||This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (May 2014) (Learn how and when to remove this template message)|
Bartholomäus Aich was a South-German organist and composer in the 17th century. Little is known about his life: originally from the village of Uttenweiler near Biberach an der Riß in Upper Swabia, he was the organist of the convent of canonesses in Lindau/Lake Constance.
His only surviving work is the musical-dramatic festival play Armamentarium comicum amoris et honoris (The Comic Armory of Love and Honor), written on the occasion of the wedding of Count Maximilian Willibald of Waldburg-Wolfegg and Clara Isabella Princess of Aarschot and Arenberg, that took place in Lindau on December 6, 1648. Armamentarium combined the Jesuit theatre tradition with the Italian monody of the early Baroque period and was performed by pupils of the Lindau Jesuit college on December 8, 1648. It is one of the earliest surviving examples of an operatic work performed in Germany.
The libretto (by an unknown author) is highly allegorical and focussed on the heraldic symbols that the combined coat of arms of the bridal couple would contain. These allegories are introduced by biblical figures from the Old Testament. Since that custom-made plot was not appropriate for performances beyond the original purpose, the work vanished into oblivion. It was recently rediscovered in the musical collections of the Dukes of Waldburg-Wolfegg and performed at Schloss Wolfegg on September 11, 2005, by the Hassler-Consort ensemble, conducted by Franz Raml.
- Bartholomäus Aich: Amor et honor. Programme brochure of the Ludwigsburger Schlossfestspiele for the 2005 concert at Schloss Wolfegg. Texts by Johannes Hoyer and Florian Mehltretter.