Beau Brummell

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Beau Brummell
Brummell, engraved from a miniature portrait
George Bryan Brummell

7 June 1778
Died30 March 1840 (aged 61)
Le Bon Sauveur Asylum, Caen, France
EducationEton College
Alma materOriel College, Oxford

George Bryan "Beau" Brummell (7 June 1778 – 30 March 1840)[1] was an important figure in Regency England and for many years the arbiter of men's fashion. At one time he was a close friend of the Prince Regent, the future King George IV, but after the two quarrelled, and Brummell got into debt, he had to take refuge in France. Eventually he died shabby and insane in Caen.

Brummell was remembered afterwards as the preeminent example of the dandy and a whole literature was founded upon his manner and witty sayings which has persisted. His name is still associated with style and good looks, and it has been given to a variety of modern products to suggest their high quality.


Brummell was born in London, the younger son of Jane (née Richardson, daughter of the Keeper of the Lottery Office) and William Brummell (d. 1794), Private Secretary to the Prime Minister, Lord North.[2] On his retirement from politics, William had bought Donnington Grove in Berkshire, and served as High Sheriff of Berkshire in 1788.[3] William was the son of another William Brummell (d. 1770), who had been valet to a Lincolnshire politician, Charles Monson, and, reckoned "an excellent servant", met with some success despite his modest origins through patronage and good fortune.[4] He was in business as a confectioner in Bury Street, "in an area notorious for... high-class brothels", letting some rooms in the family's house for boarding. The statesman Charles Jenkinson, 1st Earl of Liverpool stayed there for a time, and got the younger William a clerical position at the Treasury, which led to his successful career.[5][6][7]

The family had achieved middle class status, but William Brummell was ambitious for his son George to become a gentleman, and he was raised with that understanding. It was suggested (possibly by the Brummells) that William Brummell was an illegitimate descendant of Frederick, Prince of Wales.[8]

Brummell was educated at Eton and made his precocious mark on fashion when he not only modernised the white stock, or cravat, that was the mark of the Eton boy, but added a gold buckle to it.[9]

He progressed to Oxford University, where, by his own example, he made cotton stockings and dingy cravats a thing of the past. While an undergraduate at Oriel College in 1793, he competed for the Chancellor's Prize for Latin Verse, coming second to Edward Copleston, who was later to become provost of his college.[10] He left the university after only a year, at the age of sixteen.

Military career[edit]

In June 1794 Brummell joined the Tenth Royal Hussars as a cornet, the lowest rank of commissioned officer,[11] and soon after had his nose broken by a kick from a horse.[12] His father died in 1795, by which time Brummell had been promoted to lieutenant.[13] His father had left an inheritance of £65,000, of which Brummell was entitled to a third. Ordinarily a considerable sum, it was inadequate for the expenses of an aspiring officer in the personal regiment of the Prince of Wales. The officers, many of whom were heirs to noble titles and lands, "wore their estates upon their backs – some of them before they had inherited the paternal acres."[14] Officers in any military regiment were required to provide their own mounts and uniforms and to pay mess bills, but the 10th in particular had elaborate, nearly endless variations of uniform; also, their mess expenses were unusually high as the regiment did not stint itself on banquets or entertainment.

1805 caricature of Brummell by Richard Dighton

For such a junior officer, Brummell took the regiment by storm, fascinating the Prince,

"the first gentleman of England", by the force of his personality. He was allowed to miss parade, shirk his duties and, in essence, do just as he pleased. Within three years, by 1796, he was made a captain, to the envy and disgust of older officers who felt that "our general’s friend was now the general."[14]

In 1797,[15] when his regiment was sent from London to Manchester, he immediately resigned his commission, citing the city's poor reputation, undistinguished ambience and want of culture and civility.[16]

In London society[edit]

Although he was now a civilian, Brummell's friendship with, and influence over, the Prince continued. He became the arbiter of fashion, and established a mode of dress that rejected overly ornate clothes in favour of understated but perfectly fitted and tailored bespoke garments. This look was based on dark coats, full-length trousers rather than knee breeches and stockings, and above all, immaculate shirt linen and an elaborately knotted cravat.[17]

Brummell took a house on Chesterfield Street in Mayfair[18] and for a time managed to avoid the nightly gaming and other extravagances fashionable in such elevated circles. Where he refused to economise was on his dress: when asked how much it would cost to keep a single man in clothes, he was said to have replied: "Why, with tolerable economy, I think it might be done with £800",[19] at a time when the average annual wage for a craftsman was £52. He also claimed that he took five hours a day to dress and recommended that boots be polished with champagne.[20] This preoccupation with dress, coupled with a nonchalant display of wit, was referred to as dandyism.

