Bertie Wooster and Jeeves, 1922 illustration by A. Wallis Mills
|First appearance||"Extricating Young Gussie" (1915)|
|Last appearance||Aunts Aren't Gentlemen (1974)|
|Created by||P. G. Wodehouse|
|Portrayed by||Richard Briers|
Hugh Laurie and others
|Alias||Eustace H. Plimsoll|
|Occupation||Socialite, Idle Rich|
|Relatives||Mrs Scholfield (sister, no first name given)|
Three unnamed nieces
Dahlia Travers (aunt)
Tom Travers (uncle)
Angela Travers (cousin)
Bonzo Travers (cousin)
Agatha Gregson (aunt)
Thomas Gregson (cousin) and more
Bertram "Bertie" Wilberforce Wooster is a recurring fictional character in the comedic Jeeves stories created by British author P. G. Wodehouse. A young English gentleman and one of the "idle rich", Bertie frequently appears alongside his valet, Jeeves, whose intelligence manages to save Bertie or one of his friends from numerous awkward situations. As the first-person narrator of ten novels and over 30 short stories, Bertie Wooster ranks as one of the most vivid comic creations in popular literature.
Bertie Wooster is the central figure in all but one of Wodehouse's Jeeves short stories and novels, which were published between 1915 and 1974. The sole exception is the novel Ring for Jeeves (1953), a third-person narration in which he is mentioned but does not appear. All the other Jeeves novels and short stories are narrated by Bertie, with the exception of the short story "Bertie Changes His Mind" (1922), which is narrated by Jeeves.
- 1 Inspiration
- 2 Fictional biography
- 3 Personal characteristics
- 4 Relationships
- 5 Language
- 6 Adaptations
- 7 See also
- 8 References
- 9 External links
The Wodehouse scholar Norman Murphy believes George Grossmith, Jr. to have been the inspiration for the character of Bertie Wooster. The Wodehouse character Reggie Pepper was an early prototype of Bertie Wooster.
Bertie Wooster and his friend Bingo Little were born in the same village only a few days apart. Bertie's middle name, "Wilberforce", is the doing of his father, who won money on a horse named Wilberforce in the Grand National the day before Bertie's christening and insisted on his son carrying that name. The only other piece of information given about Bertie's father, aside from the fact that he had numerous relatives, is that he was a great friend of Lord Wickhammersley of Twing Hall. Bertie refers to his father as his "guv'nor".
When he was around seven years of age, Bertie was sometimes compelled to recite "The Charge of the Light Brigade" for guests by his mother; she proclaimed that he recited nicely, but Bertie disagrees, and says that he and others found the experience unpleasant. Bertie also mentions reciting other poems as a child, including "Ben Battle" and works by poet Walter Scott. Like Jeeves, Bertie says that his mother thought him intelligent. Bertie makes no other mention of his mother, though he makes a remark about motherhood after being astounded by a friend telling a blatant lie: "And this, mark you, a man who had had a good upbringing and had, no doubt, spent years at his mother's knee being taught to tell the truth".
When Bertie was eight years old, he took dancing lessons (alongside Corky Potter-Pirbright, sister of Bertie's friend Catsmeat Potter-Pirbright). It is established throughout the series that Bertie is an orphan who inherited a large fortune at some point, although the exact details and timing of his parents' deaths are never made clear.
Bertie Wooster's early education took place at the semi-fictional Malvern House Preparatory School, headed by Rev. Aubrey Upjohn, whom he meets again in Jeeves in the Offing. (Wodehouse himself attended a school by that name, in Kearsney, Kent, but the Malvern House that appears in the stories is in the fictional town of Bramley-on-Sea.) At Malvern House, Bertie’s friends called him "Daredevil Bertie", though Upjohn and others called him "Bungling Wooster".
One detail of Bertie's Malvern House life that comes into several stories is his winning of the prize for scripture knowledge. Bertie speaks with pride of this achievement on several occasions, but in Right Ho, Jeeves, his friend Gussie Fink-Nottle, while intoxicated, publicly accuses Bertie of having won the award by cheating. Bertie stoutly denies this charge, however, and on the same occasion, Gussie makes other completely groundless accusations against other characters. Despite his pride over his accomplishment, Bertie does not remember precisely what the prize was, simply stating that it was "a handsomely bound copy of a devotional work whose name has escaped me".
Bertie once won a prize at private school for the best collection of wildflowers made during the summer holidays. When Bertie was fourteen, he won the Choir Boys' Handicap bicycle race at a local school treat, having received half a lap start.
