Billy Bass Nelson
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|William "Billy Bass" Nelson|
|Birth name||William Nelson|
|Also known as||Billy Bass|
|Born||January 28, 1951|
Plainfield, New Jersey
|Genres||Funk, soul, psychedelic rock, psychedelic soul|
|Instruments||Bass guitar; rhythm guitar|
|Labels||Warner Bros., Polystar Records, Casablanca Records, Westbound Records, Columbia Records, Rykodisc Records|
|Associated acts||Funkadelic, Parliament,|
The Temptations, George Clinton, Axiom Funk
William "Billy Bass" Nelson (born January 28, 1951) is a U.S. musician, who was the original bassist for Funkadelic. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Nelson was born in Plainfield, New Jersey and as a teenager worked at George Clinton's barbershop, sweeping the floor and singing and dancing for the customers. Clinton was a member of the doo wop vocal group The Parliaments, who scored a nationwide hit in 1967 with the song "(I Wanna) Testify". Clinton put together a backing band as musical support for a tour and recruited Nelson, originally as guitarist. Nelson later switched to bass when his good friend Eddie Hazel joined as lead guitarist. The backing band was originally unnamed, but Nelson later coined the name "Funkadelic" to reflect the style (funk) and connect it with the then-burgeoning psychedelic music scene.
By 1970, Funkadelic was a full band consisting of Nelson, Hazel, drummer Tiki Fulwood, guitarist Tawl Ross, and keyboardist Mickey Atkins (later replaced by Bernie Worrell). Since 1967 the band had been billed as the musical backing for The Parliaments. Due to legal problems, in the early 1970s Clinton had temporarily lost the rights to the name "The Parliaments" and instead signed the entire ensemble to Westbound Records under the name Funkadelic. Nelson was a prominent contributor to the first three Funkadelic albums, Funkadelic (1970), Free Your Mind... and Your Ass Will Follow (1970), and Maggot Brain (1971).
Nelson left the group in late 1971 after a financial dispute with George Clinton (making Nelson the first Parliament-Funkadelic member to defect over such concerns, foreshadowing a major problem that would haunt Clinton in the late 1970s). Nelson and Hazel next performed with The Temptations. Nelson rejoined Funkadelic briefly in the studio in 1975, playing on the track "Better By the Pound" on the Funkadelic album Let's Take It To The Stage. Nelson later played with The Commodores, Chairmen of the Board, Fishbone, Jermaine Jackson, Parlet, Lionel Richie, Smokey Robinson, and Lenny Williams.
By the early 1990s, Nelson had reunited with Eddie Hazel, Jerome Brailey, Gregg Fitz and Wilbur Harris and others in a new rendition of Funkadelic, "The New Funkadelic" until Eddie Hazel died in 1992. He also enjoyed a surge of name-checking by such legendary bassists as John Norwood Fisher (of Fishbone) and Flea (of the Red Hot Chili Peppers), while his early Funkadelic work was being sampled often by hip hop artists. Joining with some other P-Funk alumni, in 1994 Nelson released the album Out of the Dark under the name O.G. Funk. In 1994, Nelson rejoined Parliament-Funkadelic.
In March 1997, Michael "Clip" Payne debuted the 420 Funk Mob at two sold-out shows at New York City's Tramps. The band featured fellow P-Funk members Michael Hampton, Lige Curry, Gabe Gonzalez, Ronald "Stozo" Edwards, and Greg Fitz. Nelson was the 420 Funk Mob's first "Special Guest". He continued to make appearances with the 420 Funk Mob on and off through 2006 until he left the Parliament-Funkadelic camp. He appears on the 420 Funk Mob's Live on the Off Days CD and in their promotional video "What Time Is It?" from 2005.
In 2011, he rejoined Parliament-Funkadelic after the death of the band's lead singer, Garry Shider, playing guitar and bass until 2012. In 2014 he formed The Funkadelic Experience and as of 2015[update] continues to tour Europe and the United States.
- Liner notes to Live: Meadowbrook, Rochester, Michigan – 12 September 1971 by Rob Bowman, 1996.
- Liner notes to Music For Your Mother by Rob Bowman, 1992.