Brummell put into practice the principles of harmony of shape and contrast of colours with such a pleasing result that men of superior rank sought his opinion on their own dress.

The Duke of Bedford once did this touching a coat. Brummell examined his Grace with the cool impertinence which was his Grace's due. He turned him about, scanned him with scrutinizing, contemptuous eye, and then taking the lapel between his dainty finger and thumb, he exclaimed in a tone of pitying wonder, "Bedford, do you call this thing a coat?"[21]

His personal habits, such as a fastidious attention to cleaning his teeth, shaving, and daily bathing exerted an influence on the ton—the upper echelons of polite society—who began to do likewise. Enthralled, the Prince would spend hours in Brummell's dressing room, witnessing the progress of his friend's lengthy morning toilette.


While at Eton Brummell played for the school's first eleven,[22] although he is said to have once terrified a master there by asserting that he thought cricket "foolish".[23] He did, however, play a single first-class match for Hampshire at Lord's Old Ground in 1807 against an early England side. Brummell made scores of 23 and 3 on that occasion, leaving him with a career batting average of 13.00.[24]


A ball at Almack's, supposedly in 1815; the couple on the left are annotated as 'Beau Brummell in deep conversation with the Duchess of Rutland'.

Brummell's wealthy friends influenced him; he began spending and gambling as though his fortune were as ample as theirs. He found it increasingly difficult to maintain his lifestyle, but his prominent position in society allowed him to float a line of credit. This situation changed in July 1813, at a masquerade ball jointly hosted at Watier's private club by Brummell, Lord Alvanley, Henry Mildmay and Henry Pierrepont. The four were considered the prime movers of Watier's, dubbed "the Dandy Club" by Byron. The Prince Regent greeted Alvanley and Pierrepont at the event, and then "cut" Brummell and Mildmay by staring at their faces without speaking.[25] This provoked Brummell's remark, "Alvanley, who's your fat friend?".

The incident marked the final breach in a rift between Brummell and the Regent that had opened in 1811, when the Prince became Regent and began abandoning all his old Whig friends.[26] Brummell became an anomalous favourite flourishing without a patron, influencing fashion and courted by a large segment of society.[27]

Later life[edit]

In 1816 Brummell, owing thousands of pounds, fled to France to escape debtor's prison. Usually Brummell's gambling obligations, as "debts of honour", were always paid immediately. The one exception to this was the final wager, dated March 1815 in White's betting book, which was marked "not paid, 20th January, 1816".[28]

He lived the remainder of his life in French exile, spending ten years in Calais without an official passport before acquiring an appointment to the consulate at Caen in 1830 through the influence of Lord Alvanley and the Duke of Beaufort. This provided him with a small annuity but lasted only two years, when the Foreign Office took Brummell's recommendation to abolish the consulate. He had made it in the hope of being appointed to a more remunerative position elsewhere, but no new position was forthcoming.

Rapidly running out of money and grown increasingly slovenly in his dress, he was forced into debtors' prison in early 1835 by his long-unpaid Calais creditors; only through the charitable intervention of his friends in England was he able to secure release later that year. In 1840 Brummell died penniless and insane from syphilis at Le Bon Sauveur Asylum on the outskirts of Caen; he was 61. He is buried at Cimetière Protestant, Caen, France.[29]

In the arts[edit]

Artistic memorials[edit]

A very early portrait of Brummell, along with his elder brother William, occurs in the Joshua Reynolds painting of the curly-headed Brummell children, dating from 1781 and now in the Kenwood House collection.[30] The caricaturist Richard Dighton painted a watercolour of Brummell at the elegant height of his dandyism and used it as the basis for a popular print in 1805. Two centuries later it served as model for a 2002 statue of Brummell by Irena Sedlecká erected in Jermyn Street.[31] On the other side of Piccadilly, a blue plaque has marked Brummell's former home in Chesterfield Street since 1984, while in 2013 another plaque commemorated his name as a member of the hunting and dining club in Melton Mowbray also patronised by the Prince Regent.[32]

2002 statue of Beau Brummell by Irena Sedlecká in London's Jermyn Street


In literature, Brummell has been more extensively portrayed. Scarcely had he left England than he was satirised as the witty Bellair in the picaresque novel Six Weeks at Long's, by a Late Resident (1817), now ascribed to Eaton Stannard Barrett.[33] Among his humorous remarks there, he is credited with denouncing the eating of vegetables and, when challenged whether he had ever tried it, replying "Oh, yes, I remember I once ate a pea."[34] A collection of the witticisms ascribed to him and of anecdotes about him followed under the title Brummelliana and was republished many times in the following decades.[35] This began with the story of his enquiring the identity of his companion's "fat friend" and also included his vegetarian remark.

