Beirut (band)

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Beirut frontman Zach Condon live at the Fonda Theatre in Los Angeles in 2013
Background information
OriginSanta Fe, New Mexico, U.S.A
Years active2006–present
Associated acts
MembersZach Condon
Nick Petree
Paul Collins
Kyle Resnick
Ben Lanz
Aaron Arntz
Past membersJeremy Barnes
Heather Trost
Jason Poranski
Kristin Ferebee
Jon Natchez
Tracy Pratt
Greg Paulus
Jared van Fleet
Kelly Pratt
Perrin Cloutier

Beirut is an American band which was originally the solo musical project of Santa Fe native Zach Condon. Beirut's music combines elements of indie-rock and world music. The band's first performance was in New York, in May 2006, to support its debut album, Gulag Orkestar.[2][3]

Condon named the band after Lebanon’s capital, because of the city’s history of conflict and as a place where cultures collide.[3] Beirut performed in Lebanon for the first time in 2014, at the Byblos International Festival.


Early years[edit]

Zach Condon was born in Albuquerque, New Mexico, on February 13, 1986. He grew up in Newport News, Virginia, and in Santa Fe.[4][5] Condon played trumpet in a jazz band as a teenager and cites jazz as a major influence.[6]

Condon attended Santa Fe High School, until dropping out aged 17.[4] Santa Fe's proximity to Mexico exposed Condon to mariachi music [7]. Work at a cinema showing international films piqued his interest in Fellini arias, Sicilian funeral brass and Balkan music.[7]

Cordon attended community college for a short period, before traveling to Europe at the age of 17 with his older brother, Ryan.[8] Condon's exploration of world music developed Beirut's melodic sound.[2] Zach's younger brother Ross Condon played in the Brooklyn-based band Total Slacker.[9][10][11][12]

Gulag Orkestar[edit]

Returning from Europe Condon enrolled at the University of New Mexico, where he studied Portuguese and photography.[4] Condon recorded most of the material for Gulag Orkestar alone in his bedroom, finishing the album in a studio with Jeremy Barnes (Neutral Milk Hotel, A Hawk and a Hacksaw) and Heather Trost (A Hawk and a Hacksaw), who became early contributors to the band.

Ba Da Bing! records signed Condon on the strength of the recordings. Condon recruited friends to play Gulag Orkestar's first live shows in New York in May 2006.

Beirut's first music video was for "Elephant Gun". The second video, for "Postcards from Italy", was directed by Alma Har'el. Lon Gisland EP was the full band's first release, in 2007.

The Flying Club Cup[edit]

Beirut's second album, The Flying Club Cup, was recorded largely at a makeshift studio in Albuquerque and completed at Arcade Fire's studio in Quebec. The music on the album has a French influence due to Condon's interest in French chanson during its recording.[13] Condon has cited Francophone singers Jacques Brel, Serge Gainsbourg and Yves Montand as influences.[14] He also expressed interest in French film and culture, claiming this was his original reason for travelling to Europe.[15] The Flying Club Cup was officially released in October 2007. In September 2007 they did a Take-Away Show acoustic video session shot by Vincent Moon. A DVD, Cheap Magic Inside, was shot but quickly sold out; in December 2010, Beirut, BaDaBing, and La Blogothèque authorized its dissemination via digital download.[16]

March of the Zapotec[edit]

On April 3, 2008, Beirut canceled a previously announced summer European tour.[17] The band had already been touring and had completed the U.S. leg of the tour, but before the European leg, Condon stated that after two months of touring, he was suffering from exhaustion.[18] Zach Condon explained the cancellations in a post on the official Beirut website, stating that he wanted to put the effort into ensuring that any shows would be "as good as humanly possible".[19] In January 2009 the double EP March of the Zapotec/Holland EP was released, containing an official Beirut release based on Condon's recent trip to Oaxaca (March of the Zapotec), and electronic music under the "Realpeople" name (Holland).[20] On February 6, 2009 Beirut made their debut television performance in the United States on the Late Show with David Letterman, performing "A Sunday Smile".

The Rip Tide[edit]

In early June 2011, amidst touring the US, Beirut announced that their newest album, The Rip Tide, which had been recorded the previous winter in upstate New York,[21][22] was to be released on August 30.[21][23] The band simultaneously released a single from the album, "East Harlem" (which was first recorded on Live at the Music Hall of Williamsburg), with the B-side "Goshen". The album was recorded, managed, and released under Condon's own Pompeii Records.[24] Reviewers and fellow musicians have noted that, unlike the prior albums which drew heavily on foreign music from Mexico, France, the Balkans, etc., this one has shown Beirut with its own, more pop-oriented sound; saying, "what emerges [on The Rip Tide] is a style that belongs uniquely and distinctly to Beirut, one that has actually been there all along."[25] One reviewer noted that "the Euro influences [of Beirut's previous albums] are still there, but the presiding spirit is old-fashioned American pop."[26] This album also differs from Beirut's previous albums in that the music was recorded as a band playing together rather than laying down individual tracks one at a time, though the lyrics were only added by Condon after all the music had been recorded.[7]

