Belvoir (theatre company)
Belvoir receives government support for its activities from the federal government through the Major Performing Arts Board of the Australia Council for the Arts and the state government through Arts NSW.
Belvoir began, in 1984, with a unique action taken to save the Nimrod Theatre building. Two syndicates were established, 'Company A' with shares at $1000 each, which would own the building, and 'Company B', with shares at $10 each. 'Company B' aimed to stage theatre productions which were 'contemporary, politically sharp, hard-edged Australian theatre; to develop new forms of theatrical expression; work by and about Aboriginal Australians; work created by women; radical interpretations of the classics and work that is surprising, diverse and passionate'.
Belvoir was officially launched in February 1985. Later that year, Signal Driver, written by Patrick White and directed by Neil Armfield, was 'the first play produced from the ground up by Belvoir'. In the lead roles were Kerry Walker and John Gaden. The theatre poster was designed by Martin Sharp. Armfield later recalled that White, who had purchased ten shares in the theatre, was its 'greatest shareholder'.
From its foundation, Belvoir also instituted a 'parity pay policy' where all employees, from actors to stage hands, received the same hourly rate of pay. This policy, which continued from 1985 to the end of the 2011 season, prompted former Australian Prime Minister Paul Keating to describe the Belvoir as 'Australia’s last commune'.
In January 2011, Ralph Myers took over from Neil Armfield as artistic director, stating 'There's a wealth of Australian playwriting and 2500 years of great plays to draw on, I don't see a need to import new plays from overseas.' In July 2014, Myers announced that he would be stepping down from his role at the end of the 2015 season. Myers said he had 'an "ideological" commitment to the regular turnover of artistic directorships'.
Also in 2011, Belvoir appointed Simon Stone as the first director-in-residence. Stone's adaptation of Henrik Ibsen's The Wild Duck, with the Belvoir, went on to win both Helpmann and Sydney Theatre Awards, in 2011, before being taken to Oslo for a three night performance as part of the 2012 International Ibsen Festival. Stone resigned from his position in 2013, and was replaced by dual directors-in-residence Adena Jacobs and Anne-Louise Sarks.
In 2015 Myers was succeeded as Artistic Director by Eamon Flack.
- Prize Fighter - by Future D. Fidel, directed by Todd MacDonald
- Which Way Home - by Katie Beckett, directed by Rachael Maza
- Boundless Plains To Share - performed by Tom Ballard
- Jasper Jones - revival of the 2016 production
- Mark Colvin's Kidney - by Tommy Murphy, directed by David Berthold
- The Dog/The Cat - by Lally Katz and Brendan Cowell, directed by Ralph Myers and Anthea Williams
- Guru of Chai - by Jacob Rajan & Justin Lewis, directed by Justin Lewis
- Mr Burns - by Anne Washburn, directed by Imara Savage
- The Rover - by Aphra Behn, directed by Eamon Flack
- Hir - by Taylor Mac, directed by Anthea Williams
- Ghosts - by Henrik Ibsen, directed by Eamon Flack
- The Bookbinder - by Ralph McCubbin Howell, directed by Hannah Smith
- Atlantis - by Lally Katz, directed by Rosemary Myers
- Barbara And The Camp Dogs - by Alana Valentine and Ursula Yovich, directed by Leticia Cáceres
- Jasper Jones - adapted from the Craig Silvey novel by Kate Mulvany, directed by Anne-Louise Sarks
- The Blind Giant Is Dancing - by Stephen Sewell, directed by Eamon Flack
- The Great Fire - by Kit Brookman, directed by Eamon Flack
- The Events - by David Greig, directed by Clare Watson
- The Tribe - by Michael Mohammed Ahmad & Janice Muller
- Back at the Dojo - by Lally Katz, directed by Chris Kohn
- The Drover's Wife - by Leah Purcell, directed by Leticia Cáceres
- Twelfth Night - directed by Eamon Flack
- Title And Deed - by Will Eno, directed by Jada Alberts
- Ruby's Wish - by Holly Austin, Adriano Cappelletta & Jo Turner
- Faith Healer - by Brian Friel, directed by Judy Davis
