The basket-hilted sword is the name of a group of sword types of the early modern era characterized by a basket-shaped guard that protects the hand. The basket hilt is a development of the quillons added to swords' crossguards since the Late Middle Ages. In modern times, this variety of sword is commonly referred to, in colloquial contexts, as the broadsword, though no historical evidence has currently been unearthed which demonstrates that this was one of the sword's titles during the times of its prevalence.
The basket-hilted sword was generally in use as a military sword, in contrast with the rapier, the slim dueling sword worn with civilian dress during the same period, although each did find some use in both military and civilian contexts. A further distinction is usually applied to the term 'broadsword' by arms historians and collectors, that a true broadsword possesses a double-edged blade. Similarly wide-bladed swords with a blade with a single sharpened edge and a thickened back are called backswords. Various forms of basket-hilt were mounted on both broadsword and backsword blades.
The basket-hilted sword is a development of the 16th century, rising to popularity in the 17th century and remaining in widespread use throughout the 18th century, used especially by heavy cavalry up to the Napoleonic era.
One of the earliest basket-hilted swords was recovered from the wreck of the Mary Rose, an English warship lost in 1545. Before the find, the earliest positive dating had been two swords from around the time of the English Civil War. At first the wire guard was a simple design but as time passed it became increasingly sculpted and ornate.
The basket-hilted sword was a cut and thrust sword which found the most use in a military context, contrasting with the rapier, the similarly heavy, thrust-oriented sword most often worn with civilian dress which evolved from the espada ropera or spada da lato type during the same period. The terms "broadsword" and "backsword" were not used in the 17th and 18th centuries and are of Victorian invention, referring to double-edged and single-edged basket-hilted swords respectively. Both terms were introduced to distinguish these cut and thrust swords from the narrower rapier and smallsword.
By the 17th century there were regional variations of basket-hilts: the Walloon hilt, the Sinclair hilt, schiavona, mortuary sword, Scottish broadsword, and some types of eastern European pallasches. The mortuary and claymore variants were commonly used in the British isles, whether domestically-produced or acquired through trade with Italy and Germany. They also influenced the 18th-century cavalry sabre.
During the 18th century, the fashion of dueling in Europe focused on the lighter smallsword, and fencing with the broadsword came to be seen as a speciality of Scotland. A number of fencing manuals teaching fencing with the Scottish broadsword were published throughout the 18th century.
Descendants of the basket-hilted sword, albeit in the form of backswords with reduced "half" or "three-quarter" baskets, remained in use in cavalry during the Napoleonic era and throughout the 19th century, specifically as the 1796 Heavy Cavalry Sword, the Gothic Hilted British Infantry Swords of the 1820s to 1890s, the 1897 Pattern British Infantry Officer's Sword and as the Pattern 1908 and 1912 cavalry swords down to the eve of World War I.
The Schiavona was a Renaissance sword that became popular in Italy during the 16th and 17th centuries. Stemming from the 16th-century sword of the Balkan mercenaries who formed the bodyguard of the Doge of Venice, the name came from the fact that the guard consisted largely of the Schiavoni, Istrian and Dalmatian Croats. It was widely recognisable for its "cat's-head pommel" and distinctive handguard made up of many leaf-shaped brass or iron bars that was attached to the cross-bar and knucklebow rather than the pommel.
Classified as a true broadsword, this war sword had a wider blade than its contemporary civilian rapiers. It was basket hilted (often with an imbedded quillon for an upper guard) and its blade was double edged. A surviving blade measures 93.2 cm × 3.4 cm × 0.45 cm and bears two fullers or grooves running about 1/4 the length of the blade. Weighing in at around 1.1 kg, this blade was useful for both cut and thrust.
The schiavona became popular among the armies of those who traded with Italy during the 17th century and was the weapon of choice for many heavy cavalry. It was popular among mercenary soldiers and wealthy civilians alike; examples decorated with gilding and precious stones were imported by the upper classes to be worn as a combination of fashion accessory and defensive weapon.
A similar weapon was the cut-and-thrust mortuary sword which was used after 1625 by cavalry during the English Civil War. This (usually) two-edged sword sported a half-basket hilt with a straight blade some 90–105 cm long. These hilts were often of very intricate sculpting and design.
After the execution of King Charles I (1649), basket-hilted swords were made which depicted the face or death mask of the "martyred" king on the hilt. These swords came to be known as "mortuary swords", and the term has been extended to refer to the entire type of Civil War–era broadswords by some 20th-century authors.
This sword was Oliver Cromwell's weapon of choice; the one he owned is now held by the Royal Armouries, and displayed at the Tower of London. Mortuary swords remained in use until around 1670 when they fell out of favor among civilians and began to be replaced with the smallsword.
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A common weapon among the clansmen during the Jacobite rebellions of the late 17th and early 18th centuries, the Scottish Basket Hilted Broadsword was the ideal weapon of choice for combating the British Redcoats armed with muskets. When paired with a "targe", or light buckler a highlander was provided with a staunch defense to block a bayonet and then deliver a thrust with the sword. In between rebellions and after the overall failure of the rebellions, the Highlanders would hide these weapons in the heath. It is not an uncommon story that features a hiker finding such a blade.
