Bobby (2006 film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Bobby
Bobby poster.jpg
Theatrical release poster
Directed by Emilio Estevez
Produced by
Written by Emilio Estevez
Starring see below
Music by Mark Isham
Cinematography Michael Barrett
Edited by Richard Chew
Production
company
Distributed by
Release date
  • September 14, 2006 (2006-09-14) (Toronto)
  • November 17, 2006 (2006-11-17) (Limited)
  • November 23, 2006 (2006-11-23) (Wide)
Running time
116 minutes[2]
Country United States
Language English
Spanish
Budget $14 million[3]
Box office $20.7 million[4]

Bobby is a 2006 American drama film written and directed by Emilio Estevez, and starring an ensemble cast featuring Harry Belafonte, Joy Bryant, Nick Cannon, Laurence Fishburne, Spencer Garrett, Helen Hunt, Anthony Hopkins, Ashton Kutcher, Shia LaBeouf, Lindsay Lohan, William H. Macy, Demi Moore, Martin Sheen, Christian Slater, Sharon Stone, Elijah Wood and Estevez himself. The screenplay is a fictionalized account of the hours leading up to the June 5, 1968, shooting of U.S. Senator Robert F. Kennedy in the kitchen of the Ambassador Hotel in Los Angeles following his win of the 1968 Democratic Party presidential primary in California.

Plot synopsis[edit]

The film recreates the ambiance of the era and invokes the hopes inspired by Kennedy through the use of actual broadcast and newsfilm footage of the senator intercut with dramatic sequences involving mostly fictional characters. It uses an ensemble plot device similar to that employed in the 1932 film Grand Hotel, and by Robert Altman in Nashville.

The characters include John Casey, a retired hotel doorman who spends his days playing chess with his friend Nelson in the lobby; Diane, who is marrying her friend William with the hope his marital status will have him deployed to a military base in Germany rather than the battlefields of Vietnam when his tour of duty begins; Virginia Fallon, an alcoholic singer whose career is on the downswing, her put-upon husband/manager Tim, and her agent Phil; Miriam Ebbers, a beautician who works in the hotel salon, and her husband Paul, the hotel manager, who is having an affair with switchboard operator Angela; food and beverage manager Daryl Timmons, whose racist attitude gets him fired; African American sous chef Edward Robinson and Mexican American busboys José and Miguel; hotel coffee shop waitress Susan; Jimmy and Cooper, campaign volunteers who are sidetracked by an acid trip they take with the help of drug dealer Fisher; married socialites and campaign donors Samantha and Jack; campaign manager Wade and staffer Dwayne, who is in love with Angela's colleague, Patricia; and Czechoslovakian reporter Lenka Janáčková, who is determined to get an interview with Kennedy.

Cast[edit]

Production[edit]

Development[edit]

In Bobby: The Making of an American Epic, screenwriter/director Emilio Estevez discusses the problems he had developing his script. Suffering from writer's block, he checked into a motel in Pismo Beach where he hoped, free from interruption, he could make some headway with his writing. While talking to the woman working at the front desk, he discovered she had been in the Ambassador Hotel on the evening Kennedy was shot, and later married two young men to help them avoid the draft. Estevez used her experience to mold the character of Diane, and the rest of the story fell into place.

The only other character based on a real person is busboy José, who represents Juan Romero, the young man who was photographed cradling Kennedy's body immediately after he was shot. The character of José has tickets to the Los Angeles Dodgers game in which Don Drysdale is expected to set the record of six consecutive shutouts, but is obliged to work a double shift, forcing him to miss the game. Drysdale did in fact achieve his sixth shutout on June 4, 1968, and was congratulated by Kennedy during the victory speech he delivered just before being shot.[5]

Music[edit]

The film score was composed by Mark Isham, with "Never Gonna Break My Faith" written by Bryan Adams and performed by Aretha Franklin, Mary J. Blige, and the Boys Choir of Harlem, which was played during the closing credits. Also, a newly recorded version of "Louie Louie" was performed in character by Demi Moore for the film.

Songs heard throughout the film consist of a music compilation from the 1960s, including "The Tracks of My Tears" by Smokey Robinson, "I Was Made to Love Her" by Stevie Wonder, "Ain't That Peculiar" by Marvin Gaye, an original acoustic version of "The Sound of Silence" by Simon & Garfunkel, "Anji" covered by Jason Huxley, "Come See About Me" by The Supremes, "There's a Kind of Hush" by Herman's Hermits, "Black Is Black" by Los Bravos, "Season of the Witch" and "Hurdy Gurdy Man" by Donovan, "Wives and Lovers" by Jack Jones, "Magic Moments" by Perry Como, "Pata Pata" by Miriam Makeba and "Initials" from the musical Hair.

The soundtrack album Bobby features The Supremes, Shorty Long, Hugh Masekela, The Moody Blues and Los Bravos.[6]

Release[edit]

Christian Slater - who played Daryl Timmons in the film - at TIFF for Bobby's North American debut.

