Bad Boys (1995 film)

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Bad Boys
Bad Boys.jpg
Theatrical release poster
Directed by Michael Bay
Produced by
Screenplay by
Story by George Gallo
Music by Mark Mancina
Cinematography Howard Atherton
Edited by Christian Wagner
Distributed by Columbia Pictures
Release date
  • April 7, 1995 (1995-04-07)
Running time
119 minutes[1]
Country United States
Language English
Budget $23 million[2]
Box office $141.4 million[2]

Bad Boys is a 1995 American buddy cop action-comedy film directed by Michael Bay, produced by Don Simpson and Jerry Bruckheimer and starring Martin Lawrence and Will Smith as two narcotic Miami detectives Marcus Burnett and Mike Lowrey. The first in the Bad Boys franchise, the film was followed by a sequel, Bad Boys II (2003).


Miami detectives Marcus Burnett (Martin Lawrence) and Mike Lowrey (Will Smith) investigate $100 million of Mafia seized heroin, which has been stolen from a secure police vault the previous night. Internal Affairs suspects that it was an inside job with corrupted police officers and threatens to shut down the entire department unless they recover the drugs within five days. Lowrey asks one of his informants and ex-girlfriend Maxine "Max" Logan (Karen Alexander) to look for people who are newly rich and therefore suspects. She gets herself and her best friend Julie Mott (Téa Leoni) hired as escorts by Eddie Domínguez (Emmanuel Xuereb), a former crooked cop and part of the coup. When his French drug kingpin boss Fouchet (Tchéky Karyo) and his henchmen Casper, Ferguson and Noah Trafficante arrive, Fouchet executes Max and then has Ferguson kill Dominguez. After witnessing the murder, Julie escapes over the roof.

Although having not met Lowrey because of Max's relationship with him, Julie will only rely on Lowrey, who is away. Captain Conrad Howard (Joe Pantoliano) forces Burnett to impersonate Lowrey to get Julie to cooperate. After meeting for the first time, Burnett and Julie escape from Julie's apartment to head to Lowrey's after Burnett kills Raji, one of Fouchet's cronies. In Julie's presence, Burnett poses as Lowrey while Lowrey poses as Burnett. Julie identifies Noah as one of Max's killers while looking through mugshots. The two cops and then Julie head off to Club Hell, one of Noah's known hangouts. Though the criminals spot them first, Burnett knocks Casper unconscious during a bathroom fight and thwarts Julie's attempt to kill Fouchet, while Lowrey kills Noah during a car chase. Burnett, Lowrey and Julie then manage to escape the incident, which is caught on camera by a news helicopter and later seen by Burnett's family.

Lowrey and Burnett force their old informant Jojo (Michael Imperioli), a former chemist and drug convict who now works at a tire shop, into telling them the location of the chemist who is cutting the stolen drugs. Burnett, Lowrey and Julie return to Lowrey's apartment, where Burnett's wife confronts them and blows their cover. Before Julie can run, Fouchet and his gang arrive at Lowrey's apartment and kidnap Julie. Despite being reassigned and shut down by Internal Affairs as a result, Howard delays the order, giving Lowrey and Burnett more time to retrieve Julie and the drugs. They try again to access Dominguez's private police database profile by asking a convict "computer whiz" and learn that the administrative girl Francine is Dominguez's former girlfriend.

After heading to Opa Locka Airport, Burnett, Lowrey and two other Miami detectives (Nestor Serrano and Julio Oscar Mechoso) kill all of Fouchet's henchmen, including Casper and Ferguson, and rescue Julie. After the airport explodes, Burnett, Lowrey and Julie chase a fleeing Fouchet and bump him into a concrete barrier, but he manages to escape the wreckage. However, Lowrey ambushes him with a gunshot to the leg and finally shoots him dead. During Burnett and Lowrey's relief in surviving the gunfight, Burnett handcuffs Julie and Lowrey's hands together and heads home, hoping for some much needed "quality time" with his wife.