It had long quillons and an oval leather-wrapped grip that was originally designed for falchion blades but was soon applied to the broadsword. It had a large triangular plate very similar to the ones used on main gauche daggers and was decorated with pierced hearts and diamonds.
A similar weapon was the Pallasch which had the same hilt and straight blade but was single-edged. It was used until the mid-18th century by the Austrian army and inspired the British 1796 Heavy Cavalry Sabre.
The Sinclair hilt broadsword influenced the development of the Scottish basket-hilted broadsword, which was used by highlanders in the 17th and 18th century. After the Jacobite Wars it became a symbol of Scotland.
The so-called walloon sword (épée wallone) was common in Germany, Switzerland, the Netherlands and Scandinavia in the Thirty Years' War and Baroque era. The historian and sword typologist Ewart Oakeshott proposed an English origin for this type of sword, with subsequent development in the Netherlands and Germany. Basket-hilted rapiers and sword-rapiers, characterised by pierced shell-guards, made during the same period are known as Pappenheimer rapiers.
Following their campaign in the Netherlands in 1672 (when many of these German-made swords were captured from the Dutch), the French began producing this weapon as their first regulation sword. Weapons of this design were also issued to the Swedish army from the time of Gustavus Adolphus until as late as the 1850s.
George Silver in his Paradoxes of Defence (1599), published some material on broadswords, but no instructive details. Two later books by Silver, Brief Instructions on my Paradoxes of Defence, and Rules of Defence to be observed in open Fyght, &c., contained more detailed instructions in the use of the broadsword. Silver advises three principal "fyghts", or stances for attack, one with the hilt held above the wielder's head with the point towards the wielder's knee; the second with the wielder's hilt just below chest level with the point towards the wielder's left foot; and the third having the hands held low and the point held upright. The "wards" or parries were made from these middle positions by moving the sword to the right or left. Silver was also the first author of any nationality to distinctly advocate parrying and riposting, to which he devoted an entire chapter.
- "Broadswords". thearma.org. Retrieved 2014-05-27.
- Oakeshott, Ewart (2012) . European Weapons and Armour: From the Renaissance to the Industrial Revolution. Woodbridge: The Boydell Press. pp. 156, 173, 175. ISBN 978-1-84383-720-6.
- Martyn, pp. 6, 29
- BBC News, "Sword from Mary Rose on display", 26 July 2007. Retrieved 9 February 2010.
- Oakeshott, Ewart, The Sword in the Age of Chivalry (1964).
- Henry Charles Howard Suffolk and Berkshire (Earl of), Hedley Peek, Frederick George Aflalo, The Encyclopaedia of Sport & Games, Volume 1 (1911), p. 349-355.
- "Forms of European Edged Weaponry". MyArmoury.com.
- Robinson, Nathan. "The Schiavona and its influences." MyArmoury.com. Retrieved on 4 December 2008.
- Goodwin, William. "Mortuary Hilt Sword." MyArmoury.com. Retrieved on 4 December 2008.
- Bink, J, A 17th century Masterpiece (Dec 8 2008)
- Schiavona at Everything2.com
- Ross Dean, Antique andReplica Schiavonas (Dec 8 2008)
- "Many of these baskets were decorated with embossed heads‥taken to represent the executed King Charles I, and for this reason they are often described as mortuary swords." Frederick Wilkinson, Swords & daggers (1967), i.24. See also Cromwellian Scotland - Mortuary Sword
- Oakeshott, E. (2012) . European Weapons and Armour: From the Renaissance to the Industrial Revolution. Woodbridge: The Boydell Press. pp. 172–173. ISBN 978-1-84383-720-6.
- Replica Sinclair Hilt Sword. Retrieved on 4 December 2008.
- Main Gauche Dagger with sinclair hilt. Retrieved on 4 December 2008.
- Forms of European edged weaponry. Retrieved on 4 December 2008
- Mad Piper. Retrieved on 4 December 2008.
- One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Claymore". Encyclopædia Britannica (11th ed.). Cambridge University Press.
- Acts of Union. Retrieved on 4 December 2008.
- Vladimir Brnardic, Darko Pavlovic, Imperial Armies of the Thirty Years' War (2): Cavalry, Osprey Publishing, 2010, ISBN 978-1-84603-997-3, p.20.
- Oakeshott, p. 172
- Grandy, B, Phoenix Metal Creations Pappenheimer Sword (Dec 5 2009)
- Fitzwilliam Museum
- MyArmoury - Walloon Swords
- Armemuseum - Varjor
- C. Martyn, The British Cavalry Sword from 1800, Pen and Sword Books, Barnsley (2004).
- R. E. Oakeshott, European weapons and armour: From the Renaissance to the industrial revolution (1980).
|Wikimedia Commons has media related to Basket-hilted swords.|
- Scottish basket-hilted swords in the National Museum of Scotland, Kelvingrove Art Gallery and Museum, and the Trades House of Glasgow.
- The basket-hilted sword. Description and photos (interestingswords.com)
- Schiavona – Venetian basket-hilted sword (interestingswords.com)