Bihu dance

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Bihu dance
Bihu dance.jpg
Youths perform Bihu dance in Assam
GenreFolk
OriginAssam, India

The Bihu dance is an indigenous folk dance from the Indian state of Assam related to the Bihu festival and an important part of Assamese culture. Performed in a group, the Bihu dancers are usually young men and women, and the dancing style is characterized by brisk steps, and rapid hand movements. The traditional costume of dancers is colorful and centred round the red colour theme, signifying joy and vigour.

History[edit]

The origins of the dance form is unclear, however, the folk dance tradition has always been very significant in the culture of Assam's diverse ethnic groups, such as Deoris, Sonowal Kacharis, Chutias, Boros, Misings, Rabhas, Moran and Borahis, among others.[1] According to scholars, the Bihu dance has its origin in ancient fertility cults that was associated with increasing the fertility of the demographic as well as the land.[2] Traditionally, local farming communities performed the dance outdoors, in fields, groves, forests or on the banks of rivers, especially under the fig tree.[3][4]

The earliest depiction of Bihu dance is found in the 9th century sculptures found in the Tezpur and Darrang districts of Assam. Bihu is mentioned in the inscriptions of the 14th century Chutia King Lakshminaryan as well.

Description[edit]

Bihu dance, Assam

The dance begins with the performers, young men and women, slowly walking into the performance space.[5] The men then start playing musical instruments, like drums (particularly the double-headed dhol), horn-pipes and flutes, while the women place their hands above their hips with their palms facing outwards, forming an inverted triangular shape.[6] The women then start to slowly move in tune with the music by swaying, while bending slightly forward from the waist. Gradually, they open up the shoulders and place their legs slightly apart, adopting the main posture used in the Bihu dance. Meanwhile, the music played by the men picks up in temp and intensity, leading women to thrust forward their breasts and pelvis, alternatively, to the tune.[3][7]

Some variations include men and women forming lines that face one other by holding each other's neck or waist, with more advanced sequences of the dance including men and women pairing up at the center of the performance area and dancing in a manner that imitates copulation.[8]

Cultural and social importance[edit]

Assamese Bihu dance with traditional Japi of Assam.

The Bihu dance takes its name from the Bohag Bihu festival (also called Rangali Bihu), the national festival of Assam., which celebrates the Assamese New Year. The festival takes place during mid-April and the Bihu dance is meant to celebrate and emulate the seasonal spirit, celebrating fertility and passion.[9][10]

Bihu is performed by groups of young men and women and in earlier times it served principally as a courtship dance. The Bihu dance's association with fertility refers to both human fertility, through the erotic nature of the dance, as well as to the fertility of nature, meaning the celebration of spring and the welcoming of the life-giving spring rain. The use of instruments such as drums and horn-pipes is believed to replicate the sound of rain and thunder, as a way of invoking actual precipitation.[3]

Historically, there is evidence that the Bihu dance was looked down upon in Assamese society, especially during colonial times, because of the sexually-charged nature of the performance., which clashed with the Victorian views that were dominant at the time among British colonists.[3] Presently, the Bihu dance continues to play an important role and is a cultural emblem in the modern–day Assamese society, becoming a symbol of the Assamese cultural identity. While prior to independence, it has been chiefly a rural phenomenon, the dance has managed to make to remain relevant in the face of increasing urbanization, with the practice being adopted in the region's urban centers. The first time that the Bihu dance was performed on a stage was in 1962, part of a cultural event that took place in Guwahati.[3]

See also[edit]

External links[edit]

References[edit]

  1. ^ "[T]he tradition of Bihu is not solely restricted to the Assamese community, but is prevalent among various tribes living in Assam. The Mising community in Assam celebrates a festival called Ali-ai-lrigang, a parallel form of the Bohag Bihu." (Barua 2009:214)
  2. ^ " The Bihu dances and other ritualised activities are regarded as important by the people in order to increase the fertility of the land." (Barua 2009:218–219)
  3. ^ a b c d e Sharma, Aparna (2013). "From Springtime Erotics to Micro-nationalism: Altering Landscapes and Sentiments of the Assamese Bihu Dance in North-East India". In Blandford, Steve (ed.). Theatre & Performance in Small Nations. Briston, England and Chcago, IL: Intellect Books. pp. 185–197. ISBN 9781841507859.
  4. ^ "In earlier times the Bihu dance, a major symbol of Assamese identity, was performed under fig trees (Ficus) [4] and occasionally under other trees, notably the mango (Mangifera indica) and jãmu (Eugenia jambolana). The seed of the fig fruit is very small, but in that seed lies the enormous tree of the future. mall, but in that seed lies the enormous tree of the future. Hence, the choice of site for the Bihu dance was linked to the fertility rites associated with it." (Barua 2009:220)
  5. ^ Chatterjee, Arpita (2013). "The Therapeutic Value of Indian Classical, Folk and Innovative Dance Forms" (PDF). Rupkatha Journal on Interdisciplinary Studies in Humanities. V (1): 80.
  6. ^ Barthakur, Dilip Ranjan (2003). The Music and Musical Instruments of North Eastern India. New Delhi: Mittal Publications. p. 93. ISBN 9788170998815.
  7. ^ Bhandari, Laveesh; Kale, Sumita (2009). Indian States At A Glance 2008-09: Performance, Facts And Figures - Assam. Delhi, Chennai, Chandigarh: Pearson Education India. p. 27. ISBN 9788131723326.
  8. ^ Desai, Chetana (2019). Sociology of Dance: a Case Study of Kathak Dance in Pune City. Solapur, India: Laxmi Book Publication. p. 55. ISBN 9780359859672.
  9. ^ Sinha, Ajay Kumar; Chakraborty, Gorky; Bhattacharya, Chandana; Datta, P. S. (2004). "Assam". In Agnihotri, V. K.; Ashokvardhan, Chandragupta (eds.). Socio-economic Profile of Rural India. Volume II: North-East India (Assam, Manipur, Tripura, Nagaland). New Delhi: Concept Publishing Company. p. 16. ISBN 9788180691454.
  10. ^ Begum, Samim Sofika; Gogoi, Rajib (July 2007). "Herbal recipe prepared during Bohag or Rongali Bihu in Assam". Indian Journal of Traditional Knowledge. 6 (3): 417–422. ISSN 0972-5938.


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