Benedikt Taschen

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Benedikt Taschen
Born (1961-02-10) 10 February 1961 (age 55)
Cologne, West Germany
Occupation Publisher

Benedikt Taschen (born 10 February 1961), is a German publisher and contemporary art collector. He is the founder and managing director of the publishing house TASCHEN, one of the most successful international publishers, with illustrated publications on a range of themes including art, architecture, design, film, photography, pop culture, and lifestyle.[1]

Life and career[edit]

Benedikt Taschen is the youngest of five children; both of his parents were doctors.[2] From an early age he was an enthusiastic reader and comic book fan. At 12 years old, he began a successful mail order business selling used comic books from the United States. In February 1980, the day before his 19th birthday, he opened a 250-square-foot (23 m2) comic book store, named TASCHEN COMICS, in his home town of Cologne, Germany, in which he put his extensive comic book collection up for sale. Soon he began publishing comic books himself. In 1984, his venture into the art book business began with a coup: with borrowed money from an aunt, he purchased 40,000 remainder copies of English-language Magritte monograph for one dollar a piece at a trade show in the United States.[3] Within two months, he had resold all the books at an affordable retail price of 9.95 Deutsche Mark.[4] To Taschen, this demonstrated a gap in the art book market, until then dominated by expensive editions, and made it clear there was demand for well-designed, inexpensive, multilingual illustrated art books. Emboldened by this success, he made his first publishing foray in art books with a monograph on photographer Annie Leibovitz. By the end of the 1980s TASCHEN titles were available in over a dozen languages at prices that made art books affordable to students and collectors alike.[5][6]

By the late 1990s, he had become known in publishing.[7] When Vanity Fair’s Matt Tyrnauer deemed him, “one of the few people in business who has the courage to do exactly what he wants whenever he wants to”, Benedikt Taschen tested the theory with Helmut Newton’s SUMO, the largest bound book of the 20th century.

SUMO is also the company’s most successful title of the last ten years and the precursor to Benedikt Taschen’s most ambitious personal project: GOAT — Greatest of All Time, a tribute to Muhammad Ali, published in Spring 2004. Four years in the making, GOAT weighs 75 lbs and is 20" x 20" in size, with nearly 800 pages of archival and original photographs, graphic artwork and articles and essays - including those of Ali himself.

Today, TASCHEN has offices in Berlin, Cologne, Hong Kong, London, Los Angeles, Madrid, Paris and Tokyo and stores in Amsterdam, Beverly Hills, Brussels, Cologne, Hamburg, Hollywood, London, Miami, Milan, New York, and Paris. In 2014, TASCHEN opened their first art gallery in Los Angeles.[8] The publishing house employs more than 250 staff members worldwide and many longtime freelance editors.[9]

In 1998, Taschen purchased the 1961 John Lautner–designed Chemosphere House in the Hollywood Hills, long considered the most modern house in the world, establishing Taschen as a key cultural figure in Hollywood circles. In 2000, Billy Wilder told magazine Vanity Fair that “Benedikt reminds me of an old-time Hollywood figure. A studio head, someone who is in firm command and has his hand in everything.” In turn, Matt Weiner, creator and producer of the hit series Mad Men, described Taschen as “a miracle of taste in publishing … He consistently maintains incredible quality in content and style … He documents both the present and the past in an indispensable way.”

Art collection[edit]

Alongside his work in publishing, Taschen has also made a name for himself as a collector of contemporary art. Initially concentrating on German artists like Martin Kippenberger, Albert Oehlen, and Günther Förg, he has since the late ’80s acquired numerous works by American artists like Jeff Koons, Mike Kelley, and Christopher Wool. In 2004, the Reina Sofía Museum dedicated an extensive exhibition to his private collection.[10] ARTnews regularly counts him to the 200 top collectors worldwide, artnet ranks him first among the “10 Los Angeles Art Power Couples”.[11][12] IIn 2013, Taschen gave 15 works from his private collection to the Städel Museum in Frankfurt to reinforce their collection’s focus on German painting of the 1980s.[13] In 2014, Taschen donated $500,000 to the Wende Museum in Culver City, California, to facilitate the founding of an international center for the exploration and preservation of the culture, art, design, and history of the Cold War.[14] Benedikt and his wife Lauren Taschen also donated an extensive collection of works by young American and European artists to MOCA in Los Angeles.[15]

