Bette Porter

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Bette Porter
First appearancePilot (episode 1.01)
Last appearanceLast Word (episode 6.08)
Created byIlene Chaiken
Portrayed byJennifer Beals
Information
GenderFemale
OccupationFormer Director at the California Arts Center, Former Dean of School of Arts, California University, Co-Owner and Partner of Wentworth-Porter Art Gallery
FamilyLovers: Tina Kennard, Alice Pieszecki, Candace Jewell, Jodi Lerner, Dani Nùñez
Father: Melvin Porter
Half-Sibling: Kit Porter
Children: Angelica Porter-Kennard (adopted)
Nephew: David Waters

Bette Porter is a fictional character on the Showtime television network series The L Word and its sequel The L Word: Generation Q, played by Jennifer Beals. She was ranked No. 10 in AfterEllen.com's Top 50 Favorite Female TV Characters.[1]

Fictional character biography[edit]

Bette is introduced as an affluent, Ivy League-educated lesbian of African-American and Caucasian heritage. She grew up in Philadelphia and was an art history major at Yale, where she notably had sex with her boyfriend, Coleman. They both realized they were gay shortly after, with Bette developing a crush on her art history professor, Danica Palmer (Lifesize: 306). Eventually, she came out as a lesbian, and fell for her bisexual friend, Kelly. After Kelly rejected her advances, Bette grew depressed to the brink of suicide.

After graduation, Bette moved on, and dated Alice Pieszecki briefly. Bette once fingered Alice while they were at the opera Lakmé (during The Flower Duet). They remained close friends after they broke up.

Bette met her future partner, Tina, while Tina was on a date at the Bette Porter Gallery with her then-boyfriend Eric. An instant attraction formed between the two of them. Bette noticed Tina's right earring had fallen off, and Tina supposedly put it back on. Later that night, Tina returned to the gallery to retrieve the lost earring. Bette had kept it for her. While Tina was picking it from her hand, Bette kissed her.

Season one[edit]

Bette and Tina's relationship appears to their friends as very strong. Tina confirms to their closest friends that Bette is her "first, last, and forever" love. However, from the very beginning they seem to have problems, and even as they attempt to start a family, it is revealed that they no longer make love. Although they seem to move past this problem as the series progresses, Bette's career in the California Arts Center is shown to come between them, with Bette frequently not having time to spend with Tina.

At Bette's urging, Tina gives up her own career in order to have a child, leaving Bette as the sole breadwinner. Bette has a difficult family life, with her father Melvin only barely tolerating her relationship with Tina, and flatly refusing to acknowledge Tina's baby as his grandchild. Bette is also shown to be very bossy and domineering with Tina and everyone else. Throughout the entire series, Bette has a reputation for throwing fits and tantrums in public and private when things do not go her way.

In addition, Bette at first has a difficult relationship with her older half-sister Kit, a recovering alcoholic who has often let her down. As the series progresses, however, Bette begins to support Kit's attempts to turn her life around, and their relationship is shown to improve.

Tina's miscarriage takes a toll on Bette, and when her partner decides to become involved in a charitable organization, Bette finds that their careers make it almost impossible for them to spend any time together or have sex. At the same time, she finds herself attracted to Candace Jewell, who is temporarily working as a carpenter at the CAC. Bette tries to resist this attraction at first, but is unable to do so when Candace, despite knowing of Bette's relationship, makes a pass at her. Bette subsequently begins an affair with Candace to fulfill her desires. When Tina discovers what is going on, she flies into a rage and, in the ensuing fight, Bette rapes Tina. Tina eventually leaves Bette and moves out.

Season two[edit]

In the second season, Bette resumes her affair with Candace, but soon becomes desperate to make amends for her betrayal, and finds that her break-up with Tina is disrupting all other elements of her life. Her job becomes an increasing pressure, especially when Tina's new lover, Helena Peabody, is added to the Board of Directors, and her boss hires another curator who threatens Bette's elevated position. However, Tina refuses to forgive Bette, insinuating that she is only trying to mend their relationship because Candace is not sexually fulfilling enough for her.

At first, Bette feels isolated from Alice (who hypocritically accuses Bette of being a "sex-addict" while she herself is having an affair with Dana, who is engaged to be married) and the others, who she feels have mainly taken Tina's side in their argument. Although Shane and Jenny are both supportive of her (mostly because of both Shane and Jenny, also both promiscuous, having cheated on their lovers as well), it takes a while for Bette to feel on good terms with Alice again. After Tina begins to see Helena, however, the group appear to rally around Bette, who is now aware that Tina is pregnant again and has a great desire to raise their child together.

