A banjo manufacturer named Samuel Swaim Stewart, also called S.S., invented the banjeaurine. From Philadelphia, Stewart advertised the banjeaurine and this instrument became a critical part of banjo orchestras. The banjeaurine first hit the music scene in 1885, played before the public by William A Huntley. In banjo orchestras, the banjeaurine was responsible for the majority of the solos in musical pieces. The banjeaurine has a short neck with a scale between 19" and 20", a fretboard extension that is cantilevered over the head, and either 17 or 19 frets. It is a higher pitched version of the conventional 5 string banjo. Most banjeaurines, especially early ones, have 12"- to 12-1/2"-diameter rims. Later models may have 11" rims, a size that became a standard banjo rim size during the late 1920s. The body has a top made out of skin, real or synthetic, and usually an open back without a resonator. The banjeaurine has five strings. One is shorter than the others, and is called the fifth string, or thumb string. The concept of the banjeaurine is similar to that of other banjo-family instruments.
Banjeaurines were most notably constructed by S.S. Stewart, but were offered by most major banjo manufacturers, including Washburn, Fairbanks, Fairbanks & Cole, Cole, Vega, Weyman, Schall, Thompson & Odell, Kraske, Lyon & Healy, and many others.
- Fairbanks #3 Electric Banjorine — 1891 (Sign inside museum). Oklahoma City: American Banjo Museum. n.d.
12" body with short scale neck meant to play lead in banjo orchestras