Taschen is in his third marriage, to Lauren Taschen, and has five children.[16][17][18][19] He lives and works between Berlin and Los Angeles.[20]

TASCHEN[edit]

Main article TASCHEN

Quotes[edit]

Basically, everything I ever needed to learn about capitalism I learnt from Carl Barks and his characters Donald Duck and Uncle Scrooge.

— Benedikt Taschen, The Wealth Collection, Winter 2009.[21]

Benedikt Taschen is a miracle of taste in publishing … He consistently maintains incredible quality in content and style … He documents both the present and the past in an indispensable way.

Benedikt reminds me of an old-time Hollywood figure—a studio head, someone who is in firm command and has his hand in everything.

— Billy Wilder, Vanity Fair, October 2000.

I have done a lot of books, and I can tell you — without mentioning names — that publishers are not all like him. There are very few like him. Or there are none like him. He is also, I might add, a madman.

— Helmut Newton, Vanity Fair, October 2000.

References[edit]

  1. ^ Susan Michals: “Benedikt Taschen's Risky Business” in the Wall Street Journal, February 4, 2011.
  2. ^ Michaela Cordes: 35 Jahre Taschen in Grund Genug, June 5, 2015.
  3. ^ TASCHEN History: The Art of Making Books Archived July 2, 2015, at the Wayback Machine.
  4. ^ Simone Philippi: Internationalisierungskonzepte deutscher Kunstbuchverlage seit 1990., Dissertation, Universität zu Köln, Kunsthistorisches Institut, Prof. Dr Antje von Graevenitz, 2005.
  5. ^ The Secret to TASCHEN’s success in Artforum
  6. ^ Michel Guerrin: Taschen le livre d'art démocratisé in Le Monde, May 16, 2002.
  7. ^ “Benedikt Taschen”, ICON 067, William Wiles, January 2009. Archived February 3, 2010, at the Wayback Machine.
  8. ^ “Taschen Grand Opening With David Bailey and the Rolling Stones” in The Huffington Post, December 17, 2014.
  9. ^ Jessica Berens: “A passion for Taschen” in The Observer, November 4, 2001.
  10. ^ Colección Taschen on the website of the Museo Nacional Centro de Arte Reina Sofía.
  11. ^ The Editors of ARTnews: The 2014 ARTnews 200 Top Collectors.
  12. ^ Susan Michals: “10 Los Angeles Art Power Couples You Need To Know”, April 3, 2015.
  13. ^ Press release: “Städel Museum receives donation from Benedikt Taschen”, November 13, 2013.
  14. ^ “Publisher Benedikt Taschen Takes Leading Role In The Wende Museum’s Renovation Of The Historic Armory Building In Culver City, California”, on the website of the Wende Museum.
  15. ^ “The Museum of Contemporary Art, Los Angeles (MOCA), announces 2012 Acquisitions”, January 18, 2013.
  16. ^ “The #Taschen’s Happy 10th wedding anniversary Benedikt & Lauren Taschen” on Simon de Pury’s Instagram account, July, 2015.
  17. ^ “Lauren Taschen”, Visionary Women, June 7, 2015.
  18. ^ “35 Years of TASCHEN” in Grund Genug, Michaela Cordes, June 1, 2015.
  19. ^ “Taschen’s wedding gift” in The Art Newspaper, June 14, 2005.
  20. ^ “Sex & Beauty, Art & Kitsch”, LA Weekly, Brendan Bernhard, September 19, 2002.
  21. ^ The Passion of Benedikt Taschen, September 11, 2009.
  22. ^ Benedikt Taschen’s Risky Business, February 4, 2011.

External links[edit]