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Black feminism is a school of thought which argues that sexism, class oppression, gender identity and racism are inextricably bound together. The way these concepts relate to each other is called intersectionality. The term intersectionality theory was first coined by legal scholar Kimberlé Crenshaw in 1989. In her work, Crenshaw discussed Black feminism, which argues that the experience of being a black woman cannot be understood in terms of being black or of being a woman. Instead, each concept should be considered independently while including the interactions that frequently reinforce each other. Feminism at its core is a radical political movement to end sexist oppression. The Combahee River Collective argued in 1974 that the liberation of black women entails freedom for all people, since it would require the end of racism, sexism, and class oppression.
Black feminism became popular in the 1960s, in response to the sexism of the Civil Rights Movement and racism of the feminist movement. From the 1970s to 1980s, black feminists formed various groups which addressed the role of black women in black nationalism, gay liberation, and second-wave feminism. In the 1990s, the Anita Hill controversy placed black feminism in a mainstream light. Black feminist theories reached a wider audience in the 2010s, as a result of social media advocacy.
Proponents of black feminism argue that black women are positioned within structures of power in fundamentally different ways from white women. The distinction of black feminism has birthed the derisive tag "white feminist", used to criticize feminists who do not acknowledge issues of intersectionality. Critics of black feminism argue that racial divisions weaken the strength of the overall feminist movement.
Among the theories that evolved out of the black feminist movement are Alice Walker's womanism, and historical revisionism with an increased focus on black women. Angela Davis, bell hooks, Kimberlé Williams Crenshaw, and Patricia Hill Collins have emerged as leading academics on black feminism, whereas black celebrities, notably Beyoncé, have encouraged mainstream discussion of black feminism.
- 1 History
- 2 Black feminist identity politics and safe spaces
- 3 Black feminist organizations
- 4 Black feminist literature
- 5 Other notable black feminists
- 6 See also
- 7 References
- 8 Further reading
Later 20th century
In the second half of the 20th century, black feminism as a political and social movement grew out of black women's feelings of discontent with both the civil rights movement and the feminist movement of the 1960s and 1970s.
One of the foundation texts of black feminism is An Argument for Black Women's Liberation as a Revolutionary Force, authored by Mary Ann Weathers and published in 1969 in Cell 16's radical feminist magazine No More Fun and Games: A Journal of Female Liberation. Weathers states her belief that "Women's Liberation should be considered as a strategy for an eventual tie-up with the entire revolutionary movement consisting of women, men, and children", but she posits that "[w]e women must start this thing rolling" because
All women suffer oppression, even white women, particularly poor white women, and especially Indian, Mexican, Puerto Rican, Oriental and Black American women whose oppression is tripled by any of the above-mentioned. But we do have females' oppression in common. This means that we can begin to talk to other women with this common factor and start building links with them and thereby build and transform the revolutionary force we are now beginning to amass.
The following year, in 1970, the Third World Women's Alliance published the Black Women’s Manifesto, which argued for a specificity of oppression against Black women. Co-signed by Gayle Lynch, Eleanor Holmes Norton, Maxine Williams, Frances M Beale and Linda La Rue, the manifesto, opposing both racism and capitalism, stated that:
The black woman is demanding a new set of female definitions and a recognition of herself of a citizen, companion and confidant, not a matriarchal villain or a step stool baby-maker. Role integration advocates the complementary recognition of man and woman, not the competitive recognition of same.
Black women and the Civil Rights Movement
Not only did the civil rights movement primarily focus on the oppression of black men, but many black women faced severe sexism within civil rights groups such as the Student Nonviolent Coordinating Committee. A group of women in the SNCC (who were later identified as white allies Mary King and Casey Hayden) openly challenged the way women were treated when they issued the "SNCC Position Paper (Women in the Movement)". The paper listed 11 events in which women were treated as subordinate to men. According to the paper, women in SNCC did not have a chance to become the face of the organization, the top leaders, because they were assigned to clerical and housekeeping duties, whereas men were involved in decision-making.
