Bade Ghulam Ali Khan
Bade Ghulam Ali Khan
|Also known as||Sabrang|
|Born||2 April 1902|
Kasur, Punjab, British India
(present-day Punjab, Pakistan)
|Died||23 April 1968 (aged 66)|
Hyderabad, Telangana, India
|Genres||Hindustani classical music|
|Labels||HMV, Times Music|
Early life and background
At the age of five, Bade Ghulam began training in vocal music from his chacha Kale Khan, and later from his father. He had three younger brothers namely Barkat Ali Khan, Mubarak Ali Khan and Amanat Ali Khan.
Though he started his career by singing a few compositions of his late father Ali Baksh Khan and uncle Kale Khan, Bade Ghulam amalgamated the best of three traditions into his own Patiala-Kasur style: the Behram Khani elements of Dhrupad, the gyrations of Jaipur, and the behlavas (embellishments) of Gwalior. Many of his raga expositions were brief, contrary to convention and while he agreed that the beauty of classical music lay in leisurely improvisation, he believed that the audience would not appreciate long alaps, particularly considering his tendency towards singing for the masses and therefore, changed the music to what the audience wanted. He excelled at more light-hearted ragas such as Adana, Bhupali, Hameer, Jaijaiwanti and Jaunpuri. Under the pen name of Sabrang he created many new compositions. Unlike his younger son Munawar Ali Khan, who had an open-throated voice, Khan Sahib's voice was slurred.
After the Partition of India in 1947, Bade Ghulam Ali Khan went to his hometown Kasur in Pakistan, but returned to India later to reside permanently there in 1957. With the help of Bombay Chief Minister, Morarji Desai he acquired Indian citizenship and moved to a bungalow at Malabar Hill in Mumbai. He lived at various times in Lahore, Bombay, Calcutta, and finally Hyderabad.
For a long time, he stayed away from singing in films despite requests and persuasions from well-known producers and music directors. However he was coaxed and convinced by film producer K Asif to sing two songs based on ragas Sohni and Rageshri for the 1960 film Mughal-e-Azam with the music directed by Naushad. He demanded and received an extremely high price, reportedly to the tune of ₹25,000 per song, when the rates of popular and star playback singers such as Lata Mangeshkar and Mohammed Rafi was below ₹500 per song at that time.
Awards and recognition
- Sangeet Natak Akademi Award (1962)
- Sangeet Natak Akademi fellow (1967)
- Padma Bhushan Award (1962)
Death and legacy
He died in Basheer Bagh Palace in Hyderabad on 23 April 1968 after a prolonged illness that had left him partially paralyzed in the last few years of his life. He continued to sing and perform in public with the support of his son, Munawar Ali Khan, until his death.
In 2017, the Bade Ghulam Ali Khan Yaadgaar Sabha was founded by his disciple Malti Gilani. It helps to keep his music and memory alive even today.
- Ustad Bade Ghulam Ali Khan India Today (newspaper), Retrieved 19 October 2020
- (Papri Paul) Bade Ghulam Ali Khan: Remembering the legend The Times of India (newspaper), Published 4 April 2017, Retrieved 19 October 2020
- Ramachandra Guha (5 June 2020). "Melody within (Bade Ghulam Ali Khan)". The Telegraph Online (newspaper). Retrieved 19 October 2020.
- "बड़े गुलाम अली खान: जिन्होंने गाने के लिए रफी और लता से 50 गुना फीस ली". Firstpost Hindi. 2 April 2018.
- "List of Sangeet Natak Akademi Awards". Sangeet Natak Akademi website. Archived from the original on 31 March 2016. Retrieved 19 October 2020.
- Padma Bhushan Award (1962) listed for Bade Ghulam Ali Khan Government of India website, Retrieved 19 October 2020
- Beat Street (Bade Ghulam Ali Khan) The Hindu (newspaper), 16 November 2005, Retrieved 19 October 2020
- "Bade Ghulam Ali Khan Saheb (1964)". Indiancine.ma.
- (Anjana Rajan) On ragas and riches The Hindu (newspaper), 22 August 2008, Retrieved 19 October 2020
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