Avatar: The Last Airbender
|Avatar: The Last Airbender|
|Also known as||Avatar: The Legend of Aang|
|Composer(s)||Jeremy Zuckerman, Benjamin Wynn|
|Country of origin||United States|
|No. of seasons||3|
|No. of episodes||61 (list of episodes)|
|Running time||23 minutes|
|Picture format||NTSC 4:3 (480i)|
|Original release||February 21, 2005– July 19, 2008|
Avatar: The Last Airbender (Avatar: The Legend of Aang in some regions) is an American animated television series that aired for three seasons on Nickelodeon. The series began in February 2005 and concluded with a two-hour episode titled Sozin's Comet in July 2008. Avatar: The Last Airbender is set in an Asiatic-like world in which some people can manipulate the classical elements with psychokinetic variants of the Chinese martial arts known as "bending". The series is presented in a style that combines anime with American cartoons and relies on the imagery of East-and-South Asian, Inuit, and New World societies. It follows the protagonist, twelve-year-old Aang and his friends, who must bring peace and unity to the world by ending the Fire Lord's war with three nations.
The series was commercially successful and was universally acclaimed by audiences and critics who praised its art direction, humor, cultural references, characters, and themes. It was nominated for—and won—Annie Awards, Genesis Awards, a Primetime Emmy Award, and a Peabody Award. The first season's success prompted Nickelodeon to order a second and third season and the series inspired a critically panned but financially successful live-action film, The Last Airbender, which was directed by M. Night Shyamalan. Merchandising for the series consisted of action figures, a trading card game, three video games, stuffed animals distributed by Paramount Parks, and two Lego sets. An art book was published in June 2010. A sequel series titled The Legend of Korra aired from 2012 to 2014.
Avatar: The Last Airbender is set in a world—adjacent to a parallel spirit world—that is home to humans and hybrid animals. Human civilization is divided into four nations; the Water Tribes, the Earth Kingdom, the Fire Nation, and the Air Nomads. Each nation has a distinct society in which select people, known as "benders" (Waterbenders, Earthbenders, Firebenders and Airbenders), have the ability to manipulate and control the element of their nation using the martial arts. Skilled benders of each element are able to manipulate additional related material, for example, Earthbenders can manipulate metal and sand. Only the Avatar, however, has the ability to bend all four elements. When the Avatar dies, their spirit is reincarnated into the next of the four nations in the Avatar cycle; the Fire Nation, Air Nomads, Water Tribe and Earth Kingdom.
An Avatar incarnation can be male or female and is required to master each bending art in seasonal order, beginning with their native land's element (fire: summer, air: autumn, water: winter and Earth: spring), from the age of sixteen. Avatars can also enter a defense mechanism known as the Avatar State until placed under their control through mental discipline, when the Avatar gains the knowledge and abilities of all past Avatars until the phase ends. Although avatars are most powerful in the Avatar State, if they were killed the reincarnation cycle would end and the avatar would never again be reborn. The Avatar is an international arbiter maintaining relative equality among the nations, and a mediator between humans and spirits.
More than a century before the events of the series begin, Fire Lord Sozin, ruler of the Fire Nation, planned a world war to expand his nation's territory and influence. He was prevented from carrying out his plans by Avatar Roku, who was born in the Fire Nation. After Roku's death, the Avatar was reincarnated as an Airbender named Aang. Because Aang was only a child, Sozin saw his chance and proceeded with his militant plans. At the age of twelve, Aang learned about his avatar status because of the threat of Sozin's war. Afraid of his new responsibilities and of separation from his mentor Gyatso, he fled his home on his flying bison named Appa. Aang was forced into the ocean by a storm; he entered the avatar state and encased them in suspended animation in an iceberg for one hundred years. Sozin, knowing the avatar's reincarnation cycle mandated an air nomad was the new avatar, carried out a genocide against the Air Nomads during the passage of a once-a-century comet that increases the Firebenders' power, and continued his world conquest.