- Girl Asleep - by Matthew Whittet, directed by Rosemary Myers
- Radiance - written by Louis Nowra, directed by Leah Purcell
- Kill the Messenger - written by Nakkiah Lui, directed by Anthea Williams
- Blue Wizard - by Nick Coyle
- Elektra / Orestes- written by Jada Alberts & Anne-Louise Sarks, directed by Anne-Louise Sarks
- The Wizard of Oz - adapted by Adena Jacobs
- Samson - written by Julia-Rose Lewis, directed by Kristine Landon-Smith
- Mother Courage and Her Children - translated by Michael Gow, directed by Eamon Flack
- The Dog / The Cat - written by Lally Katz & Brendan Cowell, directed by Ralph Myers
- Seventeen - written by Matthew Whittet, directed by Anne-Louise Sarks
- La Traviata - written by Ash Flanders & Declan Greene, directed by Declan Greene
- Ivanov - written & directed by Eamon Flack (after Chekhov)
- Mortido - written by Angela Betzien, directed by Leticia Caceres
- Oedipus Schmoedipus - created by Zoe Coombs-Marr, Mish Grigor & Natalie Rose
- Once In Royal David’s City - written by Michael Gow, directed by Eamon Flack
- The Government Inspector - directed by Simon Stone
- 20 Questions - with Wesley Enoch
- Cain And Abel - created by Kate Davis & Emma Valente, directed by Emma Valente
- Brothers Wreck - written by Jada Alberts, directed by Leah Purcell
- Hedda Gabler - directed by Adena Jacobs
- Nora - written by Kit Brookman and Anne-Louise Sarks, directed by Anne-Louise Sarks
- Oedipus Rex - directed by Adena Jacobs
- The Glass Menagerie - directed by Eamon Flack
- Is This Thing On? - written by Zoe Coombs-Marr, directed by Kit Brookman & Zoe Coombs-Marr
- A Christmas Carol - adapted by Benedict Hardie & Anne-Louise Sarks, directed by Anne-Louise Sarks
- Cinderella - written by Matthew Whittet, directed by Anthea Williams
- Peter Pan - adapted by Tommy Murphy, directed by Ralph Myers
- This Heaven - written by Nakkiah Lui, directed by Lee Lewis
- Cat on a Hot Tin Roof directed by Simon Stone
- Stories I Want to Tell You In Person written and performed by Lally Katz, directed by Anne-Louise Sarks
- Forget Me Not - written by Tom Holloway, directed by Anthea Williams
- Angels in America Part One: Millennium Approaches
- Angels in America Part Two: Perestroika - directed by Eamon Flack
- Persona - adapted and directed by Adena Jacobs
- The Baulkham Hills African Ladies Troupe written and directed by Ros Horin
- Miss Julie adapted by Simon Stone, directed by Leticia Caceres
- Small and Tired - written and directed by Kit Brookman
- Hamlet - directed by Simon Stone
- The Cake Man - written by Robert J. Merritt, directed by Kyle J. Morrison
- Coranderrk - written by Andrea James & Giordano Nanni, directed by Isaac Drandic
- Buried City - written by Raimondo Cortese, conceived and directed by Alicia Talbot
- I'm Your Man - creator and director Roslyn Oades
- Thyestes - co-written by Thomas Henning, Chris Ryan, Simon Stone and Mark Winter after Seneca, directed by Simon Stone
- Babyteeth - written by Rita Kalnejais, director Eamon Flack
- Every Breath - written and directed by Benedict Andrews
- Food - written by Steve Rodgers, directed by Kate Champion and Steve Rodgers
- Strange Interlude - written by Simon Stone after Eugene O'Neill, directed by Simon Stone
- Old Man - written by Matthew Whittet, directed by Anthea Williams
- Death of a Salesman - written by Arthur Miller, directed by Simon Stone
- Conversation Piece - choreographer and director Lucy Guerin
- Private Lives - written by Noël Coward, directed by Ralph Myers
- Medea - written by Kate Mulvany and Anne-Louise Sarks after Euripides, directed by Anne-Louise Sarks
- Beautiful One Day - created by Paul Dwyer, Eamon Flack, Rachael Maza and David Williams
- Don't Take Your Love To Town - created by Eamon Flack and Leah Purcell, based on the book Don’t Take Your Love to Town by Ruby Langford Ginibi, directed by Leah Purcell
- The Wild Duck - written and directed by Simon Stone, after Henrik Ibsen
- Jack Charles v the Crown - written by Jack Charles and John Romeril, directed by Rachael Maza Long
