality of war. It includes a significant medal collection, a wide range of swords and firearms as well as material culture related to New Zealanders' military service. The Social History collection was established in 1992, by the amalgamation of the War collections and the Colonial History collection (established 1965), together with the Numismatic, Maritime History and Philately collections. The collection has two main strands: New Zealand at War, and Auckland/New Zealand social history. As their historical context and documentation is improved, the collections' significance as a research and reference resource has also increased. While the geographical collection focus is Auckland, this does not exclude collections which relate to a wider geographical area, that explore connections between Auckland and its hinterland, and New Zealand and the wider world.
The Museum publishes two scholarly serials as part of its statutory role to advance and promote cultural and scientific scholarship and research—the regular Records of Auckland Museum,[d] which has been published since 1930 and contains results of original research on the Museum collections and research by curatorial and other staff, and associates, and the occasional Bulletin, which appears less often and usually contains results of larger research projects. The Records contain more than 450 articles written by over 150 different authors and co-authors dealing mostly with zoology, archaeology, ethnology, and botany. The articles contain important accounts of archaeological excavations and ethnographic objects, and descriptions of nearly 700 new taxa (mostly new animal species and subspecies). Both publications are distributed by exhange to 250 academic institutions and like-organisations around the world.
The Museum has an extensive permanent exhibition, "Scars on the Heart", covering wars—including the New Zealand Wars and New Zealand's participation in overseas conflicts such as the First and Second World Wars; the Anglo-Boer War; conflicts such as the Korean and Vietnam Wars, and the country's role in UN Peacekeeping missions. This exhibition is linked to the War Memorial, and shows, for example, models of Māori pā (fortified settlements) and original Spitfire and Mitsubishi Zero aeroplanes. In November 2016, Pou Maumahara,[e] a memorial enquiry centre, was established, and in 2017, the Museum opened "Pou Kanohi: New Zealand At War", a new permanent exhibition designed "to tell young people about the country's experiences of WWI".
Parts of the museum, as well as the Cenotaph and its surrounding consecrated grounds (Court of Honour) in front of the Museum, also serve as a war memorial, mainly to those who lost their lives in the First and Second World Wars. There are two "Halls of Memory" within the museum, whose walls, together with a number of additional marble slabs, list the names of all known New Zealand soldiers from the Auckland Region killed in major conflicts during the 20th century.
RSA representatives have noted that the Cenotaph area is in need of renovation, and also would like measures put in place that ensure the area is treated with more respect by people using the park or visiting the museum. Auckland City was considering replacement the old concrete paving with granite and basalt pavers. This was apparently decided against, possibly for cost reasons. The city has however conducted substantial remedial works, to improve the condition of the existing Court of Honour, including repairs to and lighting of the steps, uplighting of the Cenotaph, as well as general cleaning and a new interpretive engraving provided by the Auckland RSA.
In early 2010, Auckland City Council started work in front of the Court of Honour, up to then taken up by a smaller car park. The area is to be changed to provide a new water feature instead, and walkways and other infrastructure will also be upgraded. Work around the court is to be completed by Anzac Day 2010, with the remainder following in July 2010.
The Museum is governed by a trust board, and has an Executive Management Team headed by a Director. The board's duties, functions and powers, and its responsibilities to ten statutory objectives are set out in the Auckland War Memorial Museum Act 1996. Paramount amongst its responsibilities is the trusteeship and guardianship of the Museum and its extensive collections of treasures and scientific materials.
The Act also tasks the Board with the appointment of a Māori Committee of no less than five members, known as the Taumata-ā-Iwi. The Taumata-ā-Iwi is founded upon the principle of mana whenua (customary authority of and over ancestral land), and comprises Ngāti Whātua, Ngāti Pāoa and Tainui. The committee is "responsible for the provision of advice and assistance to the Trust Board in a series of matters as set out in the Act," including matters provided for in the Treaty of Waitangi.(§ 16 (8)) The Act further "empowers the Taumata-ā-Iwi to give advice on all matters of Māori protocol within the Museum and between the Museum and Māori people at large",( ) codified in the committee's governance principles as "the right to advise".
