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Blog fiction is a form of fiction writing that uses blogs to reach its readership. It is a small-scale fringe activity in the world of blogging, and although it has generated some literary critical interest, it remains isolated. It is presented in many forms, from a pretend diary or posted novel to a serial blog.
Using weblogs to explore various possibilities for constructing fictional works, blog fiction is a burgeoning format for creative digital writing and distribution on the Internet, rising in popularity when free, automated blog generators began appearing in 1999 and, most likely, will come to full artistic fruition within the iGeneration. Echoing eighteenth century pamphleteering and the serialized publication of fictional works from the eighteenth century to the present day, such as Laurence Sterne’s Tristram Shandy (1759-67), many of Charles Dickens' novels, Sir Arthur Conan Doyle's Sherlock Holmes series, and Henry James' The Ambassadors (1903, with each of its twelve parts appearing in The North American Review before being published as a whole that same year), blog fiction appears in short installments of textual pieces, lexia, that must both stand on their own and work towards a larger whole.
Fake or real blogs
Some blog fiction takes the form of a fake blog by a fictitious person that may or may not announce its own fictional status. Many "non-fiction" blogs may likewise be elaborate sets of fictionalized personae, a situation which points to the seemingly limitless possibilities for identity production in cyberspace. Therefore, it is difficult to determine how many fictionalized "real" blogs there are on the Internet. Some adopt a portraiture style, trying to depict fictional lives or people, some engage in mock diaries, such as Fake Steve Jobs in which an anonymous author writes from the perspective of three fictional characters. Some attempt to tell serialized stories like a syndicated magazine (called a serialblog). Some blogs, such as Belle de Jour, have been accused of being fictional, with mixed results.
Though a relatively new genre, blog fiction has begun to develop its own set of conventions, whose antecedents can be found in innovative fiction such as The Journalist by Harry Mathews. It is common for fictional blogs to link into real world articles, or even other faked articles, to construct the illusion of a character within a world.
Within the realm of critical theory and literature, blog fiction establishes a critical conversation with Roland Barthes' conception of a "reality effect" or "realistic effect" (effet de réel), which posits that the accumulation of redundant, superfluous and minute details within historiography or a fictional narrative may not forward the plot yet persuasively signifies verisimilitude.
Though many critics and literary scholars dismiss blog fiction as an inferior and faddish literary form, there is a trend towards the recognition of blogs as a legitimate arena of fiction production. For instance, self-publishing provider Lulu sponsors the Lulu Blooker Prize, which began in 2006. The Blooker prize is an award given to the best "blook" of the year: a work of fiction begun as blog fiction and then transformed into a printed publication. Thus, even despite the radical and democratizing potential of blog fiction, printed works still maintain greater authority and "official" status in the world of fiction and academia.
However, many fictional blogs do not survive to this stage, and there exists no common recognition in general internet readership for fictional blogs per se at this time.
- Jim McClellan (8 April 2004). "How to write a blog-buster". The Guardian. Retrieved 2 December 2011.