|Engine||Unreal Engine 2.5|
February 9, 2010
BioShock 2 is a first-person shooter video game developed by 2K Marin and published by 2K Games. It is the sequel to the 2007 game BioShock and was released worldwide for Microsoft Windows, PlayStation 3, and Xbox 360 on February 9, 2010; Feral Interactive released an OS X version on March 30, 2012. Set in the fictional underwater dystopian city of Rapture, the game's story takes place eight years after BioShock. Assuming control of Subject Delta, a hulking Big Daddy, players are tasked with fighting through Splicers, the psychotic human population of the city, using weapons and an array of genetic modifications. The game also includes a story-driven multiplayer mode that takes place during Rapture's civil war, before the events of the first game.
BioShock 2 was chiefly developed by 2K Marin, with 2K Australia, Arkane Studios, and Digital Extremes providing additional support. The story received major changes over the course of development. Garry Schyman, the composer of the first game, returned to create the score for BioShock 2.
The game received positive reviews upon release, with praise directed at the game's narrative, art style, characters, ending and gameplay. However, the game attracted criticism for having a slow start and being too similar to its predecessor. The game was supported with downloadable content upon launch, and a new single-player campaign, titled Minerva's Den, was released in August 2010. The game sold more than 3 million copies, but did not meet the publisher's sales expectations. A remastered version of the game was released as part of BioShock: The Collection for Windows, PlayStation 4, Xbox One, and Nintendo Switch.
BioShock 2 takes place in the fictional city of Rapture, an underwater metropolis hidden from the rest of the world. Rapture was founded in the 1940s by billionaire Andrew Ryan, who built the city to escape the tyranny of government and religion. Free from regulation, the citizens of Rapture began "splicing", genetically modifying themselves using a substance derived from sea slugs called ADAM. ADAM is used to create "plasmids" that enable superpowers such as the ability to create lightning or pyrokinesis. Class conflict and civil war was exacerbated by the harmful side effects of ADAM abuse. Modified and conditioned children called "Little Sisters" collect scarce ADAM from corpses and recycle it, and armored "Big Daddies" protect the Little Sisters. Rapture descended into civil war, and the city became a crumbling dystopia populated by Splicers, the spliced remains of the citizenry. After Ryan is killed by his illegitimate son Jack (the player character in the first game), the dissident collectivist Sofia Lamb and her followers, known as "the Family", assume control of the city.
BioShock 2 begins on New Year's Eve 1958. Subject Delta, a Big Daddy, patrols Rapture with Eleanor, his Little Sister. Eleanor's mother, Sofia Lamb, separates the pair and forces Delta to kill himself. Delta awakens in 1968, resurrected by Little Sisters under the control of Eleanor. The scientist Brigid Tenenbaum informs Delta that he will die unless he finds Eleanor due to their pair bond. With the help of Eleanor and the entrepreneur Augustus Sinclair, Delta makes his way to Eleanor in Sofia Lamb's stronghold. Traveling through the city, Delta encounters members of Lamb's Rapture Family, and can choose whether to kill or spare them. Delta learns Lamb plans to use ADAM to transfer the minds and memories of everyone in Rapture into Eleanor to create a selfless leader. Lamb sends Splicers and armored Big Sisters to stop Delta, to no effect.
Delta arrives at the containment chamber where Eleanor is held, but Lamb captures him and severs his bond to Eleanor by temporarily stopping Eleanor's heart. Though Eleanor survives, Delta begins to slowly die as the bond cannot be re-established. Eleanor transforms herself into a Big Sister to spring Delta from confinement. Together they head for an escape pod that Sinclair has arranged to leave Rapture. The two find that Lamb has converted Sinclair into another Big Daddy, and is forced to kill him. Eleanor and Delta make it to the escape pod, but Delta is mortally wounded by a bomb.