List of Directors
The following is a list of Directors to date, the first three of whom used the title "Curator":
|John Alexander Smith (Honorary Curator and Secretary)||1852–1857|
|Thomas Kirk (Secretary)||1868–1873|
|Thomas Frederic Cheeseman (Secretary and Curator)||1874–1923|
|Sir Gilbert Archey||1924–1964|
|E. Graham Turbott||1964–1979|
|G. Stuart Park||1979–1993|
|Dr Rodney Wilson||1994–2007|
|Dr Vanda Vitali||2007–2010|
|Sir Don McKinnon||2010–2011|
|Rear Admiral Roy Clare||2011–2016|
|Dr David Gaimster||2017–present[update]|
The papers and memorabilia of the late Sir Edmund Hillary, the first man to reach the summit of Mount Everest, are held in the Museum. In 2009, legal action over publishing rights to his papers between his children, Peter and Sarah Hillary, and the museum. New Zealand Prime Minister John Key offered to mediate, and his offer was accepted and the matter resolved amicably.
The appointment and activities of Dr. Vanda Vitali, a Canadian citizen who served as Director from 2009 until her resignation in 2010, saw a number of highly disputed changes in the museum, with numerous staff being made redundant, or having to reapply for their positions. The museum also charged a controversial "donation" for entry (while still claiming to provide free entry), despite a museum levy being part of the regional rates.
Vitali was roundly criticised for many of her actions by a number of former staff and public figures, such as editorialist Pat Booth, who accused her of downplaying the "War Memorial" element of the museum name and function, as well as by former finance head of the museum, Jon Cowan, who in a letter to the New Zealand Herald argued after her resignation that she was responsible for a significant fall in visitor numbers and visitor satisfaction during her tenure. He also claimed that these statistics had ceased to be published in the second year of Vitali's work at the museum, given the clear negative trends of her initial year.
- Tāmaki Paenga Hira means Auckland's memorial to fallen chiefs and their gathered taonga. Tāmaki is Auckland, the net of Maki. Paenga is to ceremonially layout, heap together on a marae, a margin, a chiefly boundary, and a reference to those fallen in battle. Hira is numerous, abundant, important, of consequence, great.
- This name was given by former Museum director Dr. Gilbert Archey, and means "filled with treasures".
- This name was given in 1992 by the Māori Language Commission Te Taura Whiri i te Reo Māori; its meaning was explained by Sir Hugh Kāwharu in a 2001 lecture, "Land and Identity In Tāmaki: a Ngāti Whātua Perspective":
I feel I should explain at this point that Te Papa Whakahiku is not a literal translation of "Auckland War Memorial Museum". Te Papa refers to Papatuanuku, the earth mother, the place where all people will be ultimately buried (in this context, in war cemeteries here or abroad). Whakahiku means to bring together treasures, a repository, a museum. Hiku also means the tail of a fish. That is, in the North Island (Maui’s legendary fish – Te Ika a Maui) the head is regarded as at Wellington while the tail is at Auckland and all lands to the north: hence "Te Papa Whakahiku".
- JSTOR ISSN 00670464 & JSTOR ISSN 11749202.
- Māori for '"post of remembrance"'.
- "Frequently asked questions". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- Kāwharu, Hugh (2001). Land and Identity In Tāmaki: a Ngāti Whātua Perspective (PDF) (Speech). Hillary Lecture. Auckland, New Zealand: Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Hotunui, Whare Runanga". www.aucklandmuseum.com. Retrieved 24 January 2018.
- "Te Toki a Tapiri, waka taua". www.aucklandmuseum.com. Retrieved 24 January 2018.
- "UNESCO Memory of the World: New Zealand register". www.unescomow.org.nz. UNESCO Memory of the World Programme. Retrieved 26 January 2018.
- Furey, Louise (2 October 2015). "Tairua trolling lure". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
Auckland Museum has in the collection a unique tangible link between Māori and the East Polynesian homeland. A fishing lure made from tropical black-lipped pearl shell (Pinctada margaritifera) was found in a 1964 archaeological excavation at Tairua on the Coromandel Peninsula. The lure is highly significant because it was made in East Polynesia and brought here, on a waka, with the Polynesian settlers of Aotearoa. […] Despite over 60 years of professional archaeological excavations in New Zealand, the pearl shell lure is the only object from Polynesia to have been found in situ in an excavation.
- Auckland War Memorial Museum Tāmaki Paenga Hira Five-Year Strategic Plan (Report). Auckland War Memorial Museum. 2017. Retrieved 26 January 2018.