- Cut - written by Duncan Graham, directed by Sarah John
- The Business - based on Vassa Zheleznova by Maxim Gorky, adapted by Jonathan Gavin with Cristabel Sved, directed by Cristabel Sved
- The Kiss - written by Anton Chekhov, Kate Chopin, Peter Goldsworthy and Guy de Maupassant, directed by Susanna Dowling
- The Seagull - written by Anton Chekhov, directed by Benedict Andrews
- Neighbourhood Watch - written by Lally Katz, directed by Simon Stone
- Windmill Baby - written by David Milroy, directed by Kylie Farmer
- Human Interest Story - choreographed by Lucy Guerin
- And They Called Him Mr Glamour - written by Gareth Davies, directed by Tom Wright
- Summer of the Seventeenth Doll - by Ray Lawler, directed by Neil Armfield
- The Dark Room - written by Angela Betzien, directed by Leticia Cáceres
- As You Like It - written by William Shakespeare, directed by Eamon Flack
- That Face - written by Polly Stenham, directed by Lee Lewis
- Love Me Tender - written by Tom Holloway, directed by Matthew Lutton
- The Power of Yes - written by David Hare, directed by Sam Strong
- Measure for Measure - written by William Shakespeare, directed by Benedict Andrews
- Gwen in Purgatory - written by Tommy Murphy, directed by Neil Armfield
- Namatjira - written by Scott Rankin, directed by Scott Rankin and Wayne Blair
- The Diary of a Madman - written by Nikolai Gogol (adapted by David Holman with Neil Armfield and Geoffrey Rush, directed by Armfield)
Belvoir Education Program
The Belvoir's education program for students and teachers includes practical theatre workshops at the theatre or participating school, tours of backstage and behind the scenes areas of the theatre, technical tours led by a professional theatre technician and a Theatre Enrichment Program for 'senior English and Drama students in Western Sydney and regional NSW'. In addition, Belvoir’s Outreach Program partners with local youth support organisations such as Youth Off The Streets, The John Berne School, Twenty10 and Regenesis Youth. Through the Priority Funded Schools Program Belvoir also allows selected students to attend some performances free of charge. Limited student work experience and work placement opportunities are also available.
- "Major performing arts organisations: Belvoir". Arts NSW. Government of New South Wales. 2011. Retrieved 20 November 2011.
- Cousins, Robert (2011-06-04). "Belvoir St: coming of age". The Australian. Retrieved 2014-08-05.
- Filmer, Andrew (6 July 2006). "A Place For Theatre: Performing At Belvoir Street". Backstage Space: The Place of the Performer (PDF). Department of Performance Studies, University of Sydney. p. 201. Retrieved 2014-08-05.
- Armfield, Neil (2012). "Patrick White: A Centenary Tribute". Meanjin. Retrieved 2014-08-05.
- Blake, Elissa (2009-03-21). "Never far from home". Sydney Morning Herald. Retrieved 2014-08-05.
- Schwartzkoff, Louise (21 February 2009). "The theatre company where nobody gets top billing". The Sydney Morning Herald. Retrieved 20 November 2011.
- Boland, Michaela (2010-09-16). "Ralph Myers puts stamp on Belvoir St". The Australian. Retrieved 2014-08-05.
- "Belvoir Annual Report 2011" (PDF). Belvoir St. Theatre. Retrieved 2014-08-05.
- Jinman, Richard (2006-07-26). "Asbestos in the roof the latest drama at Belvoir Street". Sydney Morning Herald. Retrieved 2014-08-05.
- Blake, Elissa (2014-07-22). "Final curtain: Belvoir artistic director Ralph Myers to leave theatre company". Sydney Morning Herald. Retrieved 2014-08-05.
- Saxby, John (2013-04-08). "Director-in-residence leaves Belvoir home". Sydney Morning Herald. Retrieved 2014-08-05.
- Blake, Elissa (2012-04-24). "Award-winning Belvoir production chosen for Ibsen festival". Sydney Morning Herald. Retrieved 2014-08-05.
- Dow, Steven (2013-04-09). "Secret's out: Belvoir unveils a double bill". Sydney Morning Herald. Retrieved 2014-08-05.
- "Eamon Flack Appointed New Artistic Director". Sydney Morning Herald. 14 November 2014.
- "Education at Belvoir". Belvoir St. Theatre. Retrieved 2014-08-05.