The game's ending depends on how the player interacted with the Little Sisters they encountered, and the fates of the members of the Rapture Family. In total there are eight different endings that the player can see. Eleanor can save her mother or leave her to drown, depending on whether the player spared or killed the non-player characters. If Delta rescued all of the Little Sisters and spares all of the Rapture family when given the choice, he will die in Eleanor's arms, the weather will be sunny and clear, and she will absorb his personality and memories and leave Rapture with the Little Sisters to change the world for the better. If Delta harvested all of the Little Sisters and kills all of the Rapture family when given the choice, then the weather is stormy, and Eleanor will extract Delta's ADAM and become bent on world domination. A mix between rescuing and harvesting the Little Sisters gives the player a choice; Eleanor can absorb his ADAM, or Delta can stop her and die, in which case Eleanor will mourn his death and choose to make her own way in life.
BioShock 2 is a first-person shooter, with the player taking on the role of Subject Delta eight years after the events of the first BioShock game. As in BioShock, the player explores Rapture and fights off Splicers using a combination of weapons, the environment, and plasmids. Plasmids function akin to magic and must be recharged with "EVE" to be used. The player can also equip "tonics", passive bonuses that range from increased speed to reduced EVE usage. Several of the weapons in BioShock 2 were previously seen carried by Big Daddies in the first game, including a powerful drill and a rivet gun. The player can use each weapon in a close-range melee attack, unlike in the first game, and is able to equip a weapon and a plasmid at the same time, which they can use in quick succession to destroy enemies. For example, the player might freeze a foe using a plasmid then shatter it using a spear gun. If the player is killed, they are revived via "vita-chambers."
As the player explores Rapture, he will collect ammo, health, recovery items, money and EVE (a liquid used to power plasmid use). Money can be used to purchase more items at vending machines scattered around the city. Upgraded versions of plasmids bestow additional abilities for more tactical plasmid usage; for example, an upgraded Electro Bolt plasmid chains damaging electricity between enemies instead of affecting a single target. The player will also encounter security systems which can be hacked through a mini-game; this requires the player to stop a quick-moving needle one or more times in the correctly colored areas of a gauge. Stopping it within a green area progresses the sequence or potentially ends it; stopping in a blue area may grant a bonus to the hacking result, landing in a white area shocks the player (dealing a small amount of damage); and landing in a red area causes a security alert. The player also gains access to a research video camera. In BioShock 2, once the player begins recording an enemy, the player has a short time to damage that enemy in creative ways in order to score a number of points, which are then added towards the total research points of that enemy type.
As a Big Daddy, the player can defeat other Big Daddies and either adopt their Little Sisters, having them gather ADAM for the player, or harvest them for their ADAM outright. If the player adopts the Little Sister, they escort their charge to corpses littered around Rapture and protect them while they harvest more ADAM. Once the Little Sister has collected enough ADAM, the player can choose to harvest or save her. Harvesting or saving Little Sisters will provoke attacks from armored Big Sisters. ADAM can be used to upgrade the player's plasmids and tonics.
BioShock 2 features a story-driven multiplayer mode called Fall of Rapture, in which the player takes on the role of one of Rapture's citizens during the civil war in 1959–1960. The citizen is engaged by the plasmid manufacturer Sinclair Solutions to test out their weapons and plasmids as part of a rewards program. Players choose one of several playable characters as an avatar. Many of the weapons and plasmids from BioShock return, as well as new ones like a chain gun and the Aero Dash plasmid. Players can create loadouts of weapons and plasmids and customize their character from their apartment, which serves as an optional visual representation of the game's menus.
Multiplayer features seven different game modes. These include the deathmatch modes "Survival of the Fittest" and "Civil War"; "Capture the Sister", a capture the flag mode where the objective to capture or defend is a Little Sister; and "Turf War", where teams compete to control specific areas of a map. Maps are based on locations from the first game. As the player progresses through the multiplayer experience, new weapons, tonics, and plasmids are unlocked, in addition to story-related audio diaries available in the player's apartment.
2K Boston and Irrational Games produced BioShock to critical and commercial acclaim. Several ex-BioShock developers moved to 2K Marin, a new San Francisco Bay Area studio parent company Take-Two Interactive formed in late 2007. 2K Marin started on BioShock 2 with a core team of eight in November 2007, adding 78 additional personnel at peak development. The title was developed in five countries across five time zones.