Bertie is a member of the Drones Club, and most of his friends and fellow Drones members depicted in the stories attended one or both of these institutions with him. It was at Oxford that he first began celebrating the night of the annual Boat Race between Oxford and Cambridge. Though ordinarily he drinks in moderation, Bertie says he is "rather apt to let myself go a bit" on Boat Race night, typically drinking more than usual and making mischief with his old school friends. Specifically, Bertie and others tend to celebrate the occasion by stealing a policeman's helmet, though they often get arrested as a result. London magistrates are aware of this tradition and tend to be lenient towards Bertie when he appears in court the morning after the Boat Race, generally only imposing a fine of five pounds; while this would have constituted a significant amount of money for many people at the time, Bertie has no trouble paying it.
The Jeeves canon is set in a floating timeline (with each story being set at the time when they were written though the characters do not age), in an idealized world where wars are downplayed or not mentioned. Certain Edwardian era elements, such as traditional gentlemen's clubs like the Drones Club, continue to be prevalent throughout the stories.
With a few exceptions, the short stories were written first, followed by the novels. The saga begins chronologically in the short story "Jeeves Takes Charge", in which Bertie Wooster first hires Jeeves. Bertie and Jeeves usually live at Berkeley Mansions, though they also go to New York and numerous English country houses. Throughout the short stories and novels, Bertie tries to help his friends and relatives, but ends up becoming entangled in trouble himself, and is ultimately rescued by Jeeves. Typically, Bertie has a new piece of clothing or item that Jeeves disapproves of, though Bertie agrees to relinquish it at the end of the story.
Almost always narrating the story, Bertie becomes involved in many complex and absurd situations. He appears in the one short story he does not narrate, "Bertie Changes His Mind", and does not make an appearance in Ring for Jeeves, though he is mentioned. An important story for Bertie is "Clustering Round Young Bingo", in which Bertie writes an article titled "What the Well-Dressed Man is Wearing" for his Aunt Dahlia's weekly magazine, Milady's Boudoir. For his article, Aunt Dahlia paid Bertie a packet of cigarettes. As with his prize for scripture knowledge, Bertie is proud of this article and mentions it many times. Two other events that are particularly significant for Bertie are his short-lived interest in living with his nieces in "Bertie Changes His Mind" and his temporary separation from Jeeves when Bertie refused to stop playing his banjolele in Thank You, Jeeves.
On several occasions, Bertie assumes an alias. After being arrested on Boat Race night, he calls himself Eustace H. Plimsoll when appearing in court (in Thank You, Jeeves and Right Ho, Jeeves). He is also brought to court after tripping a policeman in Jeeves and the Feudal Spirit, and calls himself Ephraim Gadsby. In one scene in Stiff Upper Lip, Jeeves, he is said to be a thief named Alpine Joe, which is mentioned again in Aunts Aren't Gentlemen. He also impersonates three other people in different stories, namely Rosie M. Banks in "Jeeves in the Springtime" and "Bingo and the Little Woman", Oliver "Sippy" Sipperley in "Without the Option", and Gussie Fink-Nottle in The Mating Season.
In Ring for Jeeves, set in post-WWII England, Bertie attends a school that teaches the aristocracy basic skills, including boot-cleaning, sock-darning, bed-making and primary-grade cooking. This school does not allow its students to employ valets, so Jeeves cannot follow Bertie there and instead works as a butler for Lord Rowcester. However, Bertie is eventually expelled for cheating after he pays a woman to do his sock darning, and Jeeves returns to his side.
Age and appearance
Bertie is approximately 24 years old when he first meets Jeeves in "Jeeves Takes Charge". His age is not stated in any other story. In the reference work Wodehouse in Woostershire by Wodehouse scholars Geoffrey Jaggard and Tony Ring, it is speculated that Bertie's age ranges from approximately 24 to 29 over the course of the stories. Nigel Cawthorne, author of A Brief Guide to Jeeves and Wooster, also suggested that Bertie is approximately 29 at the end of the saga.
Tall and slim, Bertie is elegantly dressed, largely because of Jeeves. He has blue eyes. Normally clean-shaven, he grows a moustache in two different stories, and ultimately loses the moustache, as Jeeves does not think a moustache suits Bertie. It seems that he has an innocent-looking appearance; when Bertie wants to wear an alpine hat in Stiff Upper Lip, Jeeves, he states, "I was prepared to concede that it would have been more suitable for rural wear, but against this had to be set the fact that it unquestionably lent a diablerie to my appearance, and mine is an appearance that needs all the diablerie it can get." Bertie has an expressive face that Jeeves can read easily.
