Ave maris stella
"Ave maris stella" (Latin for 'Hail, star of the sea') is a Marian hymn used at Vespers from about the eighth century. It was especially popular in the Middle Ages and has been used by many composers as the basis of other compositions.
The creation of the original hymn has been attributed to several people, including Bernard of Clairvaux (12th century), Saint Venantius Fortunatus (6th century) and Hermannus Contractus (11th century). The text is not found written by 9th-century hands, but as a tenth-century addition in two 9th-century manuscripts, one from Salzburg now in Vienna and the other still at the Abbey of Saint Gall. Its frequent occurrence in the Divine Office made it popular in the Middle Ages, many other hymns being founded upon it. The "Ave maris stella" was highly influential in presenting Mary as a merciful and loving Mother. "Much of its charm is due to its simplicity". The title, "Star of the Sea" is one of the oldest and most widespread titles applied to Mary. The hymn is frequently used as a prayer for safe-conduct for travelers.
The melody is found in the Irish plainsong "Gabhaim Molta Bríde", a piece in praise of St. Brigid of Kildaire. The popular modern hymn Hail Queen of Heaven, the Ocean Star, is loosely based on this plainsong original.
Ave, maris stella,
Hail, star of the sea,
|Part of a series on the|
of the Catholic Church
Virgo by Josef Moroder-Lusenberg
The plainchant hymn has been developed by many composers from pre-baroque to the present day. The Roman Rite employs four different plainchant tunes for the Ave maris stella; the first three are designated for solemnities, feasts, and memorials of the Blessed Virgin Mary; a fourth is given in the Little Office of the Blessed Virgin Mary as an alternative to the memorial tone. These plainchant tones have been used as the cantus firmus for some polyphonic settings of the mass, including those by Josquin and Victoria.
Renaissance settings include those by Hans Leo Hassler, Felice Anerio, Giovanni Pierluigi da Palestrina, Dufay and Byrd. Baroque settings include Monteverdi's Vespro della Beata Vergine 1610, one by Emperor Leopold I, Marc-Antoine Charpentier, 4 sets, H 60, H 63, H 65, H 67. Sébastien de Brossard, Romantic settings include those by Dvorak, Grieg, and Liszt. Modern composers who have either set the text or used the hymn as an inspiration include Marcel Dupré, Grace Williams, Peter Maxwell Davies, Otto Olsson, Trond Kverno, Jean Langlais, Mark Alburger, James MacMillan, and Andrew Cusworth.
This article needs additional citations for verification. (October 2018) (Learn how and when to remove this template message)
The Acadians were highly devout, and had and still have a high degree of devotion to the Virgin Mary. As such, Acadia's symbols reflect its people's beliefs. This is particularly evident in their anthem which instead of being written in French is written in Latin. It was adopted as the anthem of the Acadian people at the Second Acadian National Convention, held in Miscouche, Prince Edward Island in 1884. To this day, it remains a source of Acadian patriotism.
The hymn was sung in its original version until French lyrics were finally composed in 1988. The French lyrics are attributed to Jacinthe Laforest, from Mont-Carmel, Prince Edward Island, who submitted her lyrics during a contest held throughout the Maritimes by the Société nationale de l'Acadie in search of French lyrics. Out of respect for the original hymn, the first verse in the Acadian national anthem remains in Latin.
These are the lyrics, in French. The first verse is in Latin, and is repeated at the end of the hymn.
Ave Maris Stella
Ave Maris Stella
- Herbermann, Charles, ed. (1913). Catholic Encyclopedia. New York: Robert Appleton Company. .
- Frauenlob's song of songs by Frauenlob, Barbara Newman, Karl Stackmann 2007 ISBN 0-271-02925-0 page 100
- Cod. Vindob. 387, fol. 3v, has a fragmentary version written by a later hand (10th/11th century) in originally blank space
- Codex Sangallensis 95, p. 2, has a full version written by a later hand (10th/11th century) on originally blank space
- Reynolds, Brian. Gateway to heaven, New City Press, 2012, ISBN 9781565484498, p. 194
- Brittain, F., Mediaeval Latin and Romance Lyric to A, Cambridge University Press, 1951, p. 79
- "Ave Maris Stella Prayer", International Marian Research Institute, University of Dayton
- Wood, David (2014-02-01). "Gabhaim molta Bríde". Song of the Isles. Retrieved 2019-10-24.
- Liber Hymnarius, Solesmes, 1983.
- Also spelled Hevæ.
- Thus in the original, see Te Decet Hymnus, Typis Polyglottis Vaticanis, 1984, p. 255 and Liber Hymnarius, Solesmes, 1983; Pope Urban VIII's 17th-century revision has preces here.
- Thus in Liber Hymnarius, Solesmes, 1983. Pope Urban VIII's text has Spiritui Sancto, Tribus honor unus.
- The word "Hail" in Latin [Ave] is the reverse spelling of the Latin for "Eve" [Eva].
- The Josquin companion: Volume 1 by Richard Sherr 2001 ISBN 0-19-816335-5 Page 110
- "What is the national Acadian anthem?", Acadian Museum of Prince Edward Island
|Wikimedia Commons has media related to Ave maris stella.|
|Wikisource has original text related to this article:|