In the present day, Katara, a fourteen-year-old Southern Tribe Waterbender and her older brother Sokka, find and revive Aang and Appa. Aang learns about the war and the siblings join him to reach the Northern Water Tribe at the North Pole so he and Katara can learn Waterbending. Aang's return attracts the attention of Prince Zuko, the exiled son of the current Fire Lord Ozai, who pursues them. Aang is also pursued by Zhao, a Fire Nation admiral who intends to win Ozai's favor and rob Zuko of his redemption. En route to the North Pole, Aang learns about the genocide against his people when he visits the ruins of the Southern Air Temple. During the winter solstice, Aang meets the spirit of his predecessor, Avatar Roku, and comes to terms with his responsibilities. With the Northern Water Tribe, Aang and Katara learn advanced Waterbending from Master Pakku; Sokka falls in love with the chief's daughter, Princess Yue. Zhao lays siege to the tribe, seizing the mortal forms of the ocean and moon spirits—the source of Waterbending—and causing a lunar eclipse. Zhao kills the moon spirit to deprive the Waterbenders of their abilities but Aang joins with the ocean spirit to drive off the enemy fleet while Yue sacrifices her life to revive the moon spirit. When Ozai hears about his older brother Iroh's resistance to Zhao, he sends his daughter Azula to capture Iroh and Zuko.
After leaving the Northern Water Tribe, Katara continues teaching Aang Waterbending while the group searches for an Earthbending teacher. They meet Toph Beifong, a twelve-year-old, blind tomboy and Earthbending prodigy who wants independence from her upper-class family. Pursued by Azula, Zuko and Iroh lead new lives in the Earth Kingdom as wanderers and refugees in the capital city Ba Sing Se. At a library guarded by the spirit Wan Shi Tong, Aang and his group learn an imminent solar eclipse could let them stop the Fire Nation before Sozin's Comet arrives. They journey to Ba Sing Se to inform the Earth King of this information. In the city, they find Long Feng, leader of the Dai Li secret police, is manipulating the Earth King Kuei. After Aang's group exposes Long Feng's political machinations, Toph is captured but escapes by learning to bend metal. The Dai Li join Azula to instigate a coup d'état of Ba Sing Se, and Zuko, who has spent his time in Ba Sing Se trying to come to terms with his identity, sides with his sister Azula. During a face off in the catacombs underneath the ancient city, Azula nearly kills Aang, forcing the protagonists to retreat with help from Iroh and leaving the Earth Kingdom under the control of the Fire Nation.
Aang emerges from a coma to find his friends and allies disguised as soldiers on a Fire Nation ship, preparing to invade the Fire Nation. The invasion is at first successful but Aang and his friends cannot find Ozai and are forced to retreat. Zuko learns about his father's intention to destroy the Earth Kingdom during Sozin's Comet; he begins to regret his decision and leaves the palace to teach Aang Firebending. Aang is reluctant to kill Ozai as the comet approaches, and consults his predecessors' spirits. Katara and the others unsuccessfully search for him but find Iroh with members of a secret society, the Order of the White Lotus, who the protagonists have encountered previously. The order liberates Ba Sing Se. Sokka, Toph, and the warrior Suki hinder the Fire Nation's airships while Zuko and Katara prevent Azula from becoming the new Fire Lord. As the comet arrives, Aang confronts Ozai but cannot get the upper hand until Ozai triggers Aang's connection to the avatar state. Aang strips Ozai of his Firebending powers. Zuko is crowned the new Fire Lord and arranges an armistice, establishing peace in the world.
The series consists of sixty-one episodes. The first episode—an-hour-long premiere—aired on February 21, 2005, on Nickelodeon. The series concluded with a two-hour television movie broadcast on July 19, 2008. Each season of the series is known as a "Book", in which each episode is referred to as a "chapter". Each book takes its name from one of the elements Aang, the protagonist, must master; Water, Earth, and Fire. The show's first two seasons each consists of twenty episodes and the third season has twenty-one. The entire series has been released on DVD in Regions One, Two, and Four.
|First aired||Last aired|
|1||Book One: Water||20||February 21, 2005||December 2, 2005|
|2||Book Two: Earth||20||March 17, 2006||December 1, 2006|
|3||Book Three: Fire||21||September 21, 2007||July 19, 2008|
Conception and production
Avatar: The Last Airbender was co-created and produced by Michael Dante DiMartino and Bryan Konietzko at Nickelodeon Animation Studios in Burbank, California. Its animation was mostly done by South Korean studios JM Animation, DR Movie, and MOI Animation. According to Konietzko, the series was conceived in early 2001 when he took an old sketch of a balding, middle-aged man and imagined the man as a child. He drew the character herding bison in the sky and showed the sketch to DiMartino, who was watching a documentary about explorers trapped at the South Pole. Konietzko described their early development of the concept; "There's an air guy along with these water people trapped in a snowy wasteland ... and maybe some fire people are pressing down on them". The co-creators successfully pitched the idea to Nickelodeon vice-president and executive producer Eric Coleman two weeks later.