In illustrations, Bertie Wooster has frequently been depicted wearing a monocle. However, this is probably merely a stereotypical depiction of an upper-class gentleman, as Bertie does not seem to wear a monocle in the original stories. The only evidence of Bertie wearing a monocle occurs in "The Spot of Art", when Bertie sees a portrait of himself, wearing a monocle, in a poster advertising soup. Bertie is revolted by the image, which gives him a look of "bestial greed". The monocle seems to exaggerate this expression, and Bertie makes fun of how large the monocle looks, calling it "about six inches in circumference". Bertie is never described as wearing a monocle elsewhere. It is unlikely that Bertie would wear a monocle that would not be mentioned, since the glasses of other characters, particularly Bertie's friend Gussie Fink-Nottle, are well-described, and another prominent Wodehouse character, Psmith, has a distinctive monocle that is mentioned many times.
Bertie is pleasant and amiable, according to Jeeves. A well-intentioned and honorable young gentleman, he has a strong moral code and prides himself on helping his friends. Unlike his Aunt Agatha, he is not snobbish to servants and is not bothered when one of his pals wants to marry someone from a different social class. He gladly spends time with a variety of people, including rich aristocrats and poor artists.
Tending to be unworldly and naive, Bertie is tricked by con artists in "Aunt Agatha Takes the Count" and "Jeeves and the Greasy Bird," though Jeeves could have warned him earlier on during the former occasion; in Aunts Aren't Gentlemen, he realizes he is being tricked by a man named Graham, but is unable to avoid paying Graham anyway. He is not interested in global affairs or politics, and advises Jeeves to miss as many political debates as possible in order to live a happy and prosperous life. Usually modest about his intelligence, Bertie states, "I know perfectly well that I’ve got, roughly speaking, half the amount of brain a normal bloke ought to possess”, though he occasionally wants to prove his intelligence, for example in "Scoring off Jeeves". He comes up with well-intentioned if ill-advised or unfortunately botched schemes, such as when he decides to kiss Pauline Stoker to spur his friend Chuffy to propose to her in Thank You, Jeeves.
Sometimes, Bertie acts diffidently, giving in to the whims of his formidable aunts or fiancées, but there are also times when Bertie displays a strong will, for example when he attempts to defy Jeeves's wishes on clothing, and when he resolves to confront Aunt Agatha at the end of The Mating Season. Nonetheless, Bertie lacks what Jeeves calls "Presence" and has difficulty presenting himself with authority in front of an audience. On two occasions, Bertie mentions reluctantly playing a part in an amateur theatrical production at a country house, once when roped into playing a butler, and another time when compelled to play King Edward III at his Aunt Agatha's house; for Bertie, both times were a trying ordeal.
By no means an ambitious man, Bertie seeks neither a prestigious job nor a socially advantageous marriage. In his own words, Bertie is the sort of person who is "content just to exist beautifully". He likes living a leisurely, quiet life and appreciates small things in his day, such as the oolong tea (which he sometimes calls Bohea) that Jeeves brings to him every morning.
Bertie participates in a number of physical activities. He likes swimming under ordinary circumstances; he is less fond of it when he falls into water unexpectedly while dressed in regular attire, which occurs multiple times in the stories. He plays tennis with Bingo Little in "Jeeves and the Impending Doom". His golf handicap is 16. At Oxford, he obtained a blue for rackets playing with his friend Harold "Beefy" Anstruther, and briefly went in for rowing under the coaching of Stilton Cheesewright. Later, he rows a boat that Jeeves is steering in "Jeeves and the Impending Doom". Bertie plays squash and was runner-up one year in the Drones Club Annual Squash Handicap. There is no doubt in his mind that he will win the Drones Club darts competition in Jeeves and the Feudal Spirit. Claiming that he can "out-Fred the nimblest Astaire" Bertie enjoys dancing and likes fancy dress balls.
Capable of reading sheet music, Bertie has a light baritone voice and sings often, most prominently in "Jeeves and the Song of Songs". He keeps a piano in his flat, and once played "Happy Days Are Here Again" with one finger on the piano at Totleigh Towers when there was no other method of self-expression available. In Thank You, Jeeves, he attempts to play the banjolele, apparently with little success despite his enthusiasm. In an early story, Bertie claims that "bar a weekly wrestle with the 'Pink 'Un' and an occasional dip into the form book I'm not much of a lad for reading", yet Bertie is frequently in the middle of reading a mystery or crime novel in later stories. He states that he is never happier than when curled up with the latest Agatha Christie, and regularly references literary characters in mystery and crime fiction, including Christie's Hercule Poirot and others such as Sherlock Holmes, A. J. Raffles, and Nero Wolfe.
When Bertie Wooster catches his valet Meadowes stealing his silk socks among other things, he sacks him and sends for another from the agency. Jeeves arrives and mixes Bertie a hangover cure. The cure is remarkably effective, and Bertie engages Jeeves immediately. Thereafter, Bertie happily cedes much of the control of his life to the competent Jeeves, despite occasional clashes on matters of dress and appearance.
