This article is incomplete.(January 2016)
This raag is a beautiful blend of raag Marva and raag Mand.
Arohana & Avarohana
Aaroh - सा रे म प ध सां ।
S R M P D Ṡ
Avroh - सां नी॒ ध प म ग रे सा ।
Ṡ Ṉ D P M G R
Vadi & Samavadi
Vadi Swar - प (P)
Samvadi Swar - सा (S)
Pakad or Chalan
S m P D N r' N D m P G r S
M D S', r' N D P, D m P G r S
Or we have other way for Chalan as
Organization & Relationships
Behavior refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect how the music existed.
Dawn morning raga..
Certain ragas have seasonal associations.
- Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74 Hindustani Ragas. Zenith Media, London: 1999.
- SRA on Samay and Ragas
- SRA on Ragas and Thaats
- Rajan Parrikar on Ragas
- Film Songs in Rag Bhatiyar
- more details about raag Bhatiyar
|This article about the music of India is a stub. You can help Wikipedia by expanding it.|