When Stokely Carmichael was elected Chair of SNCC, he reoriented the path of the organization towards Black Power. Thus, white women lost their influence and power in SNCC; Mary King and Casey Hayden left, to become active in pursuing equality for women. While it is often argued that black women in the SNCC were significantly subjugated during the Carmichael era, Carmichael appointed several women to posts as project directors during his tenure as chairman. By the latter half of the 1960s, more women were in charge of SNCC projects than during the first half. Despite these improvements, the SNCC's leadership positions were occupied by men during the entirety of its existence.
The second-wave feminist movement emerged in the 1960s, led by Betty Friedan. Black women were alienated by the main planks of the second-wave feminist movement. For example, earning the power to work outside of the home was not an accomplishment for black women. Many black women had to work both inside and outside the home for generations due to poverty. White feminists at the time advocated for the liberation of birth control, but there was little thought given in regard to black women's needs for access to contraception. Angela Davis, for instance, showed that while Afro-American women and white women were subjected to multiple unwilled pregnancies and had to clandestinely abort, Afro-American women were also suffering from compulsory sterilization programs.
Other black feminists who were active in the early second-wave feminism include civil rights lawyer and author Florynce Kennedy, who co-authored one of the first books on abortion, 1971's Abortion Rap; Cellestine Ware, of New York's Stanton-Anthony Brigade; and Patricia Robinson. These women "tried to show the connections between racism and male dominance" in society.
Neither movement confronted the issues that concerned black women specifically. Because of their intersectional position, black women were being systematically ignored by both movements: "All the Women are White, All the Blacks are Men but Some of Us are Brave", as was titled a 1982 book edited by Akasha Gloria Hull, Patricia Bell-Scott and Barbara Smith.
The short-lived National Black Feminist Organization was founded in 1973 in New York by Margaret Sloan-Hunter and others. Two years later, Barbara Smith, Beverly Smith, Cheryl L. Clarke, Akasha Gloria Hull, and other female activists tied to the civil rights movement, Black Nationalism or the Black Panther Party established, as an offshoot of the National Black Feminist Organization, the Combahee River Collective, a radical lesbian feminist group. Their founding text referred to important female figures of the abolitionist movement, such as Sojourner Truth, Harriet Tubman, Frances E. W. Harper, Ida B. Welles Barnett and Mary Church Terrell, president of the National Association of Colored Women founded in 1896. The Combahee River Collective opposed the practice of lesbian separatism, considering that, in practice, Separatists focused exclusively on sexist oppression and not on others oppression (race, class, etc.)
This group's primary goal was "the development of integrated analysis and practice based upon the fact that the major systems of oppression are interlocking." They rejected all essentialization or biologization, focusing on political and economical analysis of various forms of domination. The Combahee River Collective, in particular on the impulse of Barbara Smith, would engage itself in various publications on feminism, showing that the position of Black women was specific and adding a new perspective to women's studies, mainly written by white women.
The Black Lesbian Caucus was created as an offshoot of the Gay Liberation Front in 1971, later taking the name of the Salsa Soul Sisters, Third World Wimmin Inc. Collective, which was the first "out" organization for lesbians, womanists and women of color in New York City. The Salsa Soul Sisters published a literary quarterly called Azalea: A Magazine by Third World Lesbians in the late 1970s and early 1980s. The Sisters are now known as African Ancestral Lesbians United for Societal Change, and is the oldest black lesbian organization in the United States.
As stated above the black feminist movement grew out of the civil rights movements of the 1960s and 1970s, stemming from groups like SNCC (Student Nonviolent Coordinating Committee), the Black Panthers and other such groups. Organizations like the National Black Feminist Organization, found that many civil rights, and black power organizations were unwilling to take up causes that were central to the lived experiences of black women (forced sterilization, legal abortion, domestic violence, safe and well-paid job opportunities for black domestics, etc...). Anne Moody in her autobiography brings the idea of black feminism into focus, stating: "We were told in the same breath to be quiet both for the sake of being 'ladylike' and to make us less objectionable in the eyes of white people." Often, many women who later became black feminists, found that sexism was rampant throughout many of the more traditional civil rights organizations, as well as the black power organizations.