As kaitiaki (guardians), responsible for caring for more than 4.5 million treasures, we hold the 'DNA' of Auckland.
- Curiosity Lives Here: Annual Report 2016–2017 (Report). Auckland War Memorial Museum Tāmaki Paenga Hira. 2017. p. 3. Retrieved 25 January 2018.
- Powell, A.W.B., ed. (1967). The Centennial History of the Auckland Institute and Museum. Auckland Museum, Auckland.
- "Chairman's Review". Auckland War Memorial Museum Annual Report: 2. 1996–1997.
- Auckland Institute and Museum Annual Report. 1990–91. pp. 11–12.
- Auckland War Memorial Museum Annual Report. 2003–2004. pp. 7–8.
- "Herbarium List - The William & Lynda Steere Herbarium: AK". sweetgum.nybg.org. Retrieved 9 November 2020.
- "Page 2 Advertisements Column 1". Daily Southern Cross. IX (557). 29 October 1852. p. 2. Retrieved 23 January 2018 – via Papers Past.
- Cheeseman, T.F. (1917). The First Fifty Years of the Auckland Institute and Museum and its Future Aims. Auckland Museum, Auckland.
- Wolfe, R. (2001). "Mr Cheeseman's legacy: the Auckland Museum at Princes Street". Records of the Auckland Museum. 38: 1–32.
- Stevens, Andrea (23 November 2015). "The Auckland Museum frieze: Scenes of war". www.aucklandmuseum.com. Retrieved 24 January 2018.
- "Statue of the Dying Galatian". www.aucklandmuseum.com. Auckland War Memorial Museum. 1997X1.10. Retrieved 26 January 2018.
In 1878, the Auckland Museum in Princes Street received a gift of 33 casts of antique statuary from a wealthy expatriate Aucklander, Thomas Russell. John Logan Campbell saw the opportunity to establish the first free school of art in Auckland to be located in the Museum. Other classical statues were subsequently donated[, and] were used as models for figure drawing. This plaster replica was made in the cast workshop of [Domenico] Brucciani's Galleria delle Belle Arti in Russell St, Covent Garden, London.
- "The Russell Statues". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Search for creator: "Domenico Brucciani"". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Polyhymnia sculpture". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- Lorimer, Elizabeth (7 November 2016). "Names on the walls, engraved in stone". www.aucklandmuseum.com. Retrieved 24 January 2018.
- "Pericles' funeral oration". www.aucklandmuseum.com. The oration is translated into te reo Māori by Bernard Makoare. Auckland War Memorial Museum. Retrieved 24 January 2018.CS1 maint: others (link)
- New beret for an old soldier – e.nz magazine, IPENZ, January/February 2008, Pages 23–27
- Auckland War Memorial Museum Annual Plan 2006/2007 (PDF) (Report). Auckland War Memorial Museum. 2007. p. 3. Retrieved 24 January 2018.
In December 2006, the $64.5 million ‘Grand Atrium’ will be officially opened.
- Museum's grand atrium project takes top award – New Zealand Herald, 30 June 2007
- "Spectacular makeover nearly ready" – New Zealand Herald, Saturday 9 September 2006, page A13
- Gregory, Angela (16 November 2006). "View from museum's dome beats all criticism". The New Zealand Herald. ISSN 1170-0777. Retrieved 26 January 2018.
- Auckland Museum Grand Atrium Project – Innovate NZ, Brochure of the '2007 ACENZ Awards of Excellence', Page 6
- View from museum's dome beats all criticism – New Zealand Herald, 16 November 2006
- The Grand Atrium spaces (from the Museum homepage)
- "Low passenger numbers force Westfield Station's closure". Manukau Courier. 17 January 2017. Retrieved 13 March 2017.
- Delight at Government's decision to reopen Onehunga line – New Zealand Herald, 14 March 2007
- "About our collection". www.aucklandmuseum.com. Retrieved 25 January 2018.
- "George Samuel Graham - Papers". www.aucklandmuseum.com. Retrieved 25 January 2018.
George Graham's papers are held in Auckland Libraries' Sir George Gray Special Collections and in the Auckland War Memorial Museum Library, with the latter holding the greater part.
- "The Mackelvie Collection". www.aucklandmuseum.com. Retrieved 24 January 2018.
