Ayi Kwei Armah
|Born||28 October 1939|
|Education||Prince of Wales College|
|Alma mater||Columbia University, Harvard University,|
Ayi Kwei Armah (born 28 October 1939) is a Ghanaian writer best known for his novels including The Beautyful Ones Are Not Yet Born (1968), Two Thousand Seasons (1973) and The Healers (1978). He is also an essayist, as well as having written poetry, short stories, and books for children.
Early life and education
Ayi Kwei Armah was born in the port city of Sekondi-Takoradi in Ghana to Fante-speaking parents, descending on his father's side from a royal family in the Ga nation. From 1953 to 1958, Armah attended Prince of Wales College (now known as Achimota School), and won a scholarship to study in the United States, where he was between 1959 and 1963. He attended Groton School in Groton, MA, and then Harvard University, where he received a degree in sociology. He then moved to Algeria and worked as a translator for the magazine Révolution Africaine. In 1964, he returned to Ghana, where he was a scriptwriter for Ghana Television and later taught English at the Navrongo Secondary School.
Between 1967 and 1968, he was editor of Jeune Afrique magazine in Paris. From 1968 to 1970, Armah studied at Columbia University, obtaining his MFA in creative writing. In the 1970s, he worked as a teacher in East Africa, at the College of National Education, Chang'ombe, Tanzania, and at the National University of Lesotho. He subsequently taught at the University of Massachusetts in Amherst, Cornell University, and at the University of Wisconsin–Madison. He has lived in Dakar, Senegal, since the 1980s.
Beginning his career as a writer in the 1960s, Armah published poems and short stories in the Ghanaian magazine Okyeame, and in Harper's Magazine, The Atlantic Monthly, and New African. His first novel, The Beautyful Ones Are Not Yet Born, was published in 1968, and tells the story of a nameless man who struggles to reconcile himself with the reality of post-independence Ghana.
In Fragments (1970), the protagonist, Baako, is a "been-to" – a man who has been to the United States and received his education there. Back in Ghana he is regarded with superstitious awe as a link to the Western lifestyle. Baako's grandmother Naana, a blind-seer, stands in living contact with the ancestors. Under the strain of the unfulfilled expectations Baako finally breaks. As in his first novel, Armah contrasts the two worlds of materialism and moral values, corruption and dreams, two worlds of integrity and social pressure.
Why Are We So Blest? (1972) was set largely in an American university, and focused on a student, Modin Dofu, who has dropped out of Harvard. Disillusioned Modin is torn between independence and Western values. He meets a Portuguese black African named Solo, who has already suffered a mental breakdown, and a white American girl, Aimée Reitsch. Solo, the rejected writer, keeps a diary, which is the substance of the novel. Aimée's frigidity and devotion to the revolution leads finally to destruction, when Modin is killed in the desert by OAS revolutionaries.
The trans-Atlantic and African slave trades are the subject of Armah's Two Thousand Seasons (1973), in which a pluralized communal voice speaks through the history of Africa, its wet and dry seasons, from a period of one thousand years. Arab and European oppressors are portrayed as "predators", "destroyers", and "zombies". The novel is written in allegorical tone, and shifts from autobiographical and realistic details to philosophical pondering, prophesying a new age.
The Healers (1978) mixed fact and fiction about the fall of the Ashanti Empire. The healers in question are traditional medicine practitioners who see fragmentation as the lethal disease of Africa.
Armah remained silent as a novelist for a long period until 1995, when he published Osiris Rising, depicting a radical educational reform group that reinstates ancient Egypt at the centre of its curriculum.
Belonging to the generation of African writers after Chinua Achebe and Wole Soyinka, Armah has been said to "epitomize an era of intense despair." Armah's later work in particular has evoked strong reaction from many critics. While Two Thousand Seasons has been called dull and verbose, or the product of a "philosophy of paranoia, an anti-racist racism – in short, Negritude reborn" Soyinka has written that Armah's vision "frees itself of borrowed philosophies in its search for unifying, harmonizing ideal for a distinctive humanity."
As an essayist, Armah has dealt with the identity and predicament of Africa. His main concern is for the creation of a pan-African agency that will embrace all the diverse cultures and languages of the continent. Armah has called for the adoption of Kiswahili as the continental language.
