Bacone school

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The Bacone style or Bacone school of painting, drawing, and printmaking is a Native American Flatstyle art movement, primarily from the mid-20th century in Eastern Oklahoma. This art movement bridges historical, tribally-specific pictorial painting and carving practices towards an intertribal Modernist style of easel painting.

Origins[edit]

Named for Bacone College, an Indian college in Muskogee, Oklahoma, this style is also influenced by the art programs of Chilocco Indian School, north of Ponca City, Oklahoma, and Haskell Indian Industrial Training Institute, in Lawrence, Kansas. This area features a mix of Southeastern, Prairie, and Central Plains tribes. Tribes from these regions each have their own historical practices of pictorial representation, whether in carving or painting; however, removal to Indian Territory in the 19th century disrupted many customary art practices. Access to Western art materials gave Native artists a new means of self-expression and recording history and daily practices.

Acee Blue Eagle (1907–1959) helped shape the Bacone style. Being Muscogee Creek, Pawnee, and Wichita, he used Southeastern Woodland and Central Plains influences in his work, which frequently portrayed cultural or historic information about his tribes in a stylized, narrative form. Blue Eagle served as the first director of Bacone's art department from 1935 to 1939.[1] Woody Crumbo (Potawatomi) succeeded him in 1938.[2] 1938 is the year artist Ruthe Blalock Jones (Shawnee/Delaware/Peoria) gives for the establishment of the Bacone School of Indian painting,[3] while some would give the year 1935.[4]

The Bacone style differs from the two other prevalent flat styles of Native painting of the time: Southern Plains style and the Studio style. The Southern Plains style had its origins in Plains hide painting and winter counts. After the decline of buffalo herds in the late 19th century, Plains painting shifted to Ledger art, which, under the stewardship of such artists as Silver Horn (1860/1–1940, Kiowa), evolved into easel art. Southern Plains flatstyle painting gained international fame with the Kiowa Six in 1928. The Southern Plains style is the most dynamic, action-based on these mid-20th-century painting styles.

The Studio style, as taught at the Santa Fe Indian School, first by Dorothy Dunn then Gerónima Cruz Montoya (Ohkay Owingeh, 1915–2005), built upon the accomplishments of the San Ildefonso Pueblo school of painters and Hopi painters such as Fred Kabotie, who were successful easel artists in the 1910s and 1920s in Arizona and New Mexico. These artists were inspired by Pueblo mural painting and pottery painting traditions. Their work often features pastoral scenes in muted colors.[4] Collectively, these three Flatstyle movements were sometimes derided by Native artists in the 1960s as "Bambi Art," which has been criticized as nostalgic, sentimental, and limited in scope.[5]

Style and media[edit]

Both Blue Eagle's and Crumbo's styles were also influenced by the streamlined, bold look of Art Deco.[4] Casein on illustration board was a popular medium, as well as gouache and watercolor. Technical skill in draftsmanship was emphasized, as was the ethnographic accuracy of subjects portrayed. Paintings were aesthetically pleasing, with contours of a certain hue often surrounded by outlines of lighter tints, to emphasize the spiritual nature of the subject. Figures were brilliantly colored with backgrounds of a "subdued palettes of greens, blues, and browns," as Ruthe Blalock Jones writes.[6] Blue, in particular, is a color representing sorrow, loss, and memory for some Southeastern tribes, and is often a preferred background color. Implied narrative gave the Bacone style a sense of drama.[4]

Development[edit]

The Philbrook Museum of Art of Tulsa, Oklahoma helped foster the development of the Bacone style with its Indian Annual competitive art show from 1947 to 1957.[7] The Five Civilized Tribes Museum of Muskogee, Oklahoma and the Cherokee Heritage Center of Park Hill, Oklahoma both host annual arts shows with categories specifically for this style of art (the Cecil Dick award and the Jerome Tiger award, respectively). The Gilcrease Museum in Tulsa, Oklahoma and National Cowboy and Western Heritage Museum in Oklahoma City have extensive collections of Bacone School art.

Notable Bacone School artists[edit]

See also[edit]

Notes[edit]

  1. ^ Silberman 47
  2. ^ Silberman 86
  3. ^ Wyckoff 55
  4. ^ a b c d Parker, Gerri. "Native American Art in Oklahoma: The Kiowa and Bacone Artists." DeAnza College. 27 July 2004 (retrieved 8 Nov 2009)
  5. ^ a b Morand et al. 105
  6. ^ Wyckoff 54
  7. ^ Wyckoff 40
  8. ^ Silberman 52
  9. ^ Morand et al 110
  10. ^ Silberman, 106
  11. ^ Morand et al 111

References[edit]

  • Morand, Anne, Kevin Smith, Daniel C. Swan, and Sarah Erwin. Treasures of Gilcrease: Selections from the Permanent Collection. Tulsa, OK: Gilcrease Museum, 2003. ISBN 978-0-8061-9955-9.
  • Silberman, Arthur. 100 Years Native American Painting. Oklahoma City: The Oklahoma Museum of Art, 1978.
  • Wyckoff, Lydia L., ed. Visions and Voices: Native American Painting from the Philbrook Museum of Art. Tulsa, OK: Philbrook Museum of Art, 1996. ISBN 0-86659-013-7.