Auckland Museum holds all of the applied arts that Mackelvie donated to Auckland, both while he was alive and on his death. Paintings and sculptures are held in the Auckland Art Gallery and books are held in the Auckland Library.
- "Māori language, whakapapa, history". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "The Museum Library". www.aucklandmuseum.com. Retrieved 24 January 2018.
- Warren, Geraldine (20 May 2015). "A korao no New Zealand". www.aucklandmuseum.com. Retrieved 26 January 2018.
- "Documentary Heritage". www.aucklandmuseum.com. Retrieved 24 January 2018.
- "About the Pictorial collections". www.aucklandmuseum.com. Retrieved 24 January 2018.
- Higgins, Shaun (20 May 2015). "NZ-made: Early New Zealand cased photographs". www.aucklandmuseum.com. Retrieved 26 January 2018.
- "Tamati Waka Nene". www.aucklandmuseum.com. Retrieved 26 January 2018.
- Dix, Kelly (26 March 2016). "Photographs of a prophet". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- Higgins, Shaun (20 May 2015). "John Watt Beattie's south and western Pacific views". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
In 1933 Auckland Museum purchased, for the grand sum of £25, a series of some 1300 glass plate negatives from Beattie's Studios Pty. Ltd., Hobart, Tasmania. The negatives were the work of photographer John Watt Beattie, taken during an expedition to the South and Western Pacific in 1906.
- Lilly, Hugh (9 July 2015). "Bookplates: Small Works of Art". www.aucklandmuseum.com. Retrieved 24 January 2018.
- "Manuscripts". www.aucklandmuseum.com. Retrieved 24 January 2018.
- "Papers relating to the Williams family". www.aucklandmuseum.com. MS-90-70. Retrieved 24 January 2018.
Collection includes deeds, wills, birth, death and marriage certificates.
- "Sir John Logan Campbell – Papers". www.aucklandmuseum.com. MS-51. Retrieved 24 January 2018.
- "Sir Edmund Hillary – Personal papers". www.aucklandmuseum.com. MS-2010-1. Retrieved 24 January 2018.
- Lilly, Hugh; Passau, Victoria (5 August 2016). "Barry Brickell". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
Auckland Museum holds papers relating to Brickell's studio, his artistic practice and his commissioned works, both public and private. The collection, which dates from 1965 to 1985, includes correspondence, newspaper clippings, sketches and photographs.
- Paterson, Lachy; Wanhalla, Angela (2017). He Reo Wāhine : Māori women's voices from the nineteenth century. Auckland, New Zealand: Auckland University Press. ISBN 1775589277. OCLC 1000453795.
We began gathering the voices of Māori women and their writings by building on the work of previous research, for example […] Auckland War Memorial Museum's Womanscripts…
- "Ngā pou ārahi : ko te rārangi-ā-iwi o ngā tuhituhinga mo ngā taonga Māori, arā mo te reo, mo ngā whakapapa, mo ngā waiata, mo ngā korero, mo ngā tikanga, mo ngā whakataukī = Tribal inventory of manuscripts relating Māori treasures, language, genealogy, songs, history, customs and proverbs". Nelson Provincial Museum. Retrieved 25 January 2018.
- Senior, Julie (20 May 2015). "South Auckland Real-Estate Plans". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Search for "Maps/Plans"". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 25 January 2018.
- Senior, Julie (18 August 2015). "Early European charts of the Pacific Ocean". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Search for doctype: "Serial"". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- Legel, Paula (6 July 2015). "Heritage Auckland newspapers". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Research Library & Pou Maumahara". www.aucklandmuseum.com. Retrieved 24 January 2018.
- Bayliss, Tamsyn (11 March 2016). "Illustrated leaves". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- Bayliss, Tamsyn (20 May 2015). "Rare books and conchology". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Natural Science Collection". www.aucklandmuseum.com. Retrieved 26 January 2018.
- "Herbarium details: Auckland War Memorial Museum (AK)". www.nzherbaria.org.nz. Retrieved 26 January 2018.
- "About Our Collections: Botany". Retrieved 23 January 2018.
- "Cataloguing our collections". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- Harvey, Megan (8 January 2016). "Natural Sciences Wet Collection Project". www.aucklandmuseum.com. Retrieved 24 January 2018.