The place where racial equality and gender equality meet, called intersectionality, is an area often overlooked by many. Throughout the plight of African Americans, from post slavery oppression until modern inequality disputes, African American women have experienced this intersection of racial and gender inequality. The fight for equality on both fronts has immense historical background, and various intersections throughout this history. What many consider to be a culmination of the fight for racial equality was the Civil Rights Movement, from 1958 to 1972. While this was happening, the fight for gender equality was culminating as well, and certainly not taking a backseat to the civil rights movement. The peak of Second-wave feminism was occurring simultaneously alongside the civil rights movement. Throughout these events, black feminism was the intersection of the two, and the progress made was influential to both racial and gender equality. Despite its relation, black feminism originated and evolved along its own path, separate from mainstream feminism and early civil rights movements.
Much like many other demographics of feminism, black feminism has historical roots. However, unlike many other demographics of feminism these historical roots are both racial and gender discriminating. Beginning in the post slavery period, black female intellectuals such as Sojourner Truth and Frances Ellen Watkins Harper set in motion the principles that would become the basis for black feminism. Harper's (shown below) ideas, although not necessarily well known, were the beginning of black feminism.
Activists such as Harper proposed “some of the most important questions of race, gender, and the work of Reconstruction in the nineteenth century,” a very bold action for a black woman at the time (MacDaneld, 394). Intellectuals such as Harper accomplished things that were unheard of for black women, such as giving public lectures, fighting for suffrage, and aiding those in need of help following reconstruction. Suffrage was early evidence of schisms between white and black feminism. According to Harper, white women needed suffrage for education, however, “black women need the vote not as a form of education but as a form of protection” (McDaneld 406). The right to vote would not only bring these women closer to the power that men had, it would give black women an influence on the politics which oppressed them. Another difference was the higher importance of heritage for black women, and knowing the plight of their ancestors. These ideas were transported through mediums such as lectures, and literature, making it accessible for men and women, whites and blacks alike. Aspects of the work of early leaders such as Harper laid down the basis for black feminism, as these principles would continue to be retained by later iterations and evolutions of black feminism.
As feminism evolved as a whole, so did its demographics. Throughout the 20th century, black feminism evolved quite differently from mainstream feminism. It retained historical principles, while being influenced by new thinkers such as Alice Walker. Walker created a whole new subsect of black feminism, called Womanism, which emphasized the degree of the oppression black women faced when compared to white women. In addition, she retains the importance of heritage in black feminism, through her passionate medium of literature, exemplified in a 2011 interview. She compares these ideas in "Everyday Use" with a character changing her name because "[she] couldn’t bear it anymore, being named for the people who oppress [her]", and her mother who then traces her birth name back into their own family tree (Walker). The story was written in 1972, but takes place in the early 20th century, emphasizing this historical influence. In this short story, an emphasis is also put on the lack of education available for black women at that time, further elaborating the oppression and plight of black women throughout history. These differences were also brought upon because "black women tended to form independent feminist groups", separate from those of other races (Gerhard, 1564). As the civil rights movement began, black feminism and its goals became independent of other, more general feminist groups. This separation would define black feminism as its own movement, especially during the civil rights era.
The origin of the change that occurred in black feminism during the 1960s and '70s set the stage for progress during that era and the evolution of black feminism. Amidst all of the social progress of this time, “the ferment of reform and revolution had the potential to divide political allegiances of women” (Gerhard, 1563). All the reform movements occurring at the time had the ability to separate allegiances to previous groups, while drawing members to new ones. This created the perfect environment for black feminism to branch off of both mainstream feminism and the civil rights movement. In this environment, there are many sects of feminism, and it is accepted that “women of color came to feminism on their own terms,” despite the premonition that black feminism is a direct “result of racism in the white women’s movement.” (Gerhard, 1564). While racism within feminism certainly influenced black feminism, it did not define it, as the movement defined itself in many ways. This includes both reactions to related movements, along with original ideas and goals.
The civil rights era was a pivotal time for black feminism, and spurred the evolution and definition of it, as the two movements worked alongside each other. At the same time, the Second Wave feminist movement was in full force. This was the perfect time for black feminism to thrive. The intersectionality of gender and racial equality movements formed black feminism into its own movement and cause. As the black power movement arose Black Power, their principles of the importance of civil rights along with separation from whites had an effect on the black feminist movement, including separation from white feminists. Influence spread to the unofficial symbol of black feminism.