After an initial premiere at the NUIG Student Cinema at the National University of Ireland, Galway, the film premiered at the Venice Film Festival and was shown at the Deauville Film Festival, the 2006 Toronto International Film Festival, the Vienna International Film Festival, the London Film Festival, and AFI Fest before going into limited release in the US on November 17, 2006, and a wide release in the subsequent week.[citation needed] Playing on two screens, it grossed $69,039 during its opening weekend. It eventually earned $11,242,801 in North America and $9,461,790 in other territories for a worldwide box office of $20,704,591.[4]

Reception[edit]

Bobby has an approval rating of 46% on Rotten Tomatoes based on 169 reviews; the average score is 5.6 out of 10. The consensus states, "Despite best intentions from director Emilio Estevez and his ensemble cast, they succumb to a script filled with pointless subplots and awkward moments working too hard to parallel contemporary times."[7] The film also has a score of 54 out of 100 on Metacritic, based on 31 critics, indicating mixed or average reviews.[8]

A. O. Scott of The New York Times wrote that despite the director's "large and honorable task" and "entirely admirable" intentions, "The actors seem more like 'very special guest stars' than like real, 1968-vintage Americans... Some of the stories feel too obviously melodramatic, while others are vague to the point of inscrutability. In the Vietnam- and drug-related plots, the point is hammered home too hard... while other narratives wind toward no discernible point at all. Nonetheless the ambition behind Bobby is large and serious."[9]

Kevin Crust of the Los Angeles Times called it "an ambitious film drenched in sincerity and oozing with nostalgia that, despite the energy provided by its title icon via archival footage, falls flat dramatically in nearly every other way. It aspires for the Altmanesque interplay of Nashville or Short Cuts but instead feels like one of those '70s disaster epics such as Earthquake or The Towering Inferno, in which a star-studded cast endures melodramatic story lines as the audience awaits the inevitable momentous event and tries to guess who will be around at the finish . . . It's easy to become swept up in the palpable enthusiasm Estevez shows toward his subject, but the pedestrian and overly expositional dialogue of the film's characters proves to be as stifling as the excerpts from Kennedy's speeches are stirring."[10]

Deborah Young of Variety said of Estevez, "Stepping up as writer and director in a way he never has before, [he] successfully pulls together a complexly designed narrative," and added the film "carries an eerie topicality that makes many of its insights instantly click."[11] Armond White of New York Press wrote that the film "has a humane sweetness", and that it "literally and vividly unites different ethnic groups, labor strata and social castes" in a way that "is not schematic—its exactitude and believability has a Tocquevillian brilliance."[12]

Steve Persall of the St. Petersburg Times graded the film C, calling it "a misguided jumble of too much fiction, few facts and zero speculation" and Estevez "a mediocre filmmaker."[13] Michael Medved, who was in the Ambassador ballroom (20 feet from the podium) the night Kennedy was shot, awarded the film three out of four stars and called it "intriguing but imperfect." He added, "Emilio Estevez gets most of the feelings of the occasion right. But, the melodramatic, multi-character format proves somewhat uneven and distracting."[14]

Richard Roeper said, "Estevez writes and directs with lots of passion, not so much subtlety . . . [He] wants the movie to be on the level of a Robert Altman film like Nashville but falls short."[15] Peter Travers of Rolling Stone gave the film one star and called it "trite fiction" and a work of "insipid ineptitude." He ranked it among the worst films of 2006, as did Lou Lumerick of the New York Post, who dubbed it an "ambitious, but utterly wrong-headed trivialization."[16]

Awards and nominations[edit]

LIST OF AWARDS AND NOMINATIONS RECEIVED FOR BOBBY
Award Nominee Status
ALMA Award for Outstanding Motion Picture Bobby Nominated
ALMA Award for Outstanding Director Nominated
ALMA Award for Outstanding Screenplay Nominated
Broadcast Film Critics Association Award for Best Cast Nominated
Golden Globe Award for Best Motion Picture — Drama Nominated
Golden Globe Award for Best Original Song "Never Gonna Break My Faith" by Bryan Adams, Eliot Kennedy, and Andrea Remanda Nominated
Hollywood Film Festival Award for Best Ensemble Cast Bobby Won
Hollywood Film Festival Award for Best Breakthrough Actress Lindsay Lohan Won
NAACP Image Award for Outstanding Supporting Actor in a Motion Picture Harry Belafonte Nominated
Phoenix Film Critics Society Award for Breakout Performance of the Year - Director Bobby Won
Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture Nominated
Venice Film Festival Biografilm Award Emilio Estevez Won
Venice Film Festival Golden Lion Nominated

See also[edit]

  • JFK, a 1991 film by Oliver Stone detailing the assassination.
  • Parkland, a 2014 film commemorating the 50th anniversary of the JFK assassination.

References[edit]

  1. ^ a b c "Bobby". American Film Institute. Retrieved October 25, 2016. 
  2. ^ "BOBBY (15)". British Board of Film Classification. 2007-01-08. Retrieved 2013-04-19. 
  3. ^ "Bobby (2006)". The Numbers. Retrieved October 25, 2016. 
  4. ^ a b "Bobby". Box Office Mojo. Retrieved October 25, 2016. 
  5. ^ "Don Drysdale at". Baseballlibrary.com. Archived from the original on 2012-11-16. Retrieved 2013-02-28. 
  6. ^ "Bobby Soundtrack (2006)". Soundtrack.net. Retrieved 10 September 2017. 
  7. ^ "Bobby". Rottentomatoes.com. Retrieved 10 September 2017. 
  8. ^ "Bobby". Metacritic.com. Retrieved 10 September 2017. 
  9. ^ Scott, A. O. "Bobby - Review - Movies". Nytimes.com. Retrieved 10 September 2017. 
  10. ^ Makinen, Julie. "Los Angeles Times' review". Calendarlive.com. Retrieved 2013-02-28. 
  11. ^ "Review of Bobby - Variety.com". Web.archive.org. 12 April 2008. Archived from the original on 12 April 2008. Retrieved 10 September 2017. 
  12. ^ Healing with Hope, Armond White, New York Press, December 6, 2006
  13. ^ "St. Petersburg Times'review". SPTimes.com. Retrieved 2013-02-28. 
  14. ^ [1][permanent dead link]
  15. ^ "At the Movies". Archive.is. 24 September 2008. Archived from the original on 24 September 2008. Retrieved 10 September 2017. 
  16. ^ "Rolling Stone review". Rolling Stone. Retrieved 2013-02-28. 

External links[edit]