Due to the volume of stories and time span over which Wodehouse wrote them, there are a number of inconsistencies and contradictions in the information given about his relatives. Bertie and several of his relations appear in the early semi-canonical short story "Extricating Young Gussie". In that story the family name is Mannering-Phipps, not Wooster, and the story has been excluded from most collections of Jeeves and Wooster material, even though the incidents in that story are referenced in later stories.
The family members who make an appearance in the most Jeeves stories are Bertie's Aunt Dahlia (7 short stories, 7 novels) and Aunt Agatha (8 short stories). Aunt Dahlia is friendly and good-natured while Aunt Agatha is cold and haughty, though both make demands of Bertie. Bertie feels obliged to follow their whims, often getting in trouble doing so. Aunt Dahlia's husband Tom Travers and children Angela and Bonzo Travers play important roles. Spenser Gregson, Aunt Agatha's first husband, does not play a major role, but their son Thomas "Thos" Gregson and later her second husband Percy Craye, Earl of Worplesdon appear in the stories.
Aside from Aunts Dahlia and Agatha, Bertie Wooster's father had other siblings. In "Extricating Young Gussie", Bertie's Uncle Cuthbert is described as the "late head of the family", but it is said his son Gussie has no title; Cuthbert's widow is Bertie's Aunt Julia. Another uncle is Uncle Willoughby, upon whom Bertie is initially financially dependent. One of Bertie's uncles, the late Henry Wooster, was the husband of Bertie's Aunt Emily; Claude and Eustace are their twin sons and Bertie's cousins. Bertie's Uncle George is Lord Yaxley, so if he inherited that title he is likely to be Bertie's eldest living uncle, and Bertie's paternal grandfather may have held the title as well. However, the relative ages of Bertie's father and remaining uncles are not specified, so it is unclear whether Bertie or one of his male cousins is in line to inherit the peerage. It is theoretically possible that the title was a life peerage under the Appellate Jurisdiction Act 1876, but unlikely as Uncle George is described as having devoted his life to food and drink.
Bertie never marries, but frequently finds himself engaged. In the early years, he is rather given to impulsive and short-lived infatuations, under the influence of which he proposes to Florence Craye (in "Jeeves Takes Charge", the fourth story in terms of publication and the first in the internal timeline of the books), to Pauline Stoker, and to Bobbie Wickham. In all of these cases, he rethinks the charms of the holy state and a "lovely profile" upon closer understanding of the personalities of the girls in question. Having already received a proposal from him, each girl assumes that she has an open invitation to marry Bertie whenever she has a spat with her current fiancé. Madeline Bassett and Honoria Glossop suffer from a similar delusion, though in each of their cases Bertie was attempting to plead the case of a friend (Gussie Fink-Nottle and Bingo Little respectively) but was misinterpreted as confessing his own love. In all of these cases, Bertie, who aims to be an honorable preux chevalier (valiant knight), feels he has to agree to the marriage. In the later stories and novels, Bertie regards engagement solely as a dire situation from which Jeeves must extricate him. In Thank You, Jeeves, Jeeves describes Bertie as "one of Nature's bachelors".
Though Jeeves frequently rescues Bertie from unwanted engagements, only rarely do they openly discuss the matter, as they both feel it would be unseemly to "bandy a woman's name" in such a way.
Of the women Bertie Wooster becomes engaged to, those who appear in the most Jeeves stories are Madeline Bassett (5 novels), Lady Florence Craye (1 short story, 3 novels), Bobbie Wickham (3 short stories, 1 novel), and Honoria Glossop (4 short stories).
Bertie is loyal to his friends, willing to do whatever he can to solve their problems, saying "when there is a chance of helping a pal we Woosters have no thought of self". This has led to problems for him, since he is regularly drawn into troublesome tasks. Though he continues to provide help, Bertie is aware that people do not hesitate to give him unpleasant jobs; as he says, "Whenever something sticky was afoot and action had to be taken the cry was sure to go up, 'Let Wooster do it.'" Bertie's friends are eager to ask for advice from Jeeves, who enjoys helping Bertie's pals. Jeeves essentially runs a "big Mayfair consulting practice" from their home, and Bertie is accustomed to his acquaintances consulting Jeeves directly without talking to him first. Sometimes Bertie tries to assert that he can also solve problems, but truly he thinks of Jeeves as a genius as much as everyone else does.
Among Bertie's friends, those who appear in the most Jeeves stories are Bingo Little (10 short stories), Gussie Fink-Nottle (4 novels), and Tuppy Glossop (3 short stories, 1 novel). Others include Rev. Harold P. "Stinker" Pinker, Claude "Catsmeat" Potter-Pirbright, Oliver "Sippy" Sipperley, and Rockmetteller "Rocky" Todd. Sometimes a friend or acquaintance will become a jealous antagonist, for example G. D'Arcy "Stilton" Cheesewright.