In an interview, Konietzko said: "Mike and I were really interested in other epic 'Legends & Lore' properties, like Harry Potter and Lord of the Rings, but we knew that we wanted to take a different approach to that type of genre. Our love for Japanese anime, Hong Kong action and kung fu cinema, yoga, and Eastern philosophies led us to the initial inspiration for Avatar: The Last Airbender."
The series is notable for borrowing extensively from East Asian art and mythology for its universe. Its creators employed cultural consultants Edwin Zane and calligrapher Siu-Leung Lee to help determine its art direction and settings. Its character designs are influenced by Chinese art and history, Hinduism, Taoism and Buddhism, and Yoga. Jeremy Zuckerman and Benjamin Wynn composed the series' music and sound; they experimented with a wide range of instruments, including the guzheng, pipa, and duduk, to match the show's Asia-influenced setting. The art style of the fictitious locations used in the series are based on real locations in Asia. Sites such as the Forbidden City and the Great Wall of China in Beijing were inspirations for the Earth Kingdom city of Ba Sing Se.
The fighting styles employed by the show's characters are derived from Chinese martial arts, for which the film-makers employed Sifu Kisu of the Harmonious Fist Chinese Athletic Association as a consultant. Each fighting style is unique to the "benders" who use them or characters who are aligned to a certain element. For example, practitioners of "Waterbending" use movements influenced by T'ai chi and focused on alignment, body structure, breath, and visualization. Hung Gar was the inspiration for practitioners of "Earthbending", and was chosen for its firmly rooted stances and powerful strikes as a representation of the solidity of earth. Northern Shaolin, which uses strong arm and leg movements, was chosen to represent "Firebending". Ba Gua, which uses dynamic circular movements and quick directional changes, was used for "Airbending". The Chu Gar Southern Praying Mantis style can be seen practiced by the Earthbender Toph, who develops a unique fighting style as a result of her blindness. Asian cinema influenced the presentation of these martial-art bending moves.
Several books based on the show have been published. Dark Horse Comics published an art book titled Avatar: The Last Airbender – The Art of the Animated Series on June 2, 2010, with 184 pages of original art from the series. Several comic-book short stories were published in Nickelodeon Magazine, and Dark Horse published Avatar: The Last Airbender – The Lost Adventures—a collection of these and new comics—on June 15, 2011.
Dark Horse published a graphic-novel series by Gene Yang that continues Aang's story after the Hundred Years' War. Avatar: The Last Airbender – The Promise, published in three volumes in 2012, explores the fate of the Fire Nation colonies that become The Legend of Korra's United Republic. A second set of three comic books, Avatar: The Last Airbender – The Search, focuses on Zuko and Azula, and the fate of their mother Ursa. The third set, Avatar: The Last Airbender – The Rift, shifts the focus to Aang, the creation of Republic City, and Toph's relationship with her family.
A video-game trilogy based on the series has been released. The Avatar: The Last Airbender video game was released on October 10, 2006, and Avatar: The Last Airbender – The Burning Earth was released on October 16, 2007. Avatar: The Last Airbender – Into the Inferno was released on October 13, 2008. Avatar: Legends of the Arena, a massively multiplayer online role-playing game (MMORPG) for Microsoft Windows, was released on September 15, 2008, by Nickelodeon. Players can create their own character and interact with other players around the world. Avatar: The Last Airbender was THQ's bestselling Nickelodeon game in 2006 and was one of Sony CEA's Greatest Hits.
The series' first season was the basis of the 2010 live-action film The Last Airbender, which was written and directed by M. Night Shyamalan. It was intended as the first of a trilogy of films, each of which would be based upon one of the three television seasons. The film's reception from critics and fans of the television series was overwhelmingly negative; it had a six-percent approval rating on Rotten Tomatoes and received five Razzies at the 31st Golden Raspberry Awards, including Worst Picture. Although the film originally shared the title of the television series, the title The Last Airbender was used because producers feared it would be confused with James Cameron's film Avatar. The Last Airbender stars Noah Ringer as Aang, Nicola Peltz as Katara, Jackson Rathbone as Sokka, Dev Patel as Zuko, and Shaun Toub as Iroh.
