While originally woven by nomadic Bakhtiari, most authentic Bakhtiari rugs are woven in Bakhtiari settled communities in west central Iran southwest of Isfahan, Chahar Mahaal and Bakhtiari and parts of the provinces of Isfahan, Lorestan, and eastern Khuzestan, most notably in the town of Shahr-Kurd. Bakhtiari rugs were also known after their place of origin, such as Saman or Hureh (Hori). However, Bakhtiari patterns are copied in other weaving centers in Iran, Pakistan, India and China; so that a place name came to be used to refer to the place of origin of the pattern and quality of the rug, rather than to its place of actual manufacture. Saman and Hori are now regarded as grades of Bakhtiari rugs, rather than as geographical terms.
Bakhtiari carpets are based on a cotton foundation (warp) with a wool weft usually taken from the herds of the producing tribe. This leads to unique carpets that differ depending on the characteristics of each tribe’s wool. The wool can range from dull to extreme glossy and the resultant pile is clipped medium to high. The best carpets with the highest knot density are often known as Bibibaff. Prices range considerably with the highest knot density rugs generally being the most expensive, but price is also affected by criteria such as the pattern and the dyes used. Chapel Shotur and Saman pieces are rated slightly beneath Bibibaff productions, but are still considered to be good to excellent. Hori carpets are of looser weave and inferior quality and as such, are generally widely affordable.
The sizes vary from narrow hall carpets to large room designs, often up to 4 x 5 meters. The larger rugs tend to be very rare and harder to come by. Similarly, older rugs, often coveted by collectors, can be extremely costly.
Patterns are usually floral or garden inspired. The Khesti, an established garden motif is perhaps the most well-known rug design. The carpet is divided into individual squares with animals and plants acting as symbols. Another influential design features a decorated field with lattice designs and floral ornaments.
The use of colors varies depending on styles of certain tribes. Generally they include shades of white, reds, browns, greens, and yellows. Blue does not appear to feature. Natural dyes produce variations in color, which are particularly obvious on older Bibibaffs.
- MacDonald, Brian W. (1997). Tribal Rugs: Treasures of the Black Tent. Woodbridge, Suffolk, England: Antique Collectors' Club. pp. 281–282. ISBN 978-1-85149-268-8.
- Campbell, Gordon (2006). The Grove Encyclopedia of Decorative Arts, Volume 1, Aalto to Kyoto pottery. New York: Oxford University Press. p. 198. ISBN 978-0-19-518948-3.
- "Double-bag (khorjin), front, Bakhtiari tribe, Iran, 19th or 20th century". Washington, DC: The Textile Museum. Archived from the original on September 13, 2012.
- "Carpet Gallery: Bakhtiari". Farhangsara. Archived from the original on 26 February 2014.
- Jerrehian, Aram (1990). Oriental Rug Primer: Buying and Understanding New Oriental Rugs. Philadelphia, Pennsylvania: Running Press. p. 149. ISBN 978-0-89471-739-0.
- The word baff means knot and bibi is the name for a respected grandmother, hence "skilled". See "Carpet glossary: A-C: Bibibaff". Archived from the original on 25 February 2015.
- "Persian Style - Bakhtiari". Rugs & Carpets Glossary. Archived from the original on 3 September 2012.