Jordan Thomas, BioShock 2's creative director, said that the first concern with a sequel to BioShock was "where do you go with this? How do you bring people back to an experience and terrify them and shock them in a way that they're not expecting, but also fulfill the many expectations they're projecting onto it?" Early on, Thomas decided that it could not be a BioShock game without the city of Rapture, and that there were many unseen locations and untold stories that could be explored within the setting. The developers wanted to bring some of the mystery back to the location of Rapture, and maintain a balance of surprising old players while introducing the setting to newcomers. Thomas and environmental artist Hogarth De La Plante agreed that the setting of Rapture was fertile ground for new ideas, and that as they were both veterans of the original game, they were excited to add never-before-seen parts of the city and push the artistic style they had developed. "Any idea was out on the table at that point, and I think nobody has played BioShock more than the developers that made it, so I feel like in one respect we are a pretty good litmus test for whether it's still an interesting place or not," La Plante recalled. "And if that doesn't bore us and we're the people that played it for thousands upon thousands of hours, then I think we have a pretty good perspective on how interesting that location really is."
Each game level was devised by a team comprised on an environmental artist and level designer working collaboratively, as opposed to a workflow where the level was designed and then handed over to art teams to be detailed. Level designer Steve Gaynor recalled that by involving the level designer, they could make sure that gameplay spaces still felt like functional, real spaces, making sure that the Rapture of BioShock 2 still felt like a living, breathing world.
Among the goals of BioShock 2's developers was to capitalize or improve aspects of the first game that were received less positively. One such element was the Pipe Mania-inspired hacking minigame. Thomas said that even players who enjoyed the minigames became "numb" to it after repetition; the replacement of the minigame, with hacking that did not allow to pause the game, added more urgency to the gameplay. Another aspect was the choice to harvest or save Little Sisters; by allowing players to adopt the Little Sisters before deciding their fate, Thomas hoped it would help players form a bond with the characters and think about their choice. Among the other goals the developers had for the sequel was adding more unspliced characters and give players a greater chance to make decisions that impacted the course of the game. "You make decisions about their fate as well, all of which play into the way the story ends," Thomas said. "There's definitely more granularity and dynamism in the narrative of BioShock 2." The game uses Unreal Engine 2.5.
The story received major changes over the course of development, with two of the most important relating to the player's character and the Big Sister. Initially there was only going to be one Big Sister who would continually hunt the player down throughout the course of the game and then retreat once she was defeated. This Big Sister was written as a Little Sister who, as she grew up on the surface, could not leave the memory of Rapture behind and eventually returned. The reason for the change, as explained by Zak McClendon, lead designer for 2K Marin, is "If you have a single character that the player knows they can't kill because they're so important to the story you're completely removing the triumph of overcoming that encounter with them." Jordan Thomas, the game's director, explains however, "The soul of the original Big Sister character still exists, but in the form of somebody you get to know over the course of the game." The other major change was that the player's character, Subject Delta, is no longer the first Big Daddy, but rather the fourth prototype. He is, however, the first to be successfully 'pair-bonded' to a single Little Sister.
Initially, media reports suggested that the subtitle, Sea Of Dreams, would accompany the second entry in the series. This subtitle was supposedly dropped, before 2K withdrew the statement, stating that the "Sea Of Dreams" subtitle would still be part of the full title. A later statement from 2K spokesman Charlie Sinhaseni clarified that the Sea Of Dreams title was for the trailer, and not for the game itself. The first appearance for BioShock 2 came in the form of a teaser trailer that was available in the PlayStation 3 version of the first game. The first major details on the gameplay and plot of the game were revealed in the April 2009 issue of Game Informer magazine, around the same time that the "viral" site "There's Something in the Sea" was revealed. This site documents a man named Mark Meltzer's investigation into the disappearances of girls from coastline areas around the Atlantic, along with a mysterious red light that accompanies each kidnapping. On April 9, 2009, on the Spike TV show GameTrailers TV with Geoff Keighley the first BioShock 2 gameplay video was shown featuring the Big Sister. This demo showed many features including the ability to walk under water.
