||This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (April 2014) (Learn how and when to remove this template message)|
|Single by Rage Against the Machine|
|from the album Rage Against the Machine|
|Released||June 20, 1993|
|Format||CD, 7", 12"|
|Genre||Rap metal, alternative metal|
|Writer(s)||Tim Commerford, Zack de la Rocha, Tom Morello, Brad Wilk|
|Producer(s)||Garth "GGGarth" Richardson, Rage Against the Machine|
|Rage Against the Machine singles chronology|
"Bombtrack" is a song by American rap metal band Rage Against the Machine that opens their self-titled debut album. Like most of Rage Against the Machine's songs, the song's lyrics discuss social inequality, proclaiming that "landlords and power whores" were going to "burn". The intro riff was composed by Rage Against the Machine guitarist Tom Morello when he was playing with the band Lock Up, and, upon hearing it, they told him it was too "heavy". The song is one of three on the album in F# along with "Know Your Enemy" and "Fistful of Steel". It is one of the band's heaviest songs and incorporates subtle double kick flourishes which was rare for Brad Wilk. Impressed by their song, Rage Against the Machine named it Bombtrack in reference to hip hop terminology where the word 'bomb' means 'the greatest', making the song title literally mean 'the greatest track'.
A music video was released, depicting support for the Peruvian Maoist guerrilla organization Sendero Luminoso and its leader Abimael Guzman. The video clip did not appear on the group's first home video, citing Rage's first altered political opinion. In 2003, the video finally appeared as bonus material on their Live at the Grand Olympic Auditorium DVD.
The single artwork features Cuban photographer Alberto Korda's famous image of Che Guevara, Guerrillero Heroico. A mirrored version of the iconic two-tone portrait by Irish artist Jim Fitzpatrick, Guevara's face is further doctored in a way reminiscent of Andy Warhol's prints of Marilyn Monroe.[original research?]
Perhaps the song's most notable appearance outside of the music industry would be its appearance in Oliver Stone's controversial film Natural Born Killers, when Mickey breaks out of his prison cell in search of Mallory.
The song made its live debut on March 8, 1992, in San Luis Obispo, California.
The acoustic version of the song was only played live once. This was at the KROQ Acoustic Christmas on December 12, 1993.
The lyrics, "Hardline, hardline after hardline!" are, on occasion, changed to "Hardline after muthafuckin' hardline!" as well as the line during the chorus, "Burn! Burn, yes ya gonna burn!" are occasionally changed to, "Burn! Mutherfucker, burn!"
When first recorded in the studio, and during live performances, bassist Tim Commerford sings the chorus with de la Rocha.
- "Bombtrack [Evening Session version]"
- "Bombtrack [Live version]"
- Bombtrack - 4:03
- Bombtrack (Live) - 6:00
Special Pinkpop Edition
- "Freedom" (Live)
- "Settle for Nothing" (Live)
- "Bombtrack" [Evening Session version]
- "Bullet in the Head" [Remix]
- "Take the Power Back" (Live)
- "Darkness of Greed"
- "Bullet in the Head" (Live)
- "Bombtrack" (Live)
Tracks 3 & 8 recorded live at Melkweg in Amsterdam, Feb 7th '93. Track 6 recorded live in Vancouver, Canada, April 11 '93. Track 9 recorded live in Minneapolis, United States April 5 '93. Track 5 remix by Sir Jinx.
The Evening Session version of "Bombtrack" is a completely reworked, slower "swing" version of the song with altered lyrics, which later appeared on Evil Empire's "Without a Face".
The song's bassline was used as an alert to listeners of Howard Stern's radio show when Stern was broadcasting out of WXRK in New York City to let the listener the show was returning from a commercial break.
In popular culture
|Wikimedia Commons has media related to Rage Against the Machine.|