This combination of the raised fist of black power, and the astrological symbol for Venus, denotes an intersection of ideals of the two groups. Ideals were shared, such as a "critique on racial capitalism, starting with slavery". Despite this, black feminism had reasons to become independent of Black Nationalism. Weinbaum describes how black feminism has been cast "as a negotiation of the sexism and masculinism (and sometimes heterosexism) of Black Nationalism" (Weinbaum 439). The racial equality and reverence for their race was retained, while the sexism they carried was rejected. This action allowed black feminism to independently define itself, and more so than merely in relation to Black Nationalism and the Black Power movement.
On the other hand, black feminism separates itself from the second wave feminism that took place simultaneously with the civil rights era and Black Nationalism, in that it was a "response to the racism and classism of second wave feminism" (Weinbaum, 439). This is a main example of the intersectionality of black feminism that was defined during the civil rights era. They separated themselves from groups which oppressed them, while retaining certain ideals from both, which allowed black feminism to become its own movement. I was during this time in which they developed their own concentrations as well. For instance, "beginning in the 1970's, black feminists … shifted from a narrow focus on access to abortion to examination of an entire range of reproductive freedoms", (Weinbaum, 439). The fact that black feminism was not only synthesizing ideas and principles from other groups, but furthering them and having their own independent ideas, is indicative of the strides that this movement made during this era, for gender equality, racial equality, and the intersection that is black feminism.
The solidified definition of black feminism formulated during the civil rights era is a result of and a response to the intersectionality of racial and gender inequality. When defining intersectionality itself, Gerhard states that it is the analysis of the “production of identity through overlapping, mutually reinforcing oppressions of gender, race, ethnicity, class, and sometimes sexual oppression” (Gerhard, 1564). This identity is precisely what black feminism developed in full during this era, rather than being seen as a mere add-on to other, larger movements. Through their own intersection of these oppressions, black feminists have created their own goals and ideals, thus defining themselves as an independent movement. This is a result of black feminists refusing to categorize gender independently of these different forms of oppression that they faced. Because of this refusal, their own movement was made, and they made progress tailored to this specific movement. The combination of history, heritage, and intersectionality made black feminism its own movement that has made and continues to make progress on many fronts.
Black women's voices were continuously marginalized but groups were formed that stood up in the face of oppression. In the early 1990s. AWARE (African Woman's Action for Revolutionary Exchange) was formed in New York by Reena Walker and Laura Peoples after an inspiring plenary session on black women's issues held at the Malcolm X Conference at the Borough of Manhattan Community College (BMCC) entitled Black Women and Black Liberation: Fighting Oppression and Building Unity. The panel featured Vivial Morris – Freedom Road Organization, Fran Beale – Frontline Political Organization, Vernice Miller – Center for Constitutional Rights, Barbara Ransby – Ella Baker – Nelson Mandela Center, Maxine Alexander – editor Speaking for Ourselves, Miriam Kramer – National Welfare Rights Organization.
AWARE went on to lead fights against the AMA and unnecessary medical procedures and was central to the anti-war movement during the Persian Gulf War of 1991. Reena Walker was featured regularly on WLIB Gary Byrd's show and WBAI radio, and AWARE forged alliances with Women in Limbo The Harlem Birth Action Center as well as various black coalitions and ad hoc groups. AWARE's voice was essential to the representation of black women in the anti-war movement. Reena coined the phrase "Our War is Here Not in The Persian Gulf". AWARE regularly held seminars, forums and panel discussions on black women's issues such as "Racism, Sexism and Misogyny: The Mass Media's Impact on our Sisters", in Harlem. The panelists included Verniece Miller, Carlotta Joy Walker, Asha Bandele, Ann Tripp and a host of other black women feminists authors, activists and artists to discuss and inform the public about the specific issues black women were dealing with in their communities and how the larger issues affected them on a local level.