- "Herbarium details: Auckland War Memorial Museum (AK)". www.nzherbaria.org.nz. Retrieved 22 January 2018.
- Early, John (4 May 2016). "The Shannon butterfly collection". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "History of land vertebrates collection". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Land vertebrates". www.aucklandmuseum.com. Retrieved 26 January 2018.
- "Applied Arts and Design". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- Clarke, Philip. "Encounter". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- Cochrane, Grace. "Landmarks". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
Significant gifts of European and Oriental objects and collections, reflecting the interests of individual connoisseurs and collectors, had been made to the Museum, and in 1967 The Charles Edgar Disney Art Trust was set up for the Museum to purchase items in these fields.
- "Arts of Asia". www.aucklandmuseum.com. Retrieved 24 January 2018.
- le Valliant, Louis (5 June 2015). "Castle Collection of musical instruments". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Hotunui, Whare Runanga". Auckland War Memorial Museum. Retrieved 19 November 2015.
- "Te Toki a Tapiri, waka taua". Auckland War Memorial Museum. Retrieved 19 November 2015.
- Oliver, Steven. "Te Waaka Perohuka". Dictionary of New Zealand Biography. Ministry for Culture and Heritage. Retrieved 20 December 2011.
- 2r30, Raharuhi Rukupo. December 2020 "Harrison, Pakariki; Oliver, Steven" Check
|url=value (help). Dictionary of New Zealand Biography. Ministry for Culture and Heritage.
- "Categories of collections". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Records of the Auckland Museum". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Bulletin of the Auckland Museum". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Scars on the Heart". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Spitfire". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Zero". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Māori Dictionary: "maumahara"". maoridictionary.co.nz. Te Ipukarea (the National Māori Language Institute). Retrieved 25 January 2018.
- "The people of Pou Maumahara". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- Christian, Dionne (9 October 2017). "War stories told for a new generation". The New Zealand Herald. ISSN 1170-0777. Retrieved 24 January 2018.
- "World War One Hall of Memories". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
The top floor of the Museum is dedicated to the memory of fallen soldiers and included within the war memorial galleries is the spectacular World War One Hall of Memories.
- "Galleries: Top floor". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- RSA and museum seek Cenotaph upgrade[permanent dead link] – The New Zealand Herald, Tuesday 3 January 2006
- Museum and Cenotaph Master Plan Archived 15 October 2008 at the Wayback Machine (from the Auckland City Council website. Accessed 2008-03.26.)
- "Museum upgrade begins". City Scene. Auckland City Council. 14 February 2010. Retrieved 15 February 2010.[permanent dead link]
- "About Us: Taumata-ā-Iwi". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 30 January 2018.
- "Executive Team and Trust Board". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Auckland War Memorial Museum Act 1996". www.legislation.govt.nz. Parliamentary Counsel Office. Retrieved 26 January 2018.
- "Taumata-ā-Iwi Kaupapa". www.aucklandmuseum.com (in Maori). Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Taumata-ā-Iwi Guiding Principles". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Taumata-ā-Iwi: Governance principles". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 30 January 2018.
- "Taumata-ā-Iwi Guiding Principles". www.aucklandmuseum.com. Auckland War Memorial Museum. Retrieved 26 January 2018.
- "Taumata-ā-Iwi Kaupapa". www.aucklandmuseum.com (in Maori). Auckland War Memorial Museum. Retrieved 26 January 2018.
- Museum, Auckland War Memorial (26 January 2018), English: Honours board in the Members' Lounge at Auckland Museum, listing Directors of the Museum since its inception in 1852., retrieved 23 April 2019
- "Museum backs chief over Hillary row", Isaac Davison, 18 May 2009, NZ Herald
- Key's involvement solved dispute – Peter Hillary – The New Zealand Herald, 20 July 2009, retrieved 29 September 2012
- "Issued on behalf of the Auckland War Memorial Museum, and Peter and Sarah Hillary" (PDF). Auckland Museum. 20 July 2009.
- Booth, Pat (16 March 2010). "Don't mess with an historic name". Harbour News / other newspapers via stuff.co.nz. Retrieved 3 April 2010.[permanent dead link]
- Cowan, John (25 March 2010). "Reader's Forum". Museum statistics – letter to the editor in The New Zealand Herald. pp. A10.
|Wikimedia Commons has media related to Auckland War Memorial Museum.|