William Hazlitt borrowed the same title, "Brummelliana", for an unsympathetic essay published in 1828, referring to some of these stories and repeating others uncollected there.[36] Dandyism also came under attack in George Robert Wythen Baxter's satirical essay "Kiddyism", published in humorous journals from 1832 onwards, which culminates in a set of satirical aphorisms purporting to be yet more Brummelliana.[37] Further fictitious aphorisms were published in France by Honoré de Balzac in the course of a series of articles published under the title Traité de la vie élégante (1830). These sayings were supposed to have arisen during an interview with Brummell in Boulogne, rather than Calais, and epitomise his view of "the elegant life".[38]

Literary portrayals[edit]

In the following decade two more books were dedicated to confirming Brummell as a cult figure. In England there was Captain Jesse's two volume Life of George Brummell (1844), the first biography devoted to him.[39] In France there was the influential essay of Jules Amédée Barbey d'Aurevilly, "On Dandyism and George Brummell" (1845), which seeks to define the essence of dandyism through a study of his career and opinions. In the course of his essay, Barbey d'Aurevilly deprecates English attempts to portray Brummell in fiction: "Within Brummell's lifetime two well-known authors took up their pen – sharpened to exquisite points and dipped in musk-scented Chinese ink – to cast on blue-tinted paper with silver borders a few facile lines where one catches a glimpse of Brummell."[40] He was referring to two examples of the fashionable or silver fork novel, of which more than a thousand were to be written over the next two decades.

The first such depiction is through the character Trebeck in Thomas Henry Lister's Granby (1826), who abandons dandyism when he discovers a waistcoat of his devising worn by "a natty apprentice".[41] In Bulwer Lytton's 1828 novel Pelham, the hero of the title portrays a dandy who, at one point, passes through Calais and meets the inspiration of his way of life in the character of Mr. Russelton. The latter is modeled on Brummell and to him are attributed such stories from the Brummell apocrypha as his once needing three tailors to contribute to the making of his gloves and the sartorial insult "Do you call this a coat?"[42]

Brummell appeared under his own name as a character in Arthur Conan Doyle's 1896 historical novel Rodney Stone. In this, the title character's uncle, Charles Tregellis, is the center of the London fashion world, until Brummell ultimately supplants him. Tregellis's subsequent death from mortification serves as a deus ex machina in that it resolves Rodney Stone's family poverty.[43]

Georgette Heyer, author of a number of Regency romance novels, included Brummell as a character in her 1935 novel Regency Buck. He is also referred to, or figures as a minor character, in the work of later writers of this genre. More recently, Brummell was made the detective-hero of a series of period mysteries by Californian novelist Rosemary Stevens, starting with Death on a Silver Tray in 2000.[44] These are written as if related by their hero. Yet another American reinterpretation of his character appears in Cecilia Ryan's homoerotic novella The Sartorialist (2012).[45]

Stage and cinema[edit]

In the United States, Brummell's life was dramatised in an 1890 stage play in four acts by Clyde Fitch with Richard Mansfield as Brummell. This in turn was adapted for the 1924 film Beau Brummel, with John Barrymore and Mary Astor.[46] Another play about him, authored by Bertram P Matthews, is only remembered because it had incidental music written for it by Edward Elgar. When it was staged at the Theatre Royal, Birmingham in November 1928, Elgar himself conducted the orchestra on its first night. With the exception of the minuet, Elgar's orchestral score subsequently disappeared and the manuscript has never been located.[47] Brummell's later years were the setting for Ron Hutchinson's 2001 two-character play The Beau (originally Beau Brummell), which following a UK national tour played for one month at Theatre Royal Haymarket, starring Peter Bowles as Brummell.[48]