Assisting 2K Marin were artists from 2K Australia, 2K China, Digital Extremes, and Arkane Studios. Character modeler Brendan George recalled that the modelers would have to think about how the concept art would be animated, not directly copying from the concept art to avoid animation issues and the uncanny valley.:8 Character concept artist Colin Fix recalled that while the teams researched the time period for era-appropriate influences, costumes would need regular adjustment. "[The artists] had an earlier version of Stanley with a swanky Hawaiian shirt that was in the time period, but felt out of place in Rapture. It felt really modern even though it wasn't.":9
Fix described the splicers as originally perfect J. C. Leyendecker and Norman Rockwell figures, but "totally distorted.":14 Starting with the recognizably human silhouettes of the splicers established in BioShock, the artists decided to push into more varied forms. Early concepts had parasite-covered splicers or air sacs, along with translucent, bioluminescent skin, but finding that these "human blobs" did not instill a sense of sadness in the player, the artists moved back to more conventional forms.:17–29
To create the multiplayer characters of pre-fall Rapture, Digital Extremes developed more than 26 character concepts, which were then narrowed down to a few archetypes that would represent a cross-section of the Rapture population.:38–43
The Big Sister was, according to animation supervisor Jeff Weir, the first thing Jordan Thomas talked about to the animators when they arrived at 2K Marin. The character challenged the team to convey her backstory and personality through the design. Fix started with descriptive words on a page, moving to thumbnails and silhouette concepts. Early inspiration for the character's design included racing dogs, and the idea of a character that carries itself in a restrained way until it explodes in action. "[We thought] of her as graceful and yet awkward at the same time, and that's really the hard challenge that we had with her. Actually in terms of design, there were lots of fun things, like at one point she had a sort of 'Fallen Angel' feel to her, like broken wings," Weir recalled. Motion capture sessions were used for inspiration for the alternatingly awkward and fluid motion of the character, though none of it was used in the final product. In developing her visual design, the team tried to balance the design influence of the Big Daddies with a unique look. Soft design elements influenced by the story, like Little Sisters that would ride around in the Big Sister's cage and draw on her armor, were added to complement the harsh metal of the rest of the character.
Michael Kamper served as BioShock 2's audio lead; he joined 2K Marin to work on BioShock 2 after the closure of Electronic Arts Chicago. Only a single sound designer had worked on the previous BioShock's lauded sound, which Kamper called "intimidating"; "we were all basically coming into the project as fans of the first game." While Kamper collaborated with the leads for other facets of the game, he was given wide latitude to develop the sonic style of the game. Kamper, in turn, gave his team freedom to use whatever software they wanted to create and manipulate sounds, not wanting to limit their creativity.
The setting of BioShock 2 ten years after the first game established the sonic atmopshere. "I really wanted the ambience to sell the fact that Rapture was constantly falling apart around the player", Kamper recalled. In addition to lots of creaking and groaning sounds to accentuate the setting's disrepair, Kamper and the audio team added non-diegetic sounds that grow in frequency the closer the player gets to the end of the game to convey the mounting insanity of the Splicers. The Big Sister's sound effects were created by layering sounds from birds, hyenas, and Kamper's wife doing impressions of a dolphin. The audio team spent a great deal of time on immersing the player in their role of a Big Daddy through the audio—everything from the sound of the footsteps to the sounds for impacts and water drips on the player's armor was used to sell the player on who their character was. Audio programmer Guy Somberg created a background sound system that allowed the team to layer stereo sounds together depending on the player's location, combined with mono sound effects for certain areas. "This allowed us to quickly iterate on our ambiences and implement them into the levels with ease, and helped create the randomness I was looking for in the background effects", Kamper recalled. Multiplayer sounds were handled by Digital Extremes, who along with Kamper's team had to make sure their sounds cohered not only with each other's work, but with the sounds of the first game.
Garry Schyman reprised his role as BioShock's composer to create the score for BioShock 2. He wrote that "scoring a sequel to a major hit game is always a challenge," and the praise his BioShock score received made things even more difficult. He decided to retain some elements and motifs from the first game—use of the solo violin, and compositional techniques common in the mid-20th century setting—while creating something different. "BioShock 2 was easier in the sense that the style had been established and I didn't have to reinvent the wheel", Schyman noted. "So it was just delightful work creating that score. Which in some respects surpasses my original in my opinion." Among the elements the developers tried to improve on from the first game was adding more pieces of music for the combat sequences in each level.
