12 December 1931
Bordj El Kiffan, Algeria
|Died||9 November 1998|
|Known for||Painting, ceramics|
|Movement||Surrealism, Naïve art|
|Spouse(s)||El Hadj Mahfoud Mahieddine|
Baya Mahieddine or Fatima Haddad (born in Bordj El Kiffan on December 12, 1931; died November 9, 1998) was an Algerian artist of Kabyle-Berber origin. While she did not self-identify as belonging to a particular art genre, critics have classified her paintings as being surrealist, primitive, naïve, and modern. Her works are mainly paintings, though she did pottery as well, all completely self-taught.
At the age of sixteen Baya had her first exhibition, in Paris, where she gained notice from renowned artists such as Picasso and André Breton. Her work was presented in various exhibitions in France and Algeria, and has appeared on Algerian postage stamps.
Born in 1931 in Fort de l’eau (today’s Bordj- el-Kiffan), by the age of five, both her parents had died, so she was raised by her grandmother. At the age of eleven, Marguerite Caminat, a French woman residing in Algiers, stepped in as Baya’s protector. While certain sources present Marguerite as Baya’s “protector”, others state that Baya was responsible for completing household duties, much like a servant. Marguerite furnished her with a residence, art supplies, and words of support for her art.
In 1947 Marguerite, who was well connected in the literary and art worlds, was visited by the French art dealer Aimé Maeght who, later that year, presented Baya’s work in a solo exhibition in his gallery. André Breton wrote the preface to the catalogue of Baya's exhibition.
Baya returned to Algeria and in 1953 she married El Hadj Mahfoud Mahieddine, a famous musician, in an arranged marriage. She had ceased to paint from 1953 to 1963, which coincidences with the Algerian War. During these years she gave birth and was mothering six children.
In 1963 she resumed painting, exhibiting both new and old work in Algiers and in Paris, until her death on November 9, 1998.
In her gouaches dominated by vibrant colors, she often paints silhouettes of women and their clothes, belts and veils, figures of the enigmatic mother and different domestic objects. The objects surrounding these ladies are devoid of any shadow.
Baya’s artwork largely appear to reenact a vibrant and joyful community of women.
The vibrant colors and sinuous contours of the figures in her gouaches offer unique representations of flora and fauna, and portray unusual animals such as flying rabbits and camel-sized birds that might emerge from Scheherazade’s stories, from "The Thousand and One Nights" Arab stories.
The bold colors and strange figures of her works revealed surrealist and dream-like qualities inspired her contemporaries such as Georges Braque and Pablo Picasso, André Breton who defined her work as Surrealism, and this view was widely held for a long time.
Breton’s enthusiastic reception and encomium of Baya and her work is expressed in his 1947 essay “Baya”:
“I speak not as others have, to deplore an ending, but rather to promote a beginning, and at this beginning, Baya is queen. The beginning of an age of emancipation and of agreement, in radical rupture with the preceding era, one of whose principal levers for man might be the systematic, always increasing impregnation of nature. The beginnings of this age lie with Charles Fourier, the new impetus has just been furnished by Malcolm of Chazal. But for the rocket that launches the new age, I propose the name Baya. Baya, whose mission is to reinvigorate the meaning of those beautiful nostalgic words: happy Arabia. Baya holds and rekindles the golden bough.”
- "Baya VIAF".
- Futamura, C. Wakaba. "Cendrillon or Scheherazade?: Unraveling the Franco-Algerian Legend of Baya Mahieddine", Women in French Studies, Volume 24, 2016 (Article) Published by Women in French Association DOI: https://doi.org/10.1353/wfs.2016.0018
- Khanna, Ranjana. “Latent Ghosts and the Manifesto Baya, Breton and reading for the future.” Algeria Cuts: Women and Representation, 1830 to the Present. Ed. Mieke Bal and Hent de Vries. Palo Alto: Stanford University Press, 2008. Print.
- "Jadaliyya Profiles" (6 July 2014). [http://www.jadaliyya.com/pages/index/18413/baya-mahieddine_a-profile-from-the-archives "Baya Mahieddine: A Profile from the Archives". Jadaliyya. Retrieved 20 March 2017.]
- Futamura, C. Wakaba. “Baya Revisited: Identity Expression and the Insights of Art Therapy.” The International Journal of the Humanities, vol. 8, no. 6, 2010.
- Andre Breton, from ‘Baya’ exhibition catalogue, Derrie`re le miroir, Paris: Editions Aime Maeght, 1947.
- Drinkard, Jane (18 March 2018). "The 16-Year-Old Algerian Artist Who Influenced Picasso and Matisse". The Cut. Retrieved 29 March 2018..
- Samuels, A. J. (12 April 2017). "Baya Mmahieddine: the young artist who inspired Picasso". Theculturetrip.com. Retrieved 29 March 2018..
- "Baya Mahieddine: A Profile from the Archives". jadaliyya.com. Retrieved 29 March 2018..