In 1991 The Malcolm X Conference was held again at BMCC and the theme that year was "Sisters Remember Malcolm X: A Legacy to be Transformed". It featured plenary sessions, "Sexual Harassment: Race Gender and Power" and was held in a much larger theater that year. Black women were a central focus and not an aside as it was prior. The call letter read: "The conference will focus on critical aspects of the life and legacy of MALCOLM X. A major feature will be the opening forum, 'Sisters Remember MALCOLM X: A Legacy to be Transformed'. A group of leading African-American women, activists and intellectuals will speak on how MALCOLM X impacted their lives. In the spirit of building unity based on principles of equality and justice, these women will both embrace the positive aspects of MALCOLM X and his legacy and criticize those things which need improvement through transformation. This session will be dedicated to hearing the legitimate voices of Black women as a critical part of the legacy of MALCOLM X as a vital part of the intellectual tradition of the Black liberation movement. In the wake of the recent congressional hearings and the emergence into even greater prominence of Black conservatives, there will be a plenary on 'MALCOLM X versus Clarence Thomas: The Crisis of Black Unity in the 1990's' and a workshop on 'Sexual Harassment: Race, Gender and Power'." Speakers included Sonia Sanchez, Audre Lorde, Verniece Miller, Reena Walker, Carol Bullard (Asha Bandele) and Vivian Morrison. In 1991 Reena Walker along with the members of AWARE also worked in coalition with AWIDOO (American Women in Defense of Ourselves), formed by Barbara Ransby, to sign a full-page ad in the New York Times to stand in support of Anita Hill.
In 1995 Reena Walker went on to put out the call to various women and organized the group African Americans Against Violence  that effectively stopped a parade that a group of reverends led by Al Sharpton were attempting to hold in Harlem for Mike Tyson. The group including Eve and Kathe Sandler, Nsia Bandele and Indigo Washington, worked tirelessly and successfully stopped the parade from happening and brought much needed attention to the struggle of black women and sexism and domestic violence. Even within that struggle there were black men like Bill Lynch and Donald Suggs who aligned themselves with Jill Nelson who brought them in and who had an agenda of publicity and ran roughshod over the other group members. As a result, the effort on the part of these women to build a larger and ongoing black grassroots women's movement was thwarted by these publicity seekers.
The African Feminist Forum is a biennial conference that brings together African feminism activists to deliberate on issues of key concern to the feminist movement. It took place for the first time in November 2006 in Accra, Ghana.
July 2009 saw the release of Black Feminist Politics from Kennedy to Clinton, by Associate Professor Duchess Harris, which analyzes black women's involvement in American political life, focusing on what they did to gain political power between 1961 and 2001, and why, in many cases, they did not succeed.
All the Women Are White, All the Blacks Are Men, but Some of Us Are Brave: Black Women's Studies describes black feminists mobilizing "a remarkable national response to the Anita Hill-Clarence Thomas Senate Hearings in 1991, naming their effort African American Women in Defense of Ourselves.
E. Frances White's expressed her belief that feminists need to revise the movement's relationship to the concept of "the family"; to acknowledge that, for women of color, "the family is not only a source of male dominance, but a source of resistance to racism as well."
In her introduction to the 2000 reissue of the 1983 black feminist anthology Home Girls, theorist and author Barbara Smith states her opinion that "to this day most Black women are unwilling to jeopardize their 'racial credibility' (as defined by Black men) to address the realities of sexism." Smith also notes that "even fewer are willing to bring up homophobia and heterosexism, which are, of course, inextricably linked to gender oppression."
Starting around 2000, the third wave of feminism in France took interest in the relations between sexism and racism, with a certain amount of studies dedicated to black feminism. This new focus was displayed by the translation, in 2007, of the first anthology of U.S. black feminist texts.
Black Lives Matter
Black Lives Matter, an activist movement that was formed to campaign against racism and police brutality against African Americans, has contributed to a revitalization and re-examining of the Black Feminist movement. The movement itself was started by three black women, Alicia Garza, Patrisse Cullors and Opal Tometi, and has been viewed as a Black Feminist Movement first, rather than as a part of the larger feminist movement. Black Lives Matter largely accepts the intersectionality of women of color, and how interlocking systems of oppression work against African American women in particular. The movement has also been critical of White Feminism as only focusing on the oppression of white women and not looking at how intersectionalities of class, race, and culture have been harming marginalized groups. According to academic scholar Angela Davis, “Black Women face a triple oppression” of racism, classism, and sexism and Black Lives Matter has been a largely grassroots movement focused on including intersectional voices. Activism of Black Feminists in Black Lives Matter include the protests of political candidates such as Bernie Sanders, Donald Trump, and Hillary Clinton and hashtags such as #oscarssowhite, and #sayhername.