Once the game's tone and style was established, Schyman worked off specific requests from the audio director for individual pieces of music. Kamper recalled that "[Schyman] really, really did a wonderful job" with molding the music to fit Thomas' and his intended mood and tones. The results, such as the music for the Pauper's Drop level, were different from anything else in the first game. To test how the music fit for each level, Kamper would send Schyman video footage of the game, which would then be appraised with the new score to see how well it meshed. Kamper split some of Schyman's tracks to use as leitmotivs; the opening track of Eleanor and Delta together was divided in later renditions, using the deeper cello for Delta and the violin for Eleanor. The score was recorded with a 60-piece ensemble of the Hollywood Studio Symphony at Capitol Studios.
In addition to the original music, BioShock 2 makes extensive use of licensed music from the time period. "Similar to the first game, we tried really hard to instill a sense of thematic cogency with our picks that the message that is coming through the licensed tracks," Thomas said, adding that blues and religious music were important to the sequel's themes, and that while the first game had used more commercial pop music, they wanted a broader range. Music from BioShock was used in the multiplayer portion of BioShock 2 to help connect it back to the time period of the first game.
In contrast to the first BioShock's focus on libertarianism and Ayn Rand's philosophies, BioShock 2 focuses on collectivist ideals.
Lamb's philosophy of altruism is based on that of Karl Marx and John Stuart Mill. "Her motto is 'Make the world your family' meaning force your mind into becoming loyal to the world in a way usually reserved for your child, and that's intellectually daunting," said Thomas. In comparison to the first game's questions of free will and destiny, Thomas said that the player character is "almost the ultimate individual" whom Lamb goads to fulfill her goals.
Professor Ryan Lizardi draws parallels between BioShock 2's themes of community versus the individual and the issues of McCarthyism and the hippie movement that occurred around the time period of the game's setting. "As this sequel is an extension of the first game's storylines and characters, there are direct contrasts between the extreme politics of Andrew Ryan's objectivism and the extreme religion/politics of Lamb's collectivism", he writes. "Bioshock 2 specifically asks players to question all sides of debates when extreme stances are taken, and asks players to weigh their decisions in an alternate and complex history. "
BioShock 2 was released on Microsoft Windows, PlayStation 3 and Xbox 360 platforms on February 9, 2010. A Special Edition of the game, which was limited to a single production run, contains the game along with three posters featuring fictional advertisements from Rapture that reveal hidden messages under a black light, the orchestral score from the game on CD, the orchestral score from the original BioShock on a vinyl 180g LP, and a hardbound, 164-page art book. It is packaged in a 13 by 13 in (33 by 33 cm) case with special art on both the slipcase and the box cover.
A smaller limited edition, titled BioShock 2 Rapture Edition, was officially announced on December 2, 2009. Its contents are the game and a smaller, 96-page art book, packaged together in a special slipcover. As with the Special Edition, the Rapture Edition was limited to a single production run. The BioShock 2 Rapture Edition is available in Europe, New Zealand and Australia, in addition to the BioShock 2 Special Edition.
A remastered version of BioShock 2 (along with Minerva's Den) was released as part of BioShock: The Collection for Microsoft Windows, PlayStation 4, and Xbox One in September 2016, as well as a standalone update for existing Windows owners. The standalone version of the remastered version as well as The Collection was released on the Nintendo Switch on May 29, 2020.
In its first week of release, BioShock 2 was the best-selling Xbox 360 game in the UK and North America. In the U.S., NPD recorded it as the top selling game of February with 562,900 units sold on the Xbox 360, and 190,500 on the PS3. Gamasutra state a possible reason for the Xbox 360's greater sales was the original BioShock's 14-month exclusivity on the platform. It also managed to hold both the first and second positions on the Steam release charts. In its first month of release, BioShock 2 was number 1 in sales for the Xbox 360 and number 12 for the PlayStation 3.
By March 2010, BioShock 2 sold 3 million copies across all platforms, close to the original BioShock's 4 million lifetime sales at the time. In an earnings call, Take-Two Interactive's chief financial officer noted that the game had "lower than expected" sales, adding "sales slowed down sooner than we expected." Prior to the game's release, Take-Two chairman Strauss Zelnick said he expected the game to sell 5 million copies across all platforms.