Earlier movies included a 10-minute film by the Vitagraph Company of America (1913), based on a Booth Tarkington story, the 1913 Beau Brummell and his Bride, a short comedy made by the Edison Company. In 1937 there was a radio drama on Lux Radio Theater with Robert Montgomery as Brummell.[49] A further film, Beau Brummell, was made in 1954 with Stewart Granger playing the title role and Elizabeth Taylor as Lady Patricia Belham. There were also two television dramas: the sixty-minute So war Herr Brummell (Süddeutscher Rundfunk, 1967) and the UK Beau Brummell: This Charming Man (2006).[50]

In 1931, there was a French three-act operetta, Brummell, composed by Reynaldo Hahn to a libretto by Rip and Robert Dieudonné. This featured Brummell as the main character in a fabricated story of a rural courtship which saw occasional performance in later years.[51] This was later broadcast by Radio-Lille (1963).

A guarantee of style[edit]

Gillette advertisement (1917)

Brummell's name became associated with style and good looks and was therefore borrowed for a variety of products or alluded to in songs and poetry. One example was the paint colour Beau Brummel Brown, used exclusively on the 1931 Oldsmobile.[52] In 1934 a rhododendron hybridised by Lionel de Rothschild was named after the dandy.[53] In 1928 there were several Beau Brummel styles from the Illinois Watch Company[54] and in 1948 LeCoultre marketed a Beau Brummel watch with a minimalist design and no numbers.[55] In 2016, a men's skincare and shaving company launched using the name Beau Brummell for Men.

T. S. Eliot's poem about "Bustopher Jones: The Cat About Town" refers to him as the "Brummell of Cats",[56] an allusion taken up in Andrew Lloyd Webber's Cats, the 1981 musical based on Eliot's Old Possum's Book of Practical Cats (1939). Other allusions to Brummell appear in the lyrics of such songs as "All I Need Is The Girl" from the 1959 musical Gypsy,[57] "You're Never Fully Dressed Without a Smile" from the musical Annie (1977),[58] and Billy Joel's 1980 hit "It's Still Rock and Roll to Me".[59]

Various bands also adopted Brummell's name, beginning with Zack Whyte and His Chocolate Beau Brummels, a jazz-style dance band that toured between 1924 and 1935.[60] And during the 1960s there were the rock bands The Beau Brummels from San Francisco and Beau Brummell Esquire and His Noble Men, the name used by South African born Michael Bush for his English group.[61]