Black feminist identity politics and safe spaces
Black feminist identity politics can be defined as a means of knowing and an understanding of one's own identity that takes in to consideration both personal experience as well as the experiences of those in history to help form a group of like-minded individuals who seek change in the political framework of society. It also can be defined as a rejection of oppressive measures taken against their group, especially in terms of political injustice.
Black feminist writer Patricia Hill Collins believes that this 'outsider within' seclusion suffered by black women was created through the domestic sphere, where black women were seen to be considered separate from the perceived white elite who claimed their dominance over them. They also felt a disconnect between the black men's suffering and oppression. As a result of white women taking to account their race and class and thereby excluding black women from such discourse, black feminists took to their groups to express their own experiences of marginalization and empower black consciousness in society. Also, due to the diverse experiences of black women, it is imperative to Collins to speak for and of personal accounts of black women's oppression.
Identity Politics have often implemented race, class, and gender as isolated categories as a means of excluding those who aren't perceived as part of the dominant group. These constructed biases formed from race, class, and gender are what feminist Kimberle Crenshaw believes need to be used not as a means of degradation but as a form of empowerment and self-worth. Ignoring these differences only creates more of a divide between social movements and other feminist groups, especially in the case of violence against women where the caliber of violence is correlated with components such as race and class.
These exclusionary measures allow black women to look inwards and implement this separation from group identities and goals as a means of discovering personal self-esteem. In a way, identity politics serves as a cultural politics that promotes self-empowerment as a way of forming collective identities and groups that support them. According to writer Jeffrey A. Tucker, "attacks on identity politics...are attacks on the conceptual tools that raced groups, women, and sexual minorities have used to recognize and organize themselves in order to critique, to speak back to a centered subjectivity that does not need an 'identity politics' because they have not had an identity imposed upon them." It provides a forum of self-expression and a place of comfort to those who feel displaced in an oppressive society.
Another issue of identity politics is the conflict of group formations and safe spaces for black women. In the 1970s, increased literacy among black women promoted writing and scholarship as an outlet for feminist discourse where they could have their voices heard. As a result, black women sought solace in safe spaces that gave them the freedom to discuss issues of oppression and segregation that ultimately promoted unity as well as a means of achieving social justice.
Patricia Hill Collins considers three safe spaces as essential for black feminist movements to create an environment that advocates for "diversity within commonality."  The primary safe space resides within the friendships of black women who are able to express themselves and free from the hegemonic constrictions that usually suppress them. This can be achieved through interactions with loved ones, church groups, and mentoring programs that promote a cohesive and judgment free environment. The last two serve as outlets of personal expression through music such as the blues and through authorship. These mediums give a voice to those who have had their voices ignored or silenced and offer an alliance with those who identify with the plight of the artist or author. As a result, these safe spaces provide not only a material but a discursive outlet where women can use food, oral tradition,and other rituals to create this sense of community for black women.
As the notion of color-blindness advocated for a desegregation in institutions, black women faced new issues of identity politics and looked for a new safe space to express their concerns. This was met with a lot of contention as people saw these black female groups as exclusive and separatist. Dominant groups especially in involved in the political sphere found these safe spaces a threat because they were away from the public eye and are therefore unable to be watched and checked upon by the higher and more powerful political groups.
