Black Rain (1989 American film)
Theatrical release poster
|Directed by||Ridley Scott|
|Music by||Hans Zimmer|
|Cinematography||Jan de Bont|
|Edited by||Tom Rolf|
|Distributed by||Paramount Pictures|
|Box office||$134.2 million|
Black Rain is a 1989 American action thriller film directed by Ridley Scott, starring Michael Douglas, Andy García, Ken Takakura, Kate Capshaw and Yusaku Matsuda. The story centers on two New York City police officers who arrest a member of the Yakuza and must escort him back to Japan. Once there, he escapes, and the two police officers find themselves dragged deeper and deeper into the Japanese underworld.
Nick Conklin is a New York City police officer facing possible criminal charges; Internal Affairs believes Nick was involved with his partner who was caught taking criminal money in a corruption scandal. Nick is divorced from his wife, who has custody of their two children. Nick also has financial difficulties.
At a restaurant, Nick and his partner Charlie Vincent observe two Japanese men meet with Mafia gangsters. Nick's suspicions are validated when another Japanese man enters the restaurant, seizes a small package at gunpoint, stabs several people, and leaves. Nick and Charlie chase and arrest the suspect after he nearly kills Nick. The suspect, a Yakuza gangster named Sato, is to be extradited to Osaka and given to the police there. Though angered Sato will not be prosecuted in the US, Nick agrees to escort him. Nick’s captain believes it will keep Nick from causing more trouble and exacerbating the already biased Internal Affairs investigation.
When they arrive in Osaka, they surrender Sato to the Japanese police, only to be told that they were duped by imposters. Nick convinces the Osaka police to allow them to observe the investigation, though their weapons are confiscated. They are assigned to Masahiro Matsumoto. Nick behaves rudely and offends Matsumoto, while Charlie attempts to be more polite. Nick also makes contact with an American nightclub hostess, Joyce, who explains that Nick and Charlie represent American inefficiency and stupidity to the Japanese. Through her, Nick discovers Sato is fighting a gang war with a notorious crime boss, Sugai, and traveled to New York to disrupt Sugai's counterfeiting scheme.
Nick joins a police raid without permission and takes $100 bills. The next day, Matsumoto explains they have dishonored themselves, him, and the police force by his theft, which has been reported in America; Nick calls him a snitch and demonstrates the money is counterfeit by burning one of the bills. At night, Nick and Charlie walk back to their hotel drunk and unescorted, despite warnings about their safety. In an apparent prank, a young motorcyclist steals Charlie's coat and leads him to an underground parking garage. Nick watches in horror as Sato and several others briefly torture and kill him. Joyce comforts the distraught Nick at her apartment, and Mastumoto hands hands him Charlie's service pistol.
As Matsumoto and Nick trail one of Sato's operatives, Nick admits he stole money in New York. The operative retrieves a sample counterfeit note, which she passes to a gangster. Nick and Matsumoto tail him to a steel foundry, where they find Sato is meeting Sugai, and the package from New York is a printing plate for American $100 bills. Nick confronts Sato, who escapes when swarming police arrest Nick for waving a gun in public. Though deported, Nick sneaks off the plane to pursue Sato on his own, as Matsumoto has been suspended and demoted. Joyce helps him meet Sugai, who explains that making counterfeit US currency is his revenge for the "black rain", or nuclear fallout, after the bombing of Hiroshima in World War II. Nick suggests a deal where Sugai can use Nick to retrieve the stolen plate from Sato, leaving Sugai's reputation and hands clean.
Sugai drops Nick at a remote farm with a shotgun. Matsumoto arrives, and they deduce Sato plans a massacre. During a meeting with Sugai, Sato cut off one of his fingers in atonement, stabs Sugai, and escapes with the plates, prompting a gunfight between Sugai's and Sato's men. Sato escapes the fight on a dirt bike, Nick pursues, and the two fight briefly. Nick gains the advantage and decides whether or not to kill Sato for Charlie and all the humiliation he has suffered. Matsumoto and Nick walk a handcuffed Sato into police headquarters to the amazement of everyone and later receive commendations, which Nick accepts gratefully. Before boarding his flight home, Nick thanks Matsumoto for his assistance and friendship, and gives him a dress shirt in a gift box. Underneath it, Matsumoto finds the counterfeit printing plates.
- Michael Douglas as Nick Conklin 
- Andy García as Charlie Vincent
- Ken Takakura as Masahiro Matsumoto
- Kate Capshaw as Joyce
- Yusaku Matsuda as Koji Sato
- Shigeru Kōyama as Ohashi
- John Spencer as Oliver
- Guts Ishimatsu as Katayama
- Yuya Uchida as Nashida
- Tomisaburo Wakayama as Sugai
- Miyuki Ono as Miyuki
- Luis Guzmán as Frankie (as Luis Guzman)
- John Costelloe as The Kid (as John A. Costelloe)
- Stephen Root as Berg
- Richard Riehle as Crown
- Rikiya Yasuoka as Sugai's man
- Professor Toru Tanaka as Sugai's man
- David Tao as Japanese Police
Chinese iconic actor Jackie Chan was first approached to choreograph action scenes and play a small part as a bad guy but decided the role did not match his values or image. Japanese musician Ryuichi Sakamoto contributed the song "Laserman" to the film's soundtrack.