  1. ^ Hepworth, Walter (1886). "Brummell, George Bryan" . In Stephen, Leslie (ed.). Dictionary of National Biography. 7. London: Smith, Elder & Co. pp. 141–142.
  2. ^[bare URL]
  3. ^ A Visitation of the Seats and Arms of the Noblemen and Gentlemen of Great Britain and Ireland, second series, Sir Bernard Burke, Hurst & Blackett, 1855, p. 25
  4. ^[bare URL]
  5. ^ Beau Brummell: The Ultimate Man of Style, Chapter 1: Blessed are the Placemakers- 1778–1786, Ian Kelly, Simon & Schuster, 2006, p. 1
  6. ^ The Life of George Brummell, commonly called Beau Brummell, vol. 1, William Jesse, Grolier Society, 1981, pp. 17–18
  7. ^ The Incredible Beau Brummell, Samuel Tenenbaum, A. S. Barnes, 1967, p. 16
  8. ^ The Gentleman's Magazine, Nov. 1866, collected vol. 221, p. 693
  9. ^ John, Doran (1857), Miscellaneous Works, Volume I: Habits and Men, Beau Brummell, Great Britain: Richard Bentley, p. 379
  10. ^ The list of winners appears in successive editions of the Oxford University Calendar
  11. ^ "No. 13677". The London Gazette. 28 June 1794. p. 619.
  12. ^ Jesse, William (1844), The Life of George Brummell, Esq., Commonly Called Beau Brummell, Great Britain: Saunders and Otley, p. 383
  13. ^ "No. 13773". The London Gazette. 28 April 1795. p. 379.
  14. ^ a b Doran, p. 380
  15. ^ "No. 14072". The London Gazette. 12 December 1797. p. 1175. "10th Regiment of Light Dragoons, Lieutenant John Chambers to be Captain, by Purchase, vice Brummell, who retires."
  16. ^ Jesse
  17. ^ "A Poet of Cloth", a Spring 2006 article on Brummell's cravats from Cabinet magazine
  18. ^ "Chesterfield Street". Daily Telegraph. Archived from the original on 30 January 2013.
  19. ^ The laws of etiquette: or, Short rules and reflections for conduct in society by A Gentleman, Carey, Lea, & Blanchard, 1836 p. 136
  20. ^ Boyle, Written byLaura (17 June 2011). "Beau Brummell and the Birth of Regency Fashion". Jane Austen.
  21. ^ Doran, p. 386
  22. ^ Kelly 2005
  23. ^ Max Beerbohm, Dandies and Dandies (1896)
  24. ^ George Brummell at CricInfo
  25. ^ Grace and Philip Wharton, The Wits and Beaux of Society, London 1861, Volume 2
  26. ^ Campbell, Kathleen (1948). Beau Brummell. London: Hammond.
  27. ^ Kelly, Campbell, Jerrold
  28. ^ The Regency Underworld, Donald A Lowe
  29. ^ Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Locations 6018–6019). McFarland & Company, Inc., Publishers. Kindle Edition.
  30. ^ "WikiArt".
  31. ^ "Beau Brummell statue". London Remembers.
  32. ^ Plaques, Open. "Beau Brummell blue plaque".
  33. ^ Romantic Circles, "Fictions of Byron"
  34. ^ Hathi Trust, vol.3, p.33
  35. ^ The Flowers of Literature vol.2, London 1821, p.131-4
  36. ^ Dandyism site
  37. ^ Humour and Pathos, London 1838, pp.98–102
  38. ^ Rising Star: Dandyism, Gender, and Performance in the Fin de Siecle, Princeton University 1999, p.16
  39. ^ William Jesse (6 May 2019). The life of George Brummell commonly called Beau Brummell. Volume I. Saunders & Otley – via Google Books. |volume= has extra text (help)
  40. ^ Du dandysme et de George Brummell, chapter 7
  41. ^ Available on the Internet Archive
  42. ^ Richard Cronin, "Bulwer, Carlyle and the fashionable novel" in The Subverting Vision of Bulwer Lytton, University of Delaware 2004, pp. 38–41; the chapters in the novel are 32–33
  43. ^ Available at rodney stone Gutenberg
  44. ^ A synopsis at Publishers Weekly
  45. ^ Ryan, Cecilia (28 March 2012). The Sartorialist. Dreamspinner Press. ISBN 9781613724088 – via Google Books.
  46. ^ Synopsis at IMDB; watch the film on YouTube
  47. ^ "Beau Brummel — Elgar's Lost Masterpiece". Acuta Music.
  48. ^ "Bowles Closes Early in Hutchinson's Beau, 23 Jun". 8 June 2001. Archived from the original on 10 December 2013. Retrieved 5 December 2013.
  49. ^ There is a recording on YouTube
  50. ^ BBC. "James Purefoy plays Beau Brummell".
  51. ^ "Brummell", Encyclopédie multimedia de la comédie musicale en France website (in French), accessed 25 June 2018
  52. ^ "1931 GM Beau Brummel Brown paint".
  53. ^ It is illustrated here
  54. ^ "Vintage Illinois Spotlight-- Beau Brummel".
  55. ^ Connoisseur of Time Archived 4 March 2016 at the Wayback Machine
  56. ^ In Old Possum's Book of Practical Cats, London 1939; text available online
  57. ^ Sound Track Lyrics
  58. ^ Lyric Advisor
  59. ^ Billy Joel site
  60. ^ A History of Jazz before 1930
  61. ^ Chronoglide

Further reading[edit]

  • Barbey d'Aurevilly, Jules. On Dandyism and George Brummell, 1845
  • Campbell, Kathleen. Beau Brummell. London: Hammond, 1948
  • Jesse, Captain William. The Life of Beau Brummell. Published in two volumes. Available at Google Books, vol. 1 and vol. 2
  • Kelly, Ian. Beau Brummell: The Ultimate Dandy. Hodder & Stoughton, 2005
  • Lewis, Melville. Beau Brummell: His Life and Letters. New York: Doran, 1925
  • Moers, Ellen. The Dandy: Brummell to Beerbohm. London: Secker and Warburg, 1960
  • Nicolay, Claire. Origins and Reception of Regency Dandyism: Brummell to Baudelaire. Ph.D. diss., Loyola U of Chicago, 1998
  • Wharton, Grace and Philip. Wits and Beaux of Society. New York: Harper and Brothers, 1861

External links[edit]