Matters are further complicated when it is revealed that Bette's father Melvin is dying from advanced prostate cancer, and is refusing treatment. A distraught Bette brings him home to die, so that he will not be trapped in a hospital, but this difficult experience leads her to reach out to Tina. Tina, who by now feels trapped by her relationship with Helena, grows closer to Bette again, and although Melvin never really blesses his daughter's homosexual relationship, he does once refer to Tina as 'Tina' rather than 'Miss Kennard' before he dies. His death is a great blow to Bette, who receives news of the loss of her job at Melvin's funeral.

Though upset and furious, Bette continues to derive comfort from her improved relationship with Tina. Bette's relationship with Kit is also vastly improved in this season, with Kit being her main source of comfort at the beginning of the season. She helps Kit to take over The Planet cafe, and begins actively involving herself in Kit's life. Eventually Tina chooses Bette over Helena, and the end of the season shows Tina asking to move back in with Bette. Tina's labor is surprisingly difficult, but their daughter Angelica is eventually born, and the end of the season shows Bette as calm and happy in her new family.

Season three[edit]

Six months later, Bette and Tina are feeling the stress of raising Angelica, Bette's unemployment and Tina going back to work for Helena at her film studio. Their relationship experiences difficulties yet again when Tina claims to have a renewed interest in men. Angry and hurt with her belief that Tina was merely experimenting with her for eight years, Bette has her move out. Bette briefly becomes a Buddhist and goes on a silent retreat, but leaves it. In the meantime, Tina begins a relationship with a divorced father, Henry Young. When Henry's son innocently asks Bette to take a "family picture" of himself and Henry with Tina and Angelica, and Tina tells Bette to her face that she no longer wants Bette to adopt Angelica and that she and Henry are going to start a family with the implication that Henry will adopt Angelica, Bette comes to the realization that Tina is only using Henry and his son so that she will get full custody of Angelica when she and Bette separate, as she is Angelica's biological mother and deliberately ingratiating herself in what she calls the "safety of a white heterosexual family", after which she will leave Henry. Desperate not to lose Angelica, Bette hires Joyce Wishnea, a gay civil rights lawyer, in order to file for sole custody, and warns Tina to stop her farce with Henry. This time, most of their friends rally behind Bette, seeing Tina as a traitor to the LGBT community for using her sexuality and the country's homophobic legal system against Bette. Tina, however, stands her ground and considers the possibility of losing all of her friends as the "bravest thing she has ever done".

At Shane and Carmen's wedding, Bette begins to have second thoughts about this, but when Tina gets Joyce's letter and begins to take action to separate Bette from Angelica forever, Bette kidnaps Angelica and runs away.

Season four[edit]

After being implored by her friends, Bette returns with Angelica, and Joyce persuades her and Tina to reach an agreement themselves on the basis that the homophobic court will most likely put Angelica up for adoption or into a heterosexual foster family instead of granting either of them custody. Soon after, Bette becomes the dean of art at a university. Her sexually frustrated boss, Phyllis Kroll, confesses to her that she is a lesbian, despite having a husband, Leonard. Later on, Bette introduces Phyllis to her group of friends, aware that she will end up having sex with one of them; despite their age gap, Phyllis meets and has an affair with Alice, but falls madly in love with her, which makes Bette feel uncomfortable, particularly when Alice refuses to commit to Phyllis and Bette gets caught in the middle. In desperation, Bette puts Phyllis in contact with Joyce to help her divorce Leonard, aware of Joyce's reputation for sleeping with her clients. Her plan works and Phyllis and Joyce begin a relationship, though Joyce is forced to recuse herself from representing Phyllis when it becomes more serious.

While working at the California University School of the Arts as a dean, Bette has an affair with one of her graduate students, Nadia, but soon breaks off the relationship because she realizes it's inappropriate. Then, she begins a sexual relationship with Jodi Lerner, a sculptor who has begun lecturing at the university. Tina and Bette's relationship initially goes through some rough patches, but they gradually become friendlier with each other. Tina confesses to Bette that she still loves her and that she misses her life as a lesbian; when she meets Jodi, Tina realizes how much she wants Bette back and begins to regret ending her relationship with Bette.