The Combahee River Collective, a black feminist lesbian organization, expressed this concern and promoted a growth in the black feminist political identity politics. They asserted that "there is also undeniably a personal genesis for Black Feminism, that is, the political realization that comes from the seemingly personal experiences of individual Black women's lives. Black feminists and many more Black women who do not define themselves as feminists have all experienced sexual oppression as a constant factor in our day-to-day existence. As children we realized that we were different from boys and that we were treated differently. For example, we were told in the same breath to be quiet both for the sake of being 'ladylike' and to make us less objectionable in the eyes of white people. As we grew older we became aware of the threat of physical and sexual abuse by men. However, we had no way of conceptualizing what was so apparent to us, what we knew was really happening." Through identity politics black women have come together to call to attention the multiple forms of oppression they face and highlighting the issue that the person is political. However, due to the inability for everyone to identify with one certain feminist stance and the lack of a clear political focal approach, The Combahee River Collective decided to become a study group that shared feminist writing that demonstrates the power of writing to develop a clear voice against oppression.
Despite the growth in feminist discourse regarding black identity politics, some men disagree with the black feminist identity politics movement. Some black novelists such as Kwame Anthony Appiah uphold the notion of color-blindness and dismiss identity politics as a proper means of achieving social justice. To him, identity politics is an exclusionary device implemented in black culture and history such as hip hop and jazz that limit outsider comprehension and access. He also dismisses any biological difference between colored individuals, thereby finding the concept race a culturally ascribed term. However, Jeffery A. Tucker believes that identity politics serves as a foundation where such color-blindness can finally be achieved in the long run if implemented and understood within society. It can be the beginning of the black feminist movement's growth and hope for change.
Black feminist organizations
Black feminist organizations had to overcome three different challenges that no other feminist organization had to face. The first challenge these women faced was to "prove to other black women that feminism was not only for white women." They also had to demand that white women "share power with them and affirm diversity" and "fight the misogynist tendencies of Black Nationalism". With all the challenges these women had to face, many activists referred to black feminists as "war weary warriors".
The National Black Feminist Organization (NBFO) was founded in 1973. This organization of women focused on the interconnectedness of the many prejudices faced by African-American women, such as racism, sexism, classism, and homophobia. The NBFO stopped operating nationally in 1975.
The Combahee River Collective was one of the most important black socialist feminist organizations of all time. Primarily a black feminist and lesbian organization, this group began meeting in Boston in 1974, a time when socialist feminism was thriving in Boston. The name Combahee River Collective was suggested by the founder and African-American lesbian feminist, Barbara Smith, and refers to the campaign led by Harriet Tubman who freed 750 slaves near the Combahee River in South Carolina in 1863. Smith said they wanted the name to mean something to African-American women, and that "it was a way of talking about ourselves being on a continuum of black struggle, of black women's struggle".
The members of this organization consisted of many former members of other political organizations that worked within the civil rights movement, anti-war movement, labor movement, and others. Demita Frazier, co-founder of the Combahee River Collective says these women from other movements found themselves "in conflict with the lack of a feminist analysis and in many cases were left feeling divided against [themselves]."
As an organization they were labeled as troublemakers and many said they were brainwashed by the man hating white feminist, that they didn't have their own mind they were just following in the white women's footsteps. Throughout the 1970s the Combahee River Collective met weekly to discuss the different issues concerning black feminists. They also held retreats throughout the Northeast from 1977 to 1979 to help "institutionalize black feminism" and develop an "ideological separation from white feminism".
One of the hardships amongst the Collective was to combat three forms of oppression: racism, sexism, and classism. In contrast to the second wave movement, which was primarily white led and focused on sexism as being the main form of oppression amongst women. Furthermore, the CRC claimed that the women in the second wave movement did little to combat racism amongst their organizations.
As an organization they founded a local battered women's shelter and worked in partnership with all community activists, women and men, gay and straight playing an active role in the reproductive rights movement. The Combahee River Collective ended their work together in 1980 and is now most widely remembered for developing the Combahee River Collective Statement, a key document in the history of contemporary black feminism and the development of the concepts of identity.
Black feminist literature
The importance of identity
Michelle Cliff believes that there is continuity "in the written work of many African American Women, … you can draw a line from the slave narrative of Linda Brent to Elizabeth Keckley's life, to Their Eyes were Watching God (by Zora Neale Hurston) to Coming of Age in Mississippi (Anne Moody) to Sula (by Toni Morrison), to the Salt Eaters (by Toni Cade Bambara) to Praise Song for the Widow (by Paule Marshall)." Cliff believes that all of these women, through their stories, "Work against the odds to claim the 'I'".