No No No[edit]

On June 1, 2015, Beirut announced their fourth album, No No No, which was released on September 11, 2015.[27] On the same day, the title track "No No No" was released for streaming. The album was recorded following a period of turmoil in Condon's life, facing a divorce and having been admitted into a hospital in Australia for exhaustion following extensive touring. However, Condon recovered fully thanks to a new relationship and his return to New York. Beirut also announced a tour for the album.[27]


On October 22, 2018, Condon announced Beirut's next album, Gallipoli, which is expected to be released on February 1, 2019. The album is named after the Italian town where Condon wrote the title track.[28]


Condon plays a rotary valve flugelhorn and the ukulele as his main instruments. He bought the ukulele as a joke stage prop, but found he liked the sound and was able to play it despite a wrist injury that inhibited him from playing guitar. Condon also plays the trumpet, euphonium, mandolin, accordion, various keyboard instruments, and a modified conch shell that appears on The Flying Club Cup.[2][29][30][31]

Live, Beirut's roster generally consists of:

Past members include:

The majority of the members of Beirut have performed live as well as appeared on recorded material.

Side projects[edit]


Realpeople is Zach Condon's electronic side-project. It was under this name that Condon made his first (unreleased) album, The Joys of Losing Weight, and the name to which the Holland EP is credited. The Joys of Losing Weight, which was made when Condon was fifteen, has never been released officially, but has been leaked on the internet.


Condon has also released an EP, Small-Time American Bats, under the name 1971. This was recorded with his friend Alex Gaziano on guitar and vocals, when they were both around 16 years old (2002). Gaziano is a founding member of Kidcrash, another band originating from Santa Fe, New Mexico.

Soft Landing[edit]

Soft Landing was a project started by Beirut members Paul Collins (bass) and Perrin Cloutier (accordion) and Mike Lawless.[32] Their eponymous debut album was released on October 12, 2010 on Ba Da Bing records,[33] and has been described as "a pop version of Beirut"[34] and freak-folk,[35] with a heavy emphasis on dance beats and sheer energy.[36]

Pompeii Records[edit]

Pompeii Records is the record label founded in 2011 by Zach Condon[37] in order to give the band and himself full control over their music. The first recordings released on the label were the band's third album, The Rip Tide,[38] and the preceding single, "East Harlem".

Guest appearances[edit]

Condon plays mandolin, trumpet and ukulele on A Hawk and a Hacksaw's album A Hawk and a Hacksaw and the Hun Hangár Ensemble, and trumpet and ukulele on Alaska in Winter's album Dance Party in the Balkans. He appears on Get Him Eat Him's album Arms Down, on the song "2×2".

Condon is featured on the song Found Too Low RMX by fellow Santa Fean Pictureplane and also appears on the first and last tracks of the Grizzly Bear EP Friend.

Condon also appeared on The New Pornographers' fifth album, Together.[39]

Rock group Blondie's 2011 album, Panic of Girls, features a ska cover of "A Sunday Smile" on which Condon plays trumpet. He also plays on "Le Bleu".[40][41]

On the benefit album Red Hot + Rio 2, Beirut performed a cover of the Portuguese-language song "O Leãozinho" originally written by Brazilian composer and singer Caetano Veloso.

Condon is featured singing on the track "We Are Fine" on indie rocker Sharon Van Etten's 2012 album, Tramp.

Condon also contributed to 4 songs on Mouse On Mars' 2018 album, Dimensional People.



Title Details Peak chart positions Sales

Gulag Orkestar
The Flying Club Cup
  • Release date: October 9, 2007
  • Label: Ba Da Bing
118 64 51 54 94 69
The Rip Tide
  • Release date: August 30, 2011
  • Label: Pompeii Records
80 15 20 42 69 89 28 26 52 29 49
No No No
  • Release date: September 11, 2015
  • Label: 4AD
46 10 12 24 38 62 13 39 38 37
  • Release date: February 1, 2019
  • Label: 4AD
"—" denotes a recording that did not chart or was not released in that territory.



Again in 2011, they contributed a cover of Caetano Veloso's song "O Leãozinho" to the Red Hot Organization's most recent charitable album Red Hot+Rio 2. The album is a follow-up to the 1996 Red Hot+Rio. Proceeds from the sales will be donated to raise awareness and money to fight AIDS/HIV and related health and social issues.


  • Cheap Magic Inside (2007)
  • Beirut: Live at the Music Hall of Williamsburg (2009)[55]


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  5. ^ Roberts, Kathaleen (May 30, 2008). "Musical Maven – Zach Condon Follows His Muse to E. Europe And France of the '40s". Albuquerque Journal.
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External links[edit]