Tina learns of an affair between Angus (Kit's boyfriend) and Tina's nanny, Hazel, and she informs Bette. This causes major stress to their relationship, as Bette wants to keep this information from her sister and Tina disagrees. Things become even more complicated after a disastrous dinner party, thrown by Bette for Jodi, where she learns Kit—a recovering alcoholic—is drinking again to deal with Angus's infidelity. Because of Bette's reaction to her sister's drinking, Bette and Jodi get into a heated argument. As a result of the argument, Jodi realizes that Bette's controlling ways are too much for her and takes a job offer in New York City. In the season finale, Bette, with some encouragement from Tina and help from Alice and Shane, steals a "17 Reasons Why" sign from an old building in hopes of getting Jodi back, as Jodi had once told her that she believed it would make a great art piece. She shows it to Jodi, who is touched enough that she decides to remain in Los Angeles with Bette.

Season five[edit]

At the beginning of the fifth season, Bette and Jodi's relationship seems very loving to their friends. However, it doesn't take long before the problems begin to show. When Jodi insists on bringing Bette on her annual vacation with her close friends, Bette finds herself annoyed and upset with Jodi and her friend's activities.

Though Bette continues her relationship with Jodi, she begins to long for the life she shared with Tina, particularly after Tina starts to manipulate Bette by talking about their past life and bragging about her affairs with other women. Bette soon succumbs to Tina's hints and they begin an affair, though they both claim to be unsure if they want anything more than their sexual reconnection. To manipulate Bette further, Tina begins a flirtation with Sam, a woman who works on the set of Lez Girls. Due to her own jealousy, Bette becomes angry with Jodi when Jodi decides to have a dinner party and invites Tina and Sam. When Jodi confronts Bette about their distance emotionally and sexually, Bette cannot bring herself to admit that she is still in love with Tina. During rolling blackouts, Bette and Tina are trapped in an elevator on the way to their couples therapy session. During their time in the elevator, Bette and Tina discuss their fears about their relationship and end up making love, during which Bette tells Tina she still loves her, even though Tina was once prepared to destroy their relationship for good through Henry. Bette also reveals to Tina she wants to tell Jodi about their reunion after the Subaru Pink Ride.

Meanwhile, Jodi sees Bette is moody and upset about something but is not sure. By this time, Jodi has resigned from California University after one of her students held a realistic-looking gun made of soapstone to his head in front of the class as a form of art. While on their Subaru Pink Ride, Jodi learns of the affair during a game of 'I Never' when Alice drunkenly begins calling Bette a "giant and 'gi-normous' cheater" for having cheated on Tina and on Alice herself when they were dating. This statement leads Jodi to jokingly ask if Bette is cheating on her. When Bette doesn't respond and Tina runs away from the group, Jodi finally realizes that Bette is cheating on her and most likely never truly loved her from the start. In private, Kit verbally blasts Bette for her actions, reminding her of Tina's callous behavior while she was with Henry, but Bette confesses that, even though Tina was ready to take their daughter away from her forever, she loves and has always loved Tina, and that she and Jodi "never had a shot", effectively confirming that she was merely using Jodi sexually and never loved her.

After the truth is revealed, Jodi returns to Bette and completely brushes off Tina. Bette takes Jodi to her house trying to talk things over and nearly loses herself in Jodi's attempt to seduce her back. They agree to clarify things in Bette's office. It is here that Bette tells Jodi that their relationship will not work because Tina is her true love. Jodi concedes and leaves without further fight. She retrieves her personal items from Bette's place and leaves Bette an early birthday present. At the end of that eventful day, Bette joins Tina and takes both Angelica and Tina back home.

With her real admiration for Jodi, Bette introduces Jodi at the public exhibition of a new Jodi Lerner piece, entitled "Core." However, it instead turns out to be Jodi's spiteful revenge against Bette for using her: a series of videos of a single Bette saying "I love you", as well as things like "Leave me alone", "Go without me", "Stop", and "Fuck me", ridiculing Bette for her promiscuity and willingness to use anyone sexually. After the shocking public humiliation, Bette returns to find solace in Tina. Later, Bette and Tina go to Lez Girls wrap party where their reunion and display of affection is admired by their friends.

Season six[edit]

TIna moves back in with Bette, and they decide to adopt a second child. In preparation, they begin to add an expensive extension to their house.