The film began shooting in November 1988 and ended in March 1989. Japanese actor Yusaku Matsuda, who played Sato, died of bladder cancer shortly after the film's completion. Director Ridley Scott dedicated the film to his memory.
The high cost and red tape involved in filming in Japan prompted director Scott to declare that he would never film in that country again. Scott was eventually forced to leave the country and complete the final climactic scene (which included American character actor Al Leong) in Napa Valley, California.
This film marks the first collaboration between Hans Zimmer and Ridley Scott. He would go on to score several more films for Scott, including Gladiator, Thelma and Louise, Hannibal, Black Hawk Down and Matchstick Men.
|This section does not cite any references or sources. (June 2015)|
Large parts of Black Rain were filmed in Osaka, although some of the locations have changed somewhat since the late 1980s when production took place. The original intention of Ridley Scott was to film in the Kabukicho nightlife district of Shinjuku, Tokyo. However, the Osaka authorities were more receptive towards film permits so the similarly futuristic neon-infused Dotonbori in Namba was chosen as the principal filming location in Japan.
An aerial shot of Osaka bay at sunset with the estuaries of the Yodogawa, Kanzakigawa and Ajigawa rivers frames the opening sequence of the arrival into Japan.
The main filming location in Osaka is by the Ebisubashi bridge. The futurist Kirin Plaza building (architect Shin Takamatsu, built 1987), the Ebisubashi and the famous neon wall overlooking the Dotonbori canal creates the Bladerunner-esque mise-en-scène.
Umeda, Osaka's northern centre, is represented by the first floor shopping mall concourse of Hankyu Umeda station Terminal Building. Resembling a futuristic neo-gothic nave from a cathedral, this is where Charlie Vincent's (Andy Garcia) jacket is stolen by a bosozoku biker. This concourse was redeveloped in the late 2000s. Escalators entering down into the JR Umeda station are used as the next part of the chase scheme.
The now removed Shinsaibashi bridge (dismantled in 1995), Osaka Municipal Central Wholesale Market, Nippon Steel Works in Sakai City (south Osaka), Kyobashi, the elevated Hanshin Expressway, Osaka Castle and Nanko Port Town also feature briefly.
In New York City, the 1964 World Expo's Unisphere opens the film, followed by Nick Conklin (Michael Douglas) riding over the Queensborough Bridge. The illegal bike race between Nick and an anonymous challenger took place from underneath the west underside of the Brooklyn Bridge north to the Manhattan Bridge.
In its opening weekend, Black Rain grossed $9.6 million in 1,610 theaters in the United States and Canada, ranking #1 at the box office. It stayed at the #1 spot for two more weeks. The film grossed a total of $46.2 million in the United States and Canada and $88 million in other territories, for a worldwide gross of $134.2 million.
The film was met with a mostly mixed critical reception. It currently holds a 52% rating on Rotten Tomatoes based on 21 reviews. Black Rain was nominated for the Academy Awards for Best Sound (Donald O. Mitchell, Kevin O'Connell, Greg P. Russell and Keith A. Wester) and Best Sound Effects Editing. (Milton Burrow and William Manger) 
- "Black Rain". The Numbers. Retrieved 2015-06-09.
- Douglas and Dad Kirk Dine Out
- Thomas, Kevin (1989-10-13). "Takakura: 'Black Rain' Star Finds His Place in the Sun : Movies: The veteran of nearly 200 Japanese films is likely to gain greater international fame from this one, atypical performance.". The Los Angeles Times. Retrieved 2010-11-10.
- Logan, Bey. "Hong Kong Superstar Jackie Chan Owes As Much To Charlie Chaplin As He Does To Bruce Lee", Black Belt, January 1994, p.35.
- "Black Rain (Original Motion Picture Soundtrack)". Discogs. Retrieved 2011-05-31.
- "Yusaku Matsuda, 39, Japanese Movie Actor". The New York Times. 9 November 1989.
- According to the commentary on the Criterion DVD of Mishima: A Life in Four Chapters
- Cerone, Daniel (1989-09-26). "Black Rain, `Sea of Love' Tops at Box Office WEEKEND BOX OFFICE". The Los Angeles Times. Retrieved 2010-11-10.
- "Black Rain (1989) - Weekend Box Office Results". Box Office Mojo. Retrieved 2007-11-21.
- "Black Rain (1989)". Box Office Mojo. Retrieved 2007-11-21.
- Wilmington, Michael (1989-09-22). "MOVIE REVIEW : 'Black Rain' a Blast of Fiery Razzle-Dazzle". The Los Angeles Times. Retrieved 2010-11-10.
- "Black Rain". Chicago Sun Times. Retrieved 2011-02-05.
- "Black Rain (1989)". Rotten Tomatoes.
- "The 62nd Academy Awards (1990) Nominees and Winners". oscars.org. Retrieved 2011-10-17.
- An academic comparative study of Black Rain (American film) and Black Rain (Japanese film), entitled "Nuclear Bomb Films in Japan and America: Two Black Rain Films" by Yoko Ima-Izumi included in Essays on British and American Literature and Culture: From Perspectives of Transpacific American Studies edited by Tatsushi Narita (Nagoya: Kougaku Shuppan, 1907)