Lone Wolf and Cub: Baby Cart in Peril

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Lone Wolf and Cub: Baby Cart in Peril
Film poster
Directed by Buichi Saito
Produced by
Screenplay by Kazuo Koike[1]
Based on A manga
by Kazuo Koike and Goseki Kojima[1]
Music by Eiken Sakurai[1]
Cinematography Kazuo Miyagawa[1]
Edited by Toshio Taniguchi[1]
Katsu Production[1]
Distributed by Toho
Release date
  • 30 December 1972 (1972-12-30) (Japan)
Running time
108 minutes[1]
Country Japan

Lone Wolf and Cub: Baby Cart in Peril (Japanese: 子連れ狼 親の心子の心 or Kozure Ōkami: Oya no kokoro ko no kokoro, literally Wolf with Child in Tow: The Heart of a Parent, the Heart of a Child), is the fourth in a series of six Japanese martial arts films based on the long-running Lone Wolf and Cub manga series about Ogami Ittō, a wandering assassin for hire who is accompanied by his young son, Daigoro.

The film has also been released as Shogun Assassin 3: Slashing Blades of Carnage, the second sequel to Shogun Assassin.


Oyuki, a tattooed female assassin – the renegade member of a daimyo's personal bodyguard detail – is killing every man that is sent up against her. Along with her deadly use of the short blade, she strips to the waist while fighting to reveal elaborate tattoos on her chest and back. On her front is a kintarō grasping her left breast. A portrait of a mountain witch covers her back. She then cuts off her victims' topknots, or chonmage, which brings dishonor to the dead man and his family.

Ogami Ittō, the disgraced former shogun's executioner, or Kogi Kaishakunin, is hired to kill Oyuki. He tracks down the tattoo artist, who explains that she was a "fine" woman who did not scream as he dug into her flesh with his needles.

Meanwhile, Ittō's 3-year-old son, Daigoro, has grown restless waiting by the baby cart his father uses to trundle him about in. He goes exploring and finds a pair of performing clowns on the street. When the clowns finish their performance, Daigoro follows them, hoping to see more. But the clowns shoo him away, saying it's time to go home. Now, Daigoro has wandered too far. He is lost, and has become separated from his father.

Agents of the Ogamis' mortal enemies, the Yagyū, are never far away. A procession of them, accompanied by the sound of gongs and loud shrieks, sends Daigoro into hiding. Ittō must give up his search rather than risk an entanglement with the men, so he travels on alone.

Daigoro spends days looking for his father, searching in every temple in the countryside. He enters one temple and sees a figure at the altar praying, but it is not his father. Rather, it is a man whom Daigoro immediately recognizes as someone who is unfriendly.

The man follows Daigoro, who wanders into a grass field as it is being lit on fire by farmers. Unwittingly, Daigoro is surrounded by the flames, but he proves his resourcefulness by burying himself and surviving.

The man then turns his sword on Daigoro, who raises a stick to defend himself, and in that instant the man realizes who Daigoro is.

Just then, Ittō comes into the picture, and the two recognize each other. The man, it turns out is Gunbei Yagyū, the outcast son of Retsudo Yagyū. Gunbei and Itto had competed for the post of shogun's executioner, and Gunbei's fierce swordsmanship surely would have won him the post, but in his over zealousness, he ends up pointing his sword at the shogun – a taboo movement that costs him the job and makes him an outcast.

Ittō and Gunbei now have a rematch, but Itto is much improved and is ready for Gunbei. With a swift stroke, he chops off Gunbei's right arm. Gunbei then begs Ittō to kill him, but Ittō refuses, saying there is nothing to be gained from slaying a man who is already dead.

With Gunbei out of the way and father and son reunited, the action then turns on finding the tattooed killer, Oyuki. He first stops at a settlement of street actors that Oyuki was said to be a part of. He talks to the elder and hears more of her story, and it happens that the elder is Oyuki's father, who is opposed to her actions, and cooperates with Ittō.

Ittō finally locates Oyuki at a hot spring and witnesses her in action against more vassals who have come to try to kill her. Then her nemesis, her former instructor who raped her and set her on her bloody vendetta, shows up with his flaming sword and blazing eyes. But she is no longer in his sway, and when he sees her tattoos, he is distracted and killed.

Finally, Ittō and Oyuki must duel, and he makes quick work of her. She dies a splendid death, as Itto says, without having to disrobe.

Retsudo Yagyū, meanwhile, has been playing politics. He manipulates a local daimyo into bringing in Ittō, but Ittō is able to use the baby cart and its weapons to escape from the daimyo's palace and take the man hostage. As Ittō is leaving the area with the daimyo along for safety, he is attacked by the Yagyū. The daimyo is killed by some musketeers and Ittō goes headlong into battle, telling his son Daigoro that he is entering the "crossroads to hell." It is a fierce battle, ending with Ittō and Retsudo in combat. They trade blows – Retsudo gets a blade in his right eye and Ittō a sword in his back. Ittō kills the swordsman who stabs him, but Retsudo gets away.

Daigoro finds his father and with great effort, pulls the sword from his father's back. Despite being severely wounded, Ittō carries Daigoro to the cart and slowly pushes it away, seeking medical treatment for himself. Watching over the scene is the now one-armed Gunbei, who is happy to see Ittō live to fight another day.



Lone Wolf and Cub: Baby Cart in Peril was released theatrically in Japan on December 30, 1972 where it was distributed by Toho.[1]

The film was released to home video as Lone Wolf and Cub - Baby Cart in Peril by Samurai Cinema, a division of AnimEigo, Inc. on June 10, 1997.[1]



  1. ^ a b c d e f g h i j Galbraith IV 2008, p. 287.


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