Principal photography began on June 27, 1994, at the Dade Tire company near downtown Miami, the city chosen to replace the original New York locale. Filming continued throughout the area, including South Beach's Tides Hotel, the Mediterranean Biltmore Hotel, the Dade County Courthouse and a multimillion-dollar estate on a private island. The second floor of downtown Miami's Alfred DuPont building was converted into a police station, a freighter on the Miami River into a drug lab. Bad Boys' climactic scenes were filmed at the Opa-Locka Airport. Production wrapped on August 31. In the film's early stages of development, Simpson and Bruckheimer initially envisioned Dana Carvey and Jon Lovitz in the roles.[3] When the film was written for Carvey and Lovitz, the original title for Bad Boys was Bulletproof Hearts. Arsenio Hall turned down the role of Lowrey and cites that choice as the worst mistake he has ever made. The role eventually went to Smith. Both Lawrence and Smith were starring in their own hit TV shows, Martin and The Fresh Prince of Bel-Air, when filming Bad Boys. The Fresh Prince of Bel-Air even references the film in an episode. In the season 6, episode 20, called "I Stank Horse", Nicholas "Nicky" Banks tells Will that his parents will not let him watch Bad Boys, to which Will replies, "Bad Boys, huh? What'cha gonna do?"


Director Bay did not like the script and often engaged Smith and Lawrence in discussions about how the dialogue and scenes could improve. He often allowed them to improvise while the cameras were rolling. He secretly told Smith to call Lawrence a bitch before the car scene. The whole "two bitches in the sea" was improvised, as was Martin's comment when Leoni called him gay. The scene in the convenience store, wherein the clerk puts a gun to Burnett and Lowrey's heads and yells, telling them to "Freeze, mother bitches!", is also improvised. They came up with: "No, you freeze, bitch! Now back up, put the gun down and get me a pack of Tropical Fruit Bubbalicious". "And some Skittles." According to Bay in the DVD commentary, at the end of the film when Mike and Marcus are recuperating, Mike says "I love you, man." Bay claims that Smith refused to say the line, causing the director and actor to argue back and forth over the line. Bay wanted Smith to say the line as he felt it summed up the friendship between the cops. After their argument had lasted for half of the day's shoot and much of the crew was ready to pack up, a fed up Bay told Smith to do whatever he wanted, after which Smith changed his mind and agreed to say the line.


The film was commercially successful, grossing $141,407,024 worldwide — $65,807,024 in North America and $75,600,000 overseas.[4] However, critical reception was generally mixed. Film review aggregating website Rotten Tomatoes reported that 43% of 46 sampled critics gave the film positive reviews and that it got a rating average of 4.9 out of 10 with the consensus: "Bad Boys stars Will Smith and Martin Lawrence have enjoyable chemistry; unfortunately, director Michael Bay too often drowns it out with set pieces and explosions in place of an actual story".[5] Most of the criticisms focused on the fact that despite the production of the film and the ability of the stars, the script did not diverge from the generic plot of a cop-buddy genre film, instead opting for repeated use of formulaic scenes.[6][7]

Roger Ebert in his video review of the film on At the Movies noted that despite the highly energetic approach of the two lead actors and the visual style of the film, their acting talents were mostly "new wine in old bottles". He illustrated that many of the elements featured in the film including both the plot and characters had been recycled from other films, particularly those from the Lethal Weapon and Beverly Hills Cop series[7]—recurrent stock-characters, police detective clichés and over-long action scenes.[7] In describing the archetypal cop-buddy genre action scene adhered to by the film, Ebert noted "Whenever a movie like this starts to drag, there's always one infallible solution; have a car-chase and then blow something up real good."[7]

Gene Siskel in his appraisal of the film said that he had lost interest in the film after its introduction due to the very formulaic approach,[7] and repeated Roger Ebert's criticism that the talents of the lead actors were wasted; suggesting that the production company did not spend significant time producing a script which would be suitable for their talents.[7]


Main article: Bad Boys (soundtrack)
Year Album Peak chart positions Certifications
U.S. U.S. R&B
1995 Bad Boys 26 13
  • US: Platinum

See also[edit]


  1. ^ "BAD BOYS (18)". British Board of Film Classification. May 3, 1995. Retrieved May 20, 2015. 
  2. ^ a b "Bad Boys (1995) - Box Office Mojo". 1995. 
  3. ^ Wolff, Craig (December 31, 1992). "IN THE DRESSING ROOM WITH DANA CARVEY; Every Night Live?". The New York Times. Retrieved April 26, 2010. 
  4. ^ "Bad Boys (1995)". Box Office Mojo. Internet Movie Database. Archived from the original on July 30, 2010. Retrieved August 12, 2010. 
  5. ^ "Bad Boys (1995)". Rotten Tomatoes. Flixster. Archived from the original on July 31, 2010. Retrieved August 12, 2010. 
  6. ^ McCarthy, Todd (April 3, 1995). "Bad Boys review". Variety. Reed Business Information. Retrieved August 12, 2010. 
  7. ^ a b c d e f Ebert, Roger., Siskel, Gene., 1995 Bad Boys Review [Internet Video] Available at Buena-Vista Television

External links[edit]