Behind the Green Door
|Behind the Green Door|
|Directed by||Artie Mitchell &|
|Written by||Elliot Wax (original story), Artie Mitchell (screen adaptation)|
|Produced by||Artie Mitchell|
|Edited by||Jon Fontana|
|Music by||Daniel Le Blanc|
|Distributed by||Mitchell Brothers Film Group|
|Box office||$50 million|
Behind the Green Door is a 1972 American feature-length pornographic film, widely considered one of the genre's "classic" pictures and one of the films that ushered in The Golden Age of Porn (1969–1984). Featuring Marilyn Chambers, who became a mainstream celebrity, it was one of the first hardcore films widely released in the United States and the first feature-length film directed by the Mitchell brothers. It was adapted from an anonymous short story of the same title, which was circulated by means of numerous carbon copies. The story's title makes reference to the 1956 hit song "Green Door", whose lyrics describe being denied entry to a raucous nightclub with a green door. Though she plays the film's central character, Chambers does not have a single word of dialogue in the entire film. The film is possibly the first U.S. feature-length heterosexual hardcore film to include an interracial sex scene.
A wealthy San Francisco socialite, Gloria Saunders (Chambers), is taken against her will to an elite North Beach sex club and loved "as she's never been loved before". There she engages in lesbian sex with a group of six women, all dressed in black, after being brought out wearing a white dress on stage through the green door.
The silent, largely masked audience become increasingly aroused as her white dress is removed and she is stroked, kissed and given cunnilingus by the women. Her first heterosexual sex is with the African-American boxer Johnnie Keyes, accompanied by a funk soundtrack. Over 45 minutes, he gives her more cunnilingus and then they have sexual intercourse, while Gloria continues to be stroked by the other women. When she has an orgasm, the sex stops and he is not shown to ejaculate.
Gloria then mounts a trapeze contraption suspended from the ceiling and then engages in vaginal intercourse with one man as she performs oral sex on another and masturbates two others. The audience become further aroused and begin having sex with each other in what becomes an orgy. In a psychedelic key sequence, an ejaculation is shown with semen flying through the air for almost seven minutes. The film features several multicolored, optically printed, slow-motion close-ups of money shots. This is the only ejaculation sequence in the film. The narrator then runs from the audience onto the stage and carries Gloria off through the green door. The film ends with him and Gloria making love alone.
Several years after Andy Warhol's seminal Blue Movie in 1969, and along with Deep Throat, also released in 1972, Behind the Green Door helped launch the "Golden Age of Porn" (1969–1984), and somewhat later, the "porno chic" boom. Along with Deep Throat, it was one of the first hardcore porn film to reach a mass mixed-sex audience. Prior to Behind the Green Door, most of the Mitchell Brothers' 200 or so films had only been shown in their O'Farrell Theater. Made with a budget of $60,000, it achieved a nationwide theatrical release which earned over $1 million. The movie ultimately grossed over $50 million including its video release, which was controlled exclusively by the Mitchells out of their headquarters in the O'Farrell Theatre, San Francisco. It was the one of the biggest box office pornographic successes of the 1970s, alongside Deep Throat and The Devil in Miss Jones. It was even screened at the Cannes Film Festival. After its release, organized crime figures used extortion in an attempt to obtain the rights to the film.
Chambers was relatively unknown at the time; however, the film made her a star. Immediately prior to the movie's release she was the "Ivory soap girl", having modeled for the Ivory Snow soap and detergent packaging holding a baby. The brand was sold under the slogan "99 and 44/100% pure". The Mitchell brothers saw a publicity opportunity, and distributed press releases describing Chambers as "99 and 44/100's % impure". After the release of the movie, the advertising industry was scandalized, and Procter & Gamble recalled all Ivory Snow products and advertising materials featuring her, unintentionally adding to the movie's hype. The staid Procter & Gamble subsequently required of all of their advertising agencies that they thoroughly screen the background of any female model employed for print advertisements or commercials. That Chambers's image was so well known from Ivory Snow boosted the film's ticket sales, and led to several jokes on television talk shows.
