Believe Me, if All Those Endearing Young Charms

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"Believe Me, if All Those Endearing Young Charms" is a popular folk song of early 19th century Ireland and America. Irish poet Thomas Moore wrote the words to a traditional Irish air in 1808.

Origins of the melody[edit]

The tune to which Moore set his words is a traditional Irish air, first printed in a London songbook in 1775.[1] It is occasionally wrongly credited to Sir William Davenant, whose older collection of tunes may have been the source for later publishers, including a collection titled General Collection of Ancient Irish Music, compiled by Edward Bunting in 1796. Sir John Andrew Stevenson has been credited as responsible for the music for Moore's setting.[2]

It is thought that after Thomas Moore's wife, Elizabeth, was badly scarred by smallpox, she refused to leave her room, believing herself ugly and unlovable. To convince her his love was unwavering, Moore composed the ‘Endearing’ poem which he set to an old Irish melody and sang outside her bedroom door. He later wrote that this restored her confidence and re-kindled their love.[citation needed]


The lyrics, as originally published in 1808 in A Selection of Irish Melodies, are as follows:[3]

BELIEVE me, if all those endearing young charms,
Which I gaze on so fondly to-day,
Were to change by to-morrow, and fleet in my arms,
Like fairy-gifts, fading away!
Thou wouldst still be ador'd as this moment thou art,
Let thy loveliness fade as it will;
And, around the dear ruin, each wish of my heart
Would entwine itself verdantly still!
It is not while beauty and youth are thine own,
And thy cheeks unprofan'd by a tear,
That the fervour and faith of a soul can be known,
To which time will but make thee more dear!
Oh! the heart, that has truly lov'd, never forgets,
But as truly loves on to the close;
As the sun-flower turns on her god, when he sets,
The same look which she turn'd when he rose!

Other uses of the melody[edit]

Other than "Believe Me, If All Those Endearing Young Charms", the tune is perhaps best known as the melody to "Fair Harvard", the alma mater of Harvard University. A seventeenth-century folk song, Matthew Locke's "My Lodging is in the Cold, Cold Ground", was set to this tune some time after its original setting to a different, also traditional, air.[4] Simone Mantia, a pioneer of American euphonium music, composed a theme and variations on the melody, which remains a staple of the solo euphonium literature.

The tune, with the Endearing Young Charms title, also became a staple of Warner Brothers cartoons, appearing first in the 1944 Private Snafu short Booby Traps, then in the 1951 Merrie Melodies animated cartoon Ballot Box Bunny, and the 1957 short Show Biz Bugs, 1965 Road Runner cartoon Rushing Roulette, and finally in a new twist on the gag, with Slappy Squirrel's 1993 introductory episode, "Slappy Goes Walnuts", from Animaniacs. Variations were also done in the 1963 Andy Griffith Show episode "Rafe Hollister Sings", and the 2010 South Park episode "Crippled Summer".[5] In its cartoon appearances, the song is often the cue for a classic "bomb gag" wherein the playing of the first line of the song sets off a rigged explosion on the final note. The gag is so well known that it is often called "The Xylophone gag".

Roger Quilter's setting of the song was included in the Arnold Book of Old Songs, published in 1950.

In Season 3, Episode 16 of Family Ties, "Birth of a Keaton, Part 1," Elyse Keaton goes into labor after singing "Believe Me, If All Those Endearing Young Charms" on the guitar during her husband's on-air Public Television Telethon.

The tune is also the fiddle intro to the song "Come On Eileen" by Dexys Midnight Runners. Certain versions of "Come On Eileen" feature the band's frontman, Kevin Rowland singing a segment of "Believe Me..." at the end as well.

Barenaked Ladies' then-keyboardist Andy Creeggan plays a snippet of the tune during the break in the live version of the Beastie Boys' "Shake Your Rump" which appears on the album Stop Us If You've Heard This One Before, including the "missed note" from the aforementioned "Xylophone gag."

When the Kintetsu Yoshino Line's special express Type 16600 or Type 26000 "Sakura Liner" trains depart Asuka Station (in Asuka, Takaichi District, Nara Prefecture, Japan) a rendition of the tune is played within the train to announce departure. In Japan, the tune is also known as "Shine with the Flowers of Spring Days".

In Barbara Pym's Some Tame Gazelle (1950) it is sung by the curate and is a particular favourite of Belinda's. 'Like all sentimental people she cherished the idea of loving a dear ruin, and found her eyes filling with tears as he sang the affecting words.'<Barbara Pym, Some Tame Gazelle, Granada, 1981, p.41>


  1. ^ Songs of Yale. New Haven: Yale Glee Club, 2006. p. 150. The website, used in a later reference in this article, claims its first printing was in 1737.
  2. ^ William Davenant, 1606-1668., accessed Feb. 3rd, 2010.
  3. ^ Moore, Thomas (1808). A Selection of Irish Melodies: Second Number. Dublin: W. Powers. pp. 98–102. Retrieved 7 August 2015. 
  4. ^ My Lodging It Is On the Cold Ground., accessed Feb. 3rd, 2010.
  5. ^

External links[edit]