The Legend of Korra, a sequel series to Avatar: The Last Airbender, premiered on Nickelodeon on April 14, 2012. It was written and produced by Michael Dante DiMartino and Bryan Konietzko, the creators and producers of the original series. The show was initially titled Avatar: Legend of Korra, then The Last Airbender: Legend of Korra; its events occur seventy years after the end of Avatar: The Last Airbender. The series' protagonist is Korra, a 17-year-old woman from the Southern Water Tribe who is the incarnation of the Avatar after Aang's death.
The Avatar: The Last Airbender was the highest-rated animated television series in its demographic at its premiere; an average of 3.1 million viewers watched each new episode. It had 5.6 million viewers for its highest-rated episode and was a highly rated part of the Nicktoons lineup beyond its 6-to-11-year-old target demographic. A one-hour special, The Secret of the Fire Nation, consisting of the episodes "The Serpent's Pass" and "The Drill", aired on September 15, 2006, and attracted 5.1 million viewers. According to the Nielsen Media Research, the special was the highest-rated cable-television program that week. In 2007, Avatar: The Last Airbender was syndicated to more than 105 countries and was one of Nickelodeon's top-rated programs. The series ranked first on Nickelodeon in Germany, Indonesia, Malaysia, the Netherlands, Belgium, and Colombia.
The four-part series finale, "Sozin's Comet", had the series' highest ratings. Its first airing averaged 5.6 million viewers, 95 percent more than Nickelodeon had in mid-July 2007. During the week of July 14, it was the most-viewed program by the under-14 demographic. The finale's popularity was reflected in online media; Rise of the Phoenix King, a Nick.com online game based on "Sozin's Comet", had almost 815,000 game plays in three days. IGN ranked the series 35th on its list of top 100 animated TV shows.
The series received mainly positive reviews from critics. Max Nicholson of IGN called it a "must-watch" and described it as "one of the greatest animated series of all time". Nick Hartel of DVD Talk called the series a remarkable, "child friendly show" whose legacy "should endure for years to come". Erik Amaya of Bleeding Cool described the series as "impressive in its sophistication" and "fantastic". Henry Glasheen of SLUG Magazine called the series "adventurous and exciting", a "classic" and occasionally moving. According to Brittany Lovely of Hypable, it tells "complex and beautiful" stories. Joe Corey of Inside Pulse described the series as an anime-action hybrid. Chris Mitchell of Popzara called it one of best shows to air on Nickelodeon, praising the series' background music and voice acting. D. F. Smith of IGN recommended it to viewers who enjoy action-adventure cartoons.
Rob Keyes of Screen Rant called the series "one of the greatest cartoons ever made". Mike Noyes of Inside Pulse recommended it to viewers who enjoy "great" adventure. Gord Lacey of TVShowsonDVD.com called the series "one of the finest animated shows ever". According to Todd Douglass, Jr. of DVD Talk, adults will enjoy the series as much as children do. Joshua Miller of CHUD.com called it "phenomenal" and "one of the most well animated programs (children's or adult) American TV has ever had"; according to Miller, the series is heavily influenced by anime. Tim Janson of Cinefantastique described it as "one of the most engaging animated shows produced". Dennis Amith of J!ENT called the series "one of the best animated TV series shown in the US by American creators". Amith praised its sophisticated storylines, edginess, humor, and action. Franco "Cricket" Te of Nerd Society described Avatar: The Last Airbender as "one of the best cartoon[s]" he had ever seen, recommending the series for its characters and plot. Scott Thill of Wired called the series engaging and its setting, influenced by the Eastern world, "fantastic". Kirk Hamilton of Kotaku said the series should be part of the golden age of television, and recommended "the sophisticated kids show" to others.
The show's writing and theme have been widely praised by critics. Michael S. Mammano of Den of Geek called the plot "smartly-written" and praised the animation. Jenifer Rosenberg of ComicMix liked the program's emphasis on family, friends, community, and education. According to Nick Hartel, the series touches on themes of "genocide and self-doubt" without frightening younger children; rogue characters are redeemable, sending an important message that people can change and are not bonded to "destiny". Chris Mitchell called the plot "fantastic". D. F. Smith compared the series' plot to Japanese action cartoons, calling its tone and dialogue "very American" and praising the humor leavening an epic, dramatic theme suitable for all ages. Rob Keyes also praised the series' humor and affecting plot: "[It] will capture your hearts".