Some pals of Bertie's are occasionally mentioned who do not play major roles in the Jeeves stories, including Freddie Widgeon, Cyril "Barmy" Fotheringay-Phipps, and Oofy Prosser. Many Drones Club members appear in the separate Wodehouse Drones Club stories. Bertie is acquainted with Lord Emsworth, another of Wodehouse's best-known characters, who appears in the Blandings Castle stories. Bertie also knows Lord Emsworth's son Freddie Threepwood.
Bertie encounters a number of adversaries who are suspicious of him or threaten him in some way. These individuals are often quick to misinterpret Bertie's actions, which may seem strange due to the bizarre situations he becomes involved in, and come to the conclusion that Bertie is somehow mentally unsound or that he is a thief.
Among Bertie's various adversaries, those who appear in the most Jeeves stories are the "nerve specialist" or "loony doctor" Sir Roderick Glossop (4 short stories, 2 novels), and the intimidating "amateur dictator" Roderick Spode (4 novels), though Sir Roderick Glossop later becomes Bertie's friend. Others antagonists include Sir Watkyn Bassett and Major Plank.
With two exceptions, the stories are told in the first person by Bertie Wooster. Although Jeeves occasionally describes Bertie as "mentally negligible", Bertie's narrative style reflects notable facility with the English language. He displays what would be considered by today's standards a broad, if not very deep, knowledge of English literature, making allusions from sources including the Bible, Shakespeare, and romantic literature of the 19th century (all of these references typical of the schooling he and his 20th-century audience received), even if he relies on Jeeves to complete quotations for him. Bertie frequently applies these serious references in an over-simplified, farcical manner to the situation he is in, or uses the reference in a way totally contrary to its original context and meaning. In one story, Bertie complains about the constant attentions of a woman in whom he has no interest by referring to her as "young Sticketh-Closer-Than-a-Brother" in an annoyed fashion. The verse (Proverbs 18:24) that Bertie partially quotes actually praises the value of close friendship when it refers to a "friend that sticketh closer than a brother".
Bertie is fond of pre-World War I slang, peppering his speech with words and phrases such as "what ho!", "pipped", "bally" and so on, and he informally abbreviates words and phrases, such as "eggs and b" (eggs and bacon). He uses exaggerated imagery, and throughout the stories, he almost never says the word "walk", instead using terms and phrases like "toddle", "stagger", "ankle", "leg it", "make tracks", "whoosh" and "whizz". His informal language is juxtaposed with advanced vocabulary; Bertie claims that over the years, he has picked up a vocabulary of sorts from Jeeves. As the years pass, he makes references to popular film and literature that would have been well known to readers when the books were written.
One literary device Bertie employs is the transferred epithet, using an adjective to modify a noun instead of using the corresponding adverb to modify the verb of the sentence. Examples of this include "I balanced a thoughtful lump of sugar on the teaspoon" and "He waved a concerned cigar". He also favours the mixed metaphor, an absurd combination of two incompatible metaphors. For example, after one of Bertie's plans goes awry, he decides not to dwell on his mistake, saying "spilt milk blows nobody any good"; this combines the proverbs "It's no use crying over spilt milk" and "It's an ill wind that blows no good". Bertie also uses running gags, making humorous statements and recalling them later within the same story and in other stories.
- Ian Carmichael played the part of Bertie Wooster (opposite Dennis Price as Jeeves) in the BBC television series, The World of Wooster (1965–1967).
- Jonathan Cecil (who, like Bertie himself, was an Old Etonian) played him in the BBC tribute film Thank You, P. G. Wodehouse (1981).
- Hugh Laurie (also an Old Etonian) portrayed Bertie Wooster in the early-1990s ITV series Jeeves and Wooster opposite his long-time comedy partner, Stephen Fry, as Jeeves. While Bertie's character is largely faithful to his character in the canon, Bertie is also depicted as being a capable pianist and singer, making use of actor-musician Hugh Laurie's musical talents. He plays and sings show tunes and popular songs of the 1920s and 1930s, including the songs "Nagasaki", "Forty-Seven Ginger-Headed Sailors", "Puttin' on the Ritz", "Minnie the Moocher" and "You Do Something to Me". In the original stories, Bertie sings often, though it is unclear to what extent he plays piano. In the episode "The Delayed Arrival", Bertie crossdresses and assumes an alias when he briefly pretends to be a maid named "Beryl" employed in the Travers household, Brinkley Court. This did not occur in the original novel on which the episode was based, Jeeves and the Feudal Spirit.