Activist and cultural critic Angela Davis was one of the first people to articulate a written argument centered on intersectionality, in Women, Race, and Class. Kimberle Crenshaw, a prominent feminist law theorist, gave the idea the name intersectionality in 1986–1987 as part of her work in anti-discrimination law, as part of describing the effects of compound discrimination against black women. Another feminist theorist, Patricia Hill Collins, introduced the sociological theory of matrix of domination; much of her work concerns the politics of black feminist thought and oppression.
Barbara Smith and Lorraine Bethel edited the Autumn 1979 issue of Conditions. Conditions 5 was "the first widely distributed collection of Black feminist writing in the U.S." Articles from the magazine were later released in Home Girls, an anthology of black lesbian and feminist writing published in 1983 by Kitchen Table: Women of Color Press, a publishing imprint owned and operated by women of color.
Alice Walker, a founder of womanism, is the author of The Color Purple. Within the study of religion, womanism has been used as a source for Womanist theology, a dominantly Christian movement that discusses issues of intersectionality (race, gender, class, and sexuality) within the study of religion. Womanist scholarship is a dialogue partner to black theology.
The involvement of Pat Parker in the black feminist movement was reflected in her writings as a poet. Her work inspired other black feminist poets like Hattie Gossett. Other Black feminist authors include: Jewelle Gomez, June Jordan, bell hooks, Sapphire, Becky Birtha, Donna Allegra, Cheryl Clarke, Ann Allen Shockley, and Alexis De Veaux.
Rebecca Walker's writings – especially Black, White and Jewish: Autobiography of a Shifting Self and One Big Happy Family: 18 Writers Talk About Polyamory, Open Adoption, Mixed Marriage, Househusbandry, Single Motherhood, and Other Realities of Truly Modern Love – evince an interest in black feminism, racism, and her own biracial status.
Other notable black feminists
Beyoncé has become one of the most famous and influential feminists today and uses her platform to address feminism, police brutality, and Black Lives Matter. Many of her songs have feminist themes, such as "Pretty Hurts", "Flawless", and "Blow", that focus on female empowerment, body image, and sexuality. Her sixth studio album, Lemonade, has been said to be made for black women. Beyoncé's personal lyrics that address her culture, heritage, marriage, and partner's promiscuity humanizes her while also empowering all women. The 60-minute film that accompanied the album included a primarily African-American cast. At the end of her 2014 VMA performance, Beyonce stood on stand with "FEMINIST" displayed across the screen in huge block letters. For her 2016 VMA performance, Beyoncé ended with her dancers laying on the ground around her and forming a female gender symbol.
Amber Rose focuses on a sex positive perspective on feminism by fighting slut shaming and promoting safe sex. Her main message is that a woman owns and is control of her own body and should not be judged by the way that she uses it. She takes control back by calling herself a "slut" or "hoe" and empowering herself with it instead of the normal degrading nature that comes with those terms. She also promotes having strong female relationship and not competing with each other.
Amandla Stenberg approaches feminism as a way to dismantle patriarchy, empower women, and fight discrimination. She focuses on intersectionality and making sure that black and queer women are included within the movement, as a non-binary black women herself. She is openly against cultural appropriation and has used her platform to criticize it, such as her video, "Don't Cash Crop My Cornrows", targeting Kylie Jenner. Ms. Foundation for Women named her "Feminist of the Year" in 2015. She appears in Beyoncé's "Formation" music video, which focuses on embracing one's blackness and supports Black Lives Matter.
Zendaya sees feminism as equality and fairness through the empowerment of women, but takes a specific perspective as a black woman. In 2015, E! host, Guiliana Rancic made racist comments about Zendaya's dreadlocks on the red carpet at the 87th Academy Awards. In response to Rancic's remark that Zendaya looked like she smelled of weed, Zendaya went to Instagram to address discrimination, stereotyping, ignorance, and body shaming. She also appears in Beyoncé's "Formation" music video.
- Africana womanism
- Black matriarchy
- Daughters of Africa
- Misogyny in hip hop culture
- Postcolonial feminism
- Separatist feminism
- Third World feminism
- Triple oppression
- Environmental racism
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