BioShock 2 was supported post-launch with patches and technical fixes, as well as new downloadable content (DLC) for its single player and multiplayer modes. The first DLC, the Sinclair Solutions Test Pack, was released March 11, 2010. It added new player characters, cosmetics, and a multiplayer level increase. This was followed on May 11 by the Rapture Metro Pack, which added six new maps and new achievements. Also released alongside the Rapture Metro Pack were additional characters and a new game mode. The Protector Trials Pack added a single-player challenge mode that has the player defend Little Sisters against swarms of enemies in a variety of challenge rooms. The content contains six maps based on locations from the main game, alongside three difficulty levels, seven Achievements/Trophies, and new concept art and videos to unlock. This downloadable content was released on consoles in August 2010 and on the PC in March 2011.
The final BioShock 2 DLC was Minerva's Den, released on August 31, 2010. It is a single-player campaign with a plot completely separate from that of the main campaign. The player assumes the role of Subject Sigma, another Alpha Series Big Daddy, as he travels through Minerva's Den, home to Rapture's Central Computing. The campaign adds three new levels and provides deeper insight into Rapture's inner workings. The add-on also features new weapons, a new plasmid, and new enemy types. The DLC was released on PC on May 31, 2011.
With the closure of the Games for Windows – Live Marketplace, the PC version of BioShock 2 was patched in October 2013 to remove Games for Windows Live in favor of Steamworks support for matchmaking. In addition, Minerva's Den was released for free for players who owned BioShock 2 before the patch.
GamesRadar's Charlie Barratt awarded the game with a perfect score stating that "The weapons are better. The plasmids are better. The enemies are better. At some points, even the storytelling is better. What's most amazing and surprising about BioShock 2, however, is that by diving deeper into Rapture's tortured history and exploring more of Rapture's haunted world, it actually manages to make the original BioShock better, too."
Game Informer's Andrew Reiner scored the game an 8.25. He criticised the game for being too similar to its predecessor, saying that "For roughly 10 hours, BioShock 2 follows directly in its forefather's footsteps, too fearful to inject anything new into this twisted world." However, he praised the game's ending, stating that "Eventually this disappointing adventure does turn a corner. It takes 10 hours to get there, but the final two acts (lasting approximatetely three hours) are brilliant." He concluded with "BioShock 2 eventually becomes the sequel I hoped for, but spends too much time getting there." In 2013, Liz Lanier of Game Informer included Dr. Sofia Lamb among top ten female villains in video games, stating that "an extremist obsessed with the "greater good," Lamb will sacrifice anything and anyone for her own agenda; whether that means brainwashing or murdering to create her utopia, she's down."
IGN scored the game a 9.1/10 and said that "anyone looking for a first-person shooter that offers more than flat, stereotypical characters and copy-and-paste supersoldier plots, one that attempts to establish a sense of right and wrong and loops you into the decision making process, and one that's set in one of the most vividly realized settings around should pick up BioShock 2. It's a game in which story, setting, and gameplay are expertly blended to create an experience that's as thought-provoking as it is entertaining." IGN's review also stated that the game does not look as visually impressive as its predecessor, but it is still one of the best-looking games around because of its unique art style. In a round-table style video chat, IGN editors said that Rapture was less mysterious because players have seen it before, and that was a major strike against the game. Since the original had such an eerie mysterious feel to it, the twists and turns seen in the sequel seemed less surprising.
Tom Price of TeamXbox gave the game an overall score of 9.2/10 saying that "BioShock 2 remains one of the most original, exciting, subversive and intriguing shooters out there for you to play, and you shouldn't miss the experience of doing that."
Eurogamer's Tom Bramwell was more critical of BioShock 2. Though he scored the game a very positive 8/10 overall, he noted that "The single-player campaign... will and should be damned for its long, slow start, during which the game struggles to make its intentions clear, but once past that the developers find a new tempo that wrings just enough extra quality out of the existing framework to justify your patience, even if the game still feels flat in the context of more daring and elaborate sequels like Mass Effect 2 and last year's Assassin's Creed follow-up."
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