A bluestocking is an educated, intellectual woman, more specifically a member of the 18th-century Blue Stockings Society led by the hostess and critic Elizabeth Montagu (1720–1800), the "Queen of the Blues", and including Elizabeth Vesey (1715–91), Hester Chapone (1727–1801), and the classicist Elizabeth Carter (1717–1806). In the following generation came Hester Lynch Piozzi (1741–1821), Hannah More (1745–1833), and Frances Burney (1752–1840).
Until the late 18th century, the term had referred to learned people of both sexes. It subsequently was applied primarily to intellectual women, and the French equivalent bas bleu had a similar connotation. The term later developed negative implications, and in some instances such women were stereotyped as being "frumpy". The reference to blue stockings may arise from the time when woollen worsted stockings were informal dress, in contrast to formal, fashionable black silk stockings. Curiously, the most frequent such reference is to a man, Benjamin Stillingfleet, who reportedly lacked the formal black stockings, yet still participated in the Blue Stockings Society.
John Amos Comenius referred to bluestockings in 1638, deploring how women had been excluded from higher education in ancient times. The name may also have been applied in the 15th century to the Bacon blue stockings worn by the members of the Compagnie della Calza in Venice, which then was adopted in Paris and London; and in the 17th century to the Covenanters in Scotland, who wore unbleached woollen stockings, in contrast to the bleached or dyed stockings of the more affluent.
The Blue Stockings Society was a literary society led by Elizabeth Montagu and others in the 1750s in England. This society was originally founded by women, and included many prominent members of English society, both male and female, including Harriet Bowdler, Edmund Burke, Sarah Fielding, Samuel Johnson, and Frances Pulteney. M.P., an 1811 comic opera by Thomas Moore and Charles Edward Horn, was subtitled The Blue Stocking. It contained a character Lady Bab Blue who was a parody of bluestockings.
In Japan, a literary magazine Seitō (Bluestocking) was launched in 1911 under the leadership of Raichō Hiratsuka. It ran until 1916, providing a creative outlet and political platform for Japanese feminists even while it faced public outcry and government censorship.
- Tinker, 1915.
- Carol Strauss Sotiropoulos (2007), Early feminists and the education debates: England, France, Germany, 1760–1810, p. 235, ISBN 978-0-8386-4087-6
- Hannah More (1782), The Bas Bleu, or, Conversation
- James Boswell, The Life of Samuel Johnson, LL.D, Comprising A Series of His Epistolary Correspondence and Conversations with Many Eminent Persons; And Various Original Pieces of His Composition; With a Chronological Account of His Studies and Numerous Works, p. 823
- Ethel Rolt Wheeler, Famous Blue-Stockings, p. 23
- John Amos Comenius (1633–1638), Didactica Magna (The Great Didactic, translation by M. W. Keatinge), p. 68
- Louis Kronenberger, Kings and Desperate Men, p. 75
- Elizabeth Eger (2010). Bluestockings: women of reason from Enlightenment to Romanticism. Palgrave Macmillan.
- S. L. Sievers (10 November 1998), "The Bluestockings", Meiji Japan, ISBN 978-0-415-15618-9
- Burns, William E. "Bluestockings 18th and 19th centuries" in Reader's Guide to British History (2003). online
- Demers, Patricia. The World of Hannah More (University of Kentucky Press, 1996)
- Eger, Elizabeth (2010). Bluestockings: women of reason from Enlightenment to Romanticism. Palgrave Macmillan.
- Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship and the Life of the Mind in Eighteenth-Century England (Oxford University Press, 1990)
- Tinker, Chauncey Brewster (1915). The salon and English letters: chapters on the interrelations of literature and society in the age of Johnson. Macmillan. full text online
- "Bluestocking". Encyclopædia Britannica 4 (11th ed.). 1911.