- David Niven was the first, and to date the only actor to play Bertie Wooster in a mainstream theatrical film, in Thank You, Jeeves! (1936). This film bore almost no resemblance to Wodehouse's fiction. Bertie was portrayed as woman-chaser, the opposite of the more common situation in the stories, in which Bertie strives to avoid marriage entanglements. Jeeves (Arthur Treacher) seemed more of a pompous prig than a brilliant helper. Notably, when Bertie grows a moustache that Jeeves disapproves of in Jeeves and the Feudal Spirit, Bertie cites Niven's moustache as a justification. A follow-up film, Step Lively, Jeeves (1937), did not feature Bertie Wooster as a character.
- Leave It to Jeeves (1940) was a radio drama broadcast on CBS's Forecast series. Edward Everett Horton portrayed Bertie Wooster and Alan Mowbray portrayed Jeeves.
- Naunton Wayne portrayed Bertie Wooster in a 1955 radio drama based on Right Ho, Jeeves broadcast on the BBC Light Programme, with Deryck Guyler as Jeeves.
- Terry-Thomas played Bertie Wooster opposite Roger Livesey as Jeeves in a dramatisation of "Indian Summer of an Uncle" and "Jeeves Takes Charge" released as a record album in 1958.
- Richard Briers portrayed Bertie Wooster in the BBC Radio 4 series What Ho, Jeeves! opposite Michael Hordern as Jeeves. The series ran occasionally from 1973 to 1981.
- Simon Cadell played Bertie Wooster opposite David Suchet as Jeeves in the BBC Saturday Night Theatre radio adaptation of Right Ho, Jeeves in 1988.
- Mark Richard portrayed Bertie Wooster with Martin Jarvis as Jeeves in a 1997 L.A. Theatre Works dramatisation of The Code of the Woosters. Simon Templeman played Bertie Wooster with Paxton Whitehead as Jeeves in the same organisation's 1998 recording of an adaptation of Thank You, Jeeves.
- Marcus Brigstocke played Bertie Wooster in a BBC Radio 4 adaptation of The Code of the Woosters in 2006, with Andrew Sachs as Jeeves.
Audiobooks of many of the Jeeves stories and novels in which Bertie Wooster is the narrator have been recorded by British actors, including Simon Callow, Jonathan Cecil, Martin Jarvis, Frederick Davidson, and Dinsdale Landen.
- Derivative writings
- In the fictional biography Jeeves: A Gentleman's Personal Gentleman by Northcote Parkinson, Bertie Wooster comes into the title of Lord Yaxley on the death of his uncle George, marries Bobbie Wickham and makes Jeeves the landlord of the Angler's Rest pub, which is on the Yaxley estate. Jeeves then supplants Mr Mulliner as the resident expert and storyteller of the pub.
- In Alan Moore's graphic novel The League of Extraordinary Gentlemen: Black Dossier, Bertie Wooster appears in the segment What Ho, Gods of the Abyss? which comically mixes elements of Wodehouse with H.P. Lovecraft's Cthulhu Mythos. Bertie blithely recounts the arrival of a Mi-go to Brinkley Court and Aunt Dahlia's possession by Cthulhu. The Lovecraftian menaces are driven off by Jeeves with the assistance of Mina Murray, Allan Quatermain, Carnacki and Orlando but not before Gussie Fink-Nottle's brain is surgically removed (a condition that, in the end, causes no real difference in his behaviour). Throughout the events, Bertie remains unaware of the true nature of the goings-on.
- In 2013, novelist Sebastian Faulks, with the authorisation of the Wodehouse estate, published Jeeves and the Wedding Bells, a new Jeeves novel narrated by Bertie Wooster. The audiobook version was narrated by Julian Rhind-Tutt as Bertie Wooster.
- List of Jeeves characters, an alphabetical list of Jeeves characters
- List of P. G. Wodehouse characters in the Jeeves stories, a categorized outline of Jeeves characters
- Hastings, Chris; Jones, Beth (6 January 2008). "P G Wodehouse fan reveals the real-life Jeeves". The Sunday Telegraph. Retrieved 6 August 2017.
- Wodehouse (2008) , Much Obliged, Jeeves, chapter 9, p. 92.
- Wodehouse (2008) , The Inimtiable Jeeves, chapter 13, p. 139.
- Wodehouse (2008) , Jeeves and the Feudal Spirit, chapter 13, p. 123.
- Wodehouse (2008) , Very Good, Jeeves, chapter 5, p. 128. Bertie talks with Jeeves: "'Tell me, were you always like this, or did it come on suddenly?' 'Sir?' 'The brain. The grey matter. Were you an outstandingly brilliant boy?' 'My mother thought me intelligent, sir.' 'You can't go by that. My mother thought me intelligent.'"
- Wodehouse (2008) , Very Good, Jeeves, chapter 4, p. 109.
- Wodehouse (2008) , The Mating Season, chapter 3, p. 30, chapter 9, p. 102, and chapter 10, p. 114.