- The Beautyful Ones Are Not Yet Born (Boston: Houghton Mifflin, 1968; London: Heinemann Educational Books, 1969, ISBN 978-0435906252; HEB paperback reprint, 1989, ISBN 978-0435905408)
- Fragments (Boston: Houghton Mifflin, 1970; London: Heinemann Educational Books, 1974; HEB paperback reprint, 1975, ISBN 978-0435901547)
- Why Are We So Blest? (New York: Doubleday, 1972; London: Heinemann Educational Books, 1974; HEB paperback reprint, 1985, ISBN 978-0435901554)
- Two Thousand Seasons (Nairobi: East African Publishing House, 1973; London: Heinemann Educational Books, 1979; Chicago: Third World Press, 1979)
- The Healers (Nairobi: East African Publishing House, 1978; London: Heinemann Educational Books, 1979, ISBN 978-0435906450; Popenguine, Senegal: Per Ankh, 2000)
- Osiris Rising (Popenguine, Senegal: Per Ankh, 1995)
- KMT: The House of Life (2002)
- The Resolutionaries (Per Ankh, 2013)
- Hieroglyphics for Babies, Per Ankh, 2002 (with Aboubacry Mousa Lam)
- The Eloquence of the Scribes: A Memoir on the Sources and Resources of African Literature, Popenguine, Senegal: Per Ankh, 2006
- Remembering the Dismembered Continent (essays), Per Ankh, 2010.
- Gikandi, Simon (2003). Encyclopedia of African Literature. London: Taylor & Francis. pp. 38–41. ISBN 978-1-134-58223-5. OCLC 1062304793. Retrieved 2018-12-14.
- Liukkonen, Petri. "Ayi Kwei Armah". Books and Writers (kirjasto.sci.fi). Finland: Kuusankoski Public Library. Archived from the original on 10 April 2008.
- Siga Fatima Jagne and Pushpa Naidu Parekh (eds), "Ayi Kwei Armah (1939–)", in Postcolonial African Writers: A Bio-bibliographical Critical Sourcebook, Routledge, 1998, p. 45.
- "Ayi Kwei Armah (1939–)", Books and Writers.
- "Welcome to Per Ankh Publishers". Per Ankh Books.
- "Biography of Ayi Kwei Armah" Archived 2016-08-05 at the Wayback Machine, African Success.
- Robert Fraser, The Novels of Ayi Kwei Armah, Heinemann, 1980.
- Bernth Lindfors, in Derek Wright (ed.), Critical Perspectives on Ayi Kwei Armah, 1992, p. 271.
- Wole Soyinka, Myth, Literature and the African World, 1976, p. 110.
- "The Eloquence of the Scribes" at Per Ankh.
- "Remembering the Dismembered Continent" at Per Ankh.
- Robert Fraser, The Novels of Ayi Kwei Armah, Heinemann, 1980. ISBN 978-0435913014.
- Garry Gillard, "Narrative situation and ideology in five novels of Ayi Kwei Armah", Span: Journal of the South Pacific Association for Commonwealth Literature and Language Studies, Number 33, 1992.
- Tommie L. Jackson, The Existential Fiction of Ayi Kwei Armah, Albert Camus, and Jean-Paul Sartre, University Press of America, 1996, ISBN 978-0761803768.
- Leif Lorentzon, An African Focus – A Study of Ayi Kwei Armah's Narrative Africanization, Stockholm: Almqvist & Wiksell, 1998, ISBN 978-9122017684.
- Ode Ogede, Ayi Kwei Armah, Radical Iconoclast: Pitting Imaginary Worlds Against the Actual, Ohio University Press, 2000, ISBN 978-0821413524
- Derek Wright (ed.), Critical Perspective on Ayi Kwei Armah, Lynne Rienner Publishers, 1992, ISBN 978-0894106415.
- Derek Wright, Ayi Kwei Armah's Africa: The Sources of His Fiction, Hans Zell Publishers, 1989, ISBN 978-0905450957.
- Liu Zhang, "Looking for Ayi Kwei Armah", The Complete Review, Volume II, Issue 3, August 2001.
- Molara Ogundipe, "A Sunday afternoon with Ayi Kwei Armah", The Liberator Magazine, August 2002.
- "An Evening with Ayi Kwei Armah (excerpt from transcript)", Assata Shakur Speaks.