Upon its release, the film received some positive reviews in mainstream media. Roger Ebert of The Chicago Sun-Times gave the film a negative review, writing that despite Chambers's beauty the film's lack of character development and the focus on "proving how dirty it was" were major detractions.
According to writer Peter Michelson, there is "a relatively small corpus of pornographic films – e.g., Deep Throat, The Devil in Miss Jones, and Behind the Green Door – that have a minimal but still sufficient artistic interest to distinguish themselves from the rest of the genre", and the film is "more artful than most smut films". It was the second film to be inducted into the XRCO Hall of Fame, following Deep Throat.
The Supreme Court's 1973 Miller v. California decision adversely affected the mainstream release of porn films, including Behind the Green Door. The Miller decision redefined obscenity from that of “utterly without socially redeeming value” to that which lacks "serious literary, artistic, political, or scientific value" and substituted contemporary community standards for national standards, as some prior tests required. Miller continued to hold that obscenity was not protected by the First Amendment, which gave leeway to local judges to seize and destroy prints of films adjudged to violate local community standards.
When Behind the Green Door opened in Suffolk County, New York in 1973, it was successfully prosecuted, as it was in New York City along with the 1973 porn film The New Comers. In addition to New York, Behind the Green Door was banned in California, Colorado, and Georgia.
In 1986, the Mitchells made a sequel to this film, Behind the Green Door: the Sequel, directed by cabaret singer Sharon McNight. The movie featured no famous performers, and starred an Elisa Florez who billed herself as Missy Manners. (Florez was Artie Mitchell's girlfriend at the time, and she reportedly demanded the role from him.) It was the first "safe sex"-themed porn film, and was produced as a response to the 1980s AIDS outbreak in San Francisco. Hence, in it, all the performers used condoms, birth control, and other protection.
But Behind the Green Door: the Sequel was a critical and commercial disaster, and the Mitchells lost hundreds of thousands of dollars. The O'Farrell Theatre contains a "Green Door Room" which is named for the two movies and was the principal set of the sequel.
In 2012, adult film company Vivid produced a loose remake/reimagining entitled New Behind the Green Door. The updated film stars Brooklyn Lee as the main character Hope, a wealthy young woman drawn into a seedy underworld while on an erotic journey to find her birth mother. The movie also includes footage of the original Behind the Green Door as Hope describes a sexual fantasy that recalls the plot of the 1972 film. Other cast members include Dana DeArmond, Penny Pax, Bailey Blue, Steven St. Croix and James Deen, with special appearances by original cast member Johnnie Keyes and original star Marilyn Chambers' daughter McKenna Taylor.
In popular culture
- The production of the movie is dramatized in the 2000 film Rated X starring Charlie Sheen and Emilio Estevez as the brothers Artie and Jim Mitchell.
- Actor and producer Idris Elba ran into some trouble naming his production company Green Door Productions (which he did because "I like doors and green is my favorite color") because of its similarity to the film's title; the film's seven-minute ejaculation sequence only made him want the name more, so when asked why he named it that, he could respond, "Because it took a long time to come."
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- David Smith Allyn (2001). Make love, not war: the sexual revolution, an unfettered history. Taylor & Francis. p. 235. ISBN 0-415-92942-3.
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- Michelson, p. 235
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- Hall of Fame Archived July 20, 2011, at the Wayback Machine, X-Rated Critics Organization
- Green, Jonathon & Nicholas J. Karolides (2005). Encyclopedia of Censorship. New York, NY: Facts on File. p. 44. ISBN 978-0816044641.
- History Archived 2009-02-28 at the Wayback Machine, Mitchell Brothers O'Farrell Theatre
- "Mitchell Brothers – Rotten.com". Archived from the original on 2009-06-02. Retrieved 2009-06-18.
- Missy Manners – IMDb.com
- "BEST STORY EVER: Idris Elba". George Stroumboulopoulos Tonight. Retrieved 2015-11-09.
- Michelson, Peter (1993). Speaking the unspeakable: a poetics of obscenity. SUNY Press. ISBN 0-7914-1223-7.
- Williams, Linda (2004). Porn studies. Duke University Press. ISBN 0-8223-3312-0.