- Wodehouse (2008) , The Code of the Woosters, chapter 5, p. 114. Gussie Fink-Nottle says that Bertie was called "Daredevil Bertie" as a boy at school, and Bertie confirms this.
- Wodehouse (2008) , Jeeves in the Offing, chapter 4, p. 41. Aubrey Upjohn says, "'Bungling Wooster we used to call him'".
- Wodehouse (2008) , Aunts Aren't Gentlemen, chapter 7, p. 65.
- Wodehouse (2008) , The Inimitable Jeeves, chapter 2, pp. 24–25.
- Wodehouse (2008) , Right Ho, Jeeves, chapter 22, p. 270.
- Wodehouse (2008) , The Mating Season, chapter 17, p. 172.
- Wodehouse (2008) , Carry On, Jeeves, chapter 7, pp. 169–172.
- Garrison (1991), pp. 219–221.
- Ring & Jaggard (1999), p. 129.
- Wodehouse (2008) , Ring for Jeeves, chapter 5, p. 61.
- Wodehouse (2008) , Carry On, Jeeves, chapter 1. Bertie recounts a story in which he was fifteen years old, and later mentions that this story occurred nine years before, meaning that he is approximately 24 years old in "Jeeves Takes Charge".
- Ring & Jaggard (1999), pp. 124–126.
- Cawthorne (2013), p. 160.
- Cawthorne (2013), p. 159.
- Wodehouse (2008) , Thank You, Jeeves, chapter 21, p. 256. Chuffy references Bertie's "big blue eyes".
- Wodehouse (2008) , Stiff Upper Lip, Jeeves, chapter 1, p. 15.
- Wodehouse (2008) , Carry On, Jeeves, chapter 10, p. 271. Jeeves narrates: "Mr. Wooster's is not one of those inscrutable faces which it is impossible to read. On the contrary, it is a limpid pool in which is mirrored each passing emotion. I could read it now like a book".
- Wodehouse (2008) , Very Good, Jeeves, chapter 6, p. 158-159.
- Ring & Jaggard (1999), pp. 289–290.
- Wodehouse (2008) , The Inimitable Jeeves, chapter 5, p. 55.
- Usborne (2003), pp. 57 and 70.
- Wodehouse (2008) , Carry On, Jeeves, chapter 2, pp. 39–40.
- Wodehouse (2008) , Much Obliged, Jeeves, chapter 15, p. 176.
- Wodehouse (2008) , Carry On, Jeeves, chapter 7, p. 184.
- Wodehouse (2008) , Carry On, Jeeves chapter 10, pp. 267–268.
- Wodehouse (2008) , The Inimitable Jeeves, chapter 6, pp. 66–68. Bertie recounts that, years ago, he had been roped in to play the part of a butler in amateur theatricals at a country-house party.
- Wodehouse (2008) , The Mating Season, chapter 17, p. 166. Bertie mentions the unpleasant feeling you get when you get roped into playing "Bulstrode, a butler" in amateur theatricals and you forget your lines.
- Wodehouse (2008) , Aunts Aren't Gentlemen, chapter 1, p. 14.
- Wodehouse (2008) , The Inimitable Jeeves, chapter 1, p. 1, chapter 9, p. 92, and chapter 10, p. 111. Bertie also refers to his tea as "oolong" or "Bohea" in Very Good, Jeeves chapter 3, Right Ho, Jeeves chapter 4, and Joy in the Morning chapter 5. Bertie never refers to his tea as anything other than "oolong" or "Bohea".
- Ring & Jaggard (1999), pp. 287–288.
- Wodehouse (2008) , Very Good, Jeeves, chapter 3, p. 69.
- Wodehouse (2008) , Joy in the Morning, chapter 5, p. 46. Bertie states that "as a dancer I out-Fred the nimblest Astaire, and fancy dress binges have always been my dish".
- Ring & Jaggard (1999), p. 287.
- Wodehouse (1968) , Plum Pie, "Jeeves and the Greasy Bird", p. 42.
- Wodehouse (2008) , The Code of the Woosters, chapter 10, p. 210. Relieved after Madeline Bassett leaves the room to retrieve Gussie's notebook, Bertie says, "She hurried out, and I sat down at the piano and began to play 'Happy Days Are Here Again' with one finger. It was the only method of self-expression that seemed to present itself."
- Wodehouse (2008) , The Inimitable Jeeves, chapter 17, p. 236.
- Wodehouse (2008) , Aunts Aren't Gentlemen, chapter 8, p. 83.
- Wodehouse (2008) , Carry On, Jeeves, chapter 1, pp. 11–13.
- Wodehouse (2008) , Much Obliged, Jeeves, chapter 1, p. 10. "If a girl thinks you're in love with her and says she will marry you, you can't very well voice a preference for being dead in a ditch. Not, I mean, if you want to regard yourself as a preux chevalier, as the expression is, which is always my aim."