The pair finally meet the birth-mother Marci in Nevada, an underprivileged Caucasian woman expecting a half African-American son. Despite the fact that Marci's family rejects the notion of giving the child to a lesbian couple, Marci agrees to give Tina and Bette her child. However, this transaction is threatened when Joyce Wischnia informs the pair that Nevada law does not permit adoption to same sex couples. A solution is reached when Bette and Tina agree to board Marci during her pregnancy, but when they arrive to the Los Angeles bus station to meet her, Marci is not on the bus, having for some reason backed out on the deal.

Meanwhile, when Bette tries to force Jodi to resign, the matter is brought before Phyllis. Jodi refuses to resign and threatens legal action not only against Bette, but against the entire university should anyone fire her. Phyllis privately tries to convince Bette that Bette herself should resign instead. Phyllis informs Bette that she had already helped cover up a potential scandal involving Bette's brief fling with Nadia, and that any potential sexual harassment proceedings from Jodi would further endanger the university's reputation. Immediately afterwards, Phyllis makes a drunken pass at Bette at a bar, claiming she was always strongly attracted to her and can now pursue a relationship with her since Bette is no longer her employee, even if it means leaving Joyce. Finally fed up with Phyllis' sexual desperation, Bette rejects her advances and submits her resignation from the university.

Bette later reconnects with her bisexual college crush Kelly Wentworth (Elizabeth Berkley), and the pair open an art gallery together. While Bette had strong feelings for Kelly in college to the point where she was on the brink of suicide when Kelly rejected her, she now seems quite capable of remaining committed to Tina despite the newly divorced Kelly's constant flirtations with her. Tina, however, subtly voices her lack of trust in Bette, especially after Kelly claims that Bette was a "player" during their college days, and starts to fear that Bette will eventually cheat on her again. When a drunken Kelly finally makes a pass at Bette in Bette's house, Bette soundly rejects her, but the pair remain on friendly terms. Then Kelly accidentally breaks a glass, and Bette helps her pick up the shards. An on-looking Jenny mistakes this activity for a sexual moment between the pair, and captures it on her cellphone camera. Later, an angry Jenny threatens Bette that she will expose the footage to Tina if Bette does not first confess her "umpteenth indiscretion" to Tina.

When Tina gets a job offer in New York, she and Bette decide to relocate there and start a new life. Bette is more than happy to do this, partially to escape from the claustrophobic bubble of Los Angeles lesbian intrigue and partially to escape Jenny. She confides all of this to Kit, including Jenny's misconception. While in bed, Bette proposes to Tina, who accepts.

At Bette and Tina's going away party in their home, Kit threatens Jenny to back off and is in turn shown the incriminating cellphone footage. Kit next confronts Bette, believing the footage to be a valid display of infidelity. Learning about the footage, and knowing that both of their previous affairs with Candace, Jodi and Henry will very easily convince Tina (who by now no longer trusts Bette fully) that she has cheated on her again, Bette finally approaches Jenny with a clear, furious warning to back off. This confrontation is held near a banister with an unfinished railing, and it is the last time Jenny is shown alive. Her body is discovered in the pool shortly afterward. The series ends with Bette and all her friends being interrogated by police, and the truth of Jenny's death unexplained.

The Interrogation Tapes[edit]

Several weeks after the television series ends, footage of Bette's police interrogation appears on Showtime's L Word website ("The Interrogation Tapes"). For some reason, this footage leaked onto YouTube first.[2] Although she does not divulge any information regarding Jenny's death, Bette confesses to being secretly angry and devastated by the fact that Tina never asked her to carry their second child (though it is left unrevealed why Bette herself did not suggest in it the first place).[3]

Generation Q[edit]

Bette will return in the upcoming sequel series, The L Word: Generation Q, along with Alice and Shane. The trailer shows that Bette is running for Mayor of Los Angeles and in a relationship with Dani Nùñez, her PR executive assistant. The circumstances regarding the end of her relationship with Tina have yet to be revealed.

References[edit]

  1. ^ "AfterEllen.com's Top 50 Favorite Female TV Characters". AfterEllen.com. February 27, 2012. Archived from the original on January 16, 2013. Retrieved June 24, 2012.
  2. ^ "The L Word Bette Porter Interrogation". Showtime/YouTube. Retrieved 2009-03-30.
  3. ^ "The L Word Interrogation Tapes: Bette". Showtime. Archived from the original on 2009-06-29. Retrieved 2009-03-30.
  • Kera Bolonik, The L Word: Welcome to Our Planet. New York: Fireside. 2006: 64 - 68

External links[edit]