According to Mike Noyes, the series amalgamates elements of "classic fantasy epics". Todd Douglass, Jr. called the plot engaging, well-thought-out, and meaningful. The series' concept is "well-realized", with a consistent story. Douglass wrote that the characters "[have] a real sense of progression", and praised the writers for their humor, drama, and emotion. Joshua Miller called the series surprisingly dark despite its "silly" theme; the plot is livelier than that of Lost and, similar to the latter show, emphasizes character development. According to Miller, its writing was "true adult levels of storytelling". Tim Janson described the series as more than fantasy-and superhero-themed, seeing the characters as central and relateable. "Cricket" Te praised the series' use of Buddhist philosophies and the diverse presentation of its themes of courage and life. Kirk Hamiltion praises the series for expressing towards its audience to be themselves and for its quiet progressivism.
Critics also praised Avatar: The Last Airbender's character development, art, animation, and choreography; Eric Amaya enjoyed the expressive animation that complements the writing. According to Amaya, the elements were influenced by Hayao Miyazaki. Todd Douglass, Jr. called the character development interesting. Jenifer Rosenburg praised the series' portrayal of females as "strong, responsible, [and] intelligent". According to Joshua Miller, the bender characters' use of bending for everyday activities brings "depth and believability" to the avatar world. Miller called the series' designs "rich and immersive", with each nation having its own, detailed look. He praised the action scenes as "well rendered", comparing the development of the avatar world to that of The Lord of the Rings, and the fight choreography as "wonderful in its most minor details". D. F. Smith enjoyed the series' painstaking backgrounds. "Cricket" Te praised each episode's color palette and the choreography's combination of martial arts and magic. Nick Hartel criticized the animation, although he found it an improvement over previous Nickelodeon shows. Chris Mitchell called the animation fluid. "Cricket" Te agreed, noting its manga influence. According to Brittany Lovely, non-bender characters in battle are "overshadowed" by their bender counterparts. Joe Corey called the animation's action and environments a "great achievement", and Rob Keyes praised the series' fight choreography. According to Kirk Hamilton, the action sequences in the series are amazing while being child-appropriate and exciting.
Awards and nominations
|2005||Pulcinella Awards||Best Action Adventure TV Series||Avatar: The Last Airbender||Won|
|Best TV Series||Avatar: The Last Airbender||Won|
|2006||33rd Annie Awards||Best Animated Television Production||Avatar: The Last Airbender||Nominated|
|Storyboarding in an Animated Television Production||Lauren MacMullan for "The Deserter"||Won|
|Writing for an Animated Television Production||Aaron Ehasz and John O'Bryan for "The Fortuneteller"||Nominated|
|2007||Nickelodeon Australian Kids' Choice Awards 2007||Fave Toon||Avatar: The Last Airbender||Nominated|
|34th Annie Awards||Character Animation in a Television Production||Yu Jae Myung for "The Blind Bandit"||Won|
|Directing in an Animated Television Production||Giancarlo Volpe for "The Drill"||Won|
|Genesis Awards||Outstanding Children's Programming||"Appa's Lost Days"||Won|
|59th Primetime Emmy Awards||Outstanding Animated Program||"City of Walls and Secrets"||Nominated|
|Outstanding Individual Achievement in Animation||Sang-Jin Kim for "Lake Laogai"||Won|
|2008||2008 Kids' Choice Awards||Favorite Cartoon||Avatar: The Last Airbender||Won|
|Annecy International Animated Film Festival||TV series||Joaquim Dos Santos for "The Day of Black Sun, Part 2: The Eclipse"||Nominated|
|Peabody Awards||N/A||Avatar: The Last Airbender||Won|
|13th Satellite Awards||Best Youth DVD||Book 3 Fire, Volume 4||Nominated|
|2009||36th Annie Awards||Best Animated Television Production for Children||Avatar: The Last Airbender||Won|
|Directing in an Animated Television Production||Joaquim Dos Santos for "Sozin's Comet, Part 3: Into the Inferno"||Won|
|Golden Reel Awards||Best Sound Editing: Television Animation||"Sozin's Comet, Part 4: Avatar Aang"||Nominated|
|Nickelodeon Australian Kids' Choice Awards 2009||Fave Toon||Avatar: The Last Airbender||Won|
|2010||Nickelodeon Australian Kids' Choice Awards 2010||Top Toon||Avatar: The Last Airbender||Nominated|
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- Official website
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- Avatar: The Last Airbender at the Big Cartoon DataBase