- Wodehouse (2008) , Much Obliged, Jeeves, chapter 5, p. 35. "Jeeves, you see, is always getting me out of entanglements with the opposite sex, and he knows all about the various females who from time to time have come within an ace of hauling me to the altar rails, but of course we don't discuss them. To do so, we feel, would come under the head of bandying a woman's name, and the Woosters do not bandy women's names. Nor do the Jeeveses."
- Wodehouse (2008) , Carry On, Jeeves, chapter 6, p. 149.
- Wodehouse (2008) , Aunts Aren't Gentlemen, chapter 18, p. 167.
- Usborne (2003), pp. 86, 93.
- Wodehouse (2008) , Carry On, Jeeves, chapter 1, p. 19.
- Wodehouse (2008) , The Code of the Woosters, chapter 4, pp. 94–95.
- Wodehouse (2008) , Carry On, Jeeves, chapter 7, p. 186.
- Wodehouse (2008) , Very Good, Jeeves, chapter 7, p. 184.
- Thompson (1992), pp. 343–344.
- Hall (1974), p. 86.
- Wodehouse (2008) , Right Ho, Jeeves, chapter 11, pp. 130–131.
- Taves (2006), p. 98.
- Cawthorne, Nigel (2013). A Brief Guide to Jeeves and Wooster. London: Constable & Robinson. ISBN 978-1-78033-824-8.
- Garrison, Daniel H. (1991) . Who's Who in Wodehouse (Revised ed.). New York: Constable & Robinson. ISBN 1-55882-087-6.
- Hall, Robert A., Jr. (1974). The Comic Style of P. G. Wodehouse. Hamden: Archon Books. ISBN 0-208-01409-8.
- Ring, Tony; Jaggard, Geoffrey (1999). Wodehouse in Woostershire. Chippenham: Porpoise Books. ISBN 1-870-304-19-5.
- Ross, Robert (2002). The Complete Terry-Thomas. London: Reynolds & Hearn. ISBN 978-1-90311-129-1.
- Taves, Brian (2006). P. G. Wodehouse and Hollywood: Screenwriting, Satires and Adaptations. London: McFarland & Company. ISBN 978-0786422883.
- Thompson, Kristin (1992). Wooster Proposes, Jeeves Disposes or Le Mot Juste. New York: James H. Heineman, Inc. p. 343. ISBN 0-87008-139-X.
- Usborne, Richard (2003). Plum Sauce: A P. G. Wodehouse Companion. New York: The Overlook Press. ISBN 1-58567-441-9.
- Wodehouse, P. G. (2008) . The Inimitable Jeeves (Reprinted ed.). Arrow Books. ISBN 978-0099513681.
- Wodehouse, P. G. (2008) . Carry On, Jeeves (Reprinted ed.). London: Arrow Books. ISBN 978-0099513698.
- Wodehouse, P. G. (2008) . Very Good, Jeeves (Reprinted ed.). Arrow Books. ISBN 978-0099513728.
- Wodehouse, P. G. (2008) . Thank You, Jeeves (Reprinted ed.). Arrow Books. ISBN 978-0099513735.
- Wodehouse, P. G. (2008) . Right Ho, Jeeves (Reprinted ed.). London: Arrow Books. ISBN 978-0099513742.
- Wodehouse, P. G. (2008) . The Code of the Woosters (Reprinted ed.). London: Arrow Books. ISBN 978-0099513759.
- Wodehouse, P. G. (2008) . Joy in the Morning (Reprinted ed.). London: Arrow Books. ISBN 978-0099513766.
- Wodehouse, P. G. (2008) . The Mating Season (Reprinted ed.). Arrow Books. ISBN 978-0099513773.
- Wodehouse, P. G. (2008) . Ring for Jeeves (Reprinted ed.). Arrow Books. ISBN 978-0099513926.
- Wodehouse, P. G. (2008) . Jeeves and the Feudal Spirit (Reprinted ed.). London: Arrow Books. ISBN 978-1-78033-824-8.
- Wodehouse, P. G. (2008) . Jeeves in the Offing (Reprinted ed.). London: Arrow Books. ISBN 978-0099513940.
- Wodehouse, P. G. (2008) . Stiff Upper Lip, Jeeves (Reprinted ed.). Arrow Books. ISBN 978-0099513957.
- Wodehouse, P. G. (1968) . Plum Pie (Reprinted ed.). London: Pan Books Ltd. ISBN 978-0330022033.
- Wodehouse, P. G. (2008) . Much Obliged, Jeeves (Reprinted ed.). London: Arrow Books. ISBN 978-0099513964.
- Wodehouse, P. G. (2008) . Aunts Aren't Gentlemen (Reprinted ed.). London: Arrow Books. ISBN 978-0099513971.