Theatrical release poster
|Directed by||Joseph Losey|
Lester Persky (assoc. producer)
|Screenplay by||Tennessee Williams|
The Milk Train Doesn't Stop Here Anymore|
by Tennessee Williams
|Music by||John Barry|
|Edited by||Reginald Beck|
|Distributed by||Universal Pictures|
|28 May 1968|
|Budget||$10.0 million or $3 million|
|Box office||$2.0 million|
Boom! is a 1968 British drama film starring Elizabeth Taylor, Richard Burton and Noël Coward, directed by Joseph Losey, and adapted from the play The Milk Train Doesn't Stop Here Anymore by Tennessee Williams.
Flora 'Sissy' Goforth (Taylor, in a part written for an older woman) is a terminally ill woman living with a coterie of servants in a large mansion on a secluded island. Into her life comes a mysterious man, Christopher Flanders, nicknamed "Angelo Del Morte" (played by then-husband Burton, in a part intended for a very young man). The mysterious man may or may not be "The Angel of Death".
The interaction between Goforth and Flanders forms the backbone of the plot, with both of the major characters voicing lines of dialogue that carry allegorical and Symbolist significance. Secondary characters chime in, such as "the Witch of Capri" (Coward). The movie mingles respect and contempt for human beings who, like Goforth, continue to deny their own death even as it draws closer and closer. It examines how these characters can enlist and redirect their fading erotic drive into the reinforcement of this denial.
- Elizabeth Taylor - Flora 'Sissy' Goforth
- Richard Burton - Chris Flanders
- Noël Coward - The Witch of Capri
- Joanna Shimkus - Miss Black
- Michael Dunn - Rudi
- Filming took place on the island of Sardinia at the Porto Conte Natural Park near Alghero, and was the site of a close call for actress Taylor. A trailer that served as her dressing room came loose from its moorings only a few seconds after she stepped out of it, and "plunged over a 150-foot embankment into the sea".
Time magazine wrote, "They display the self-indulgent fecklessness of a couple of rich amateurs hamming it up at the country-club." Paul D. Zimmerman, writing for Newsweek, called it "a pompous, pointless nightmare." The Hollywood Reporter called it, "An ordeal in tedium," and Saturday Review called it, "Outright junk." Lawrence Devine in the Los Angeles Herald-Examiner asked "Why was Boom! filmed in the first place?" Wilfred Sheed wrote in Esquire, "Let them [Taylor and Burton] by all means do their thing, but why film it and charge admission?" Richard Schickel wrote in Life Magazine, "That title could not be more apt; it is precisely the sound of a bomb exploding."
Filmmaker John Waters admires the film, and chose it as a favorite to present in the first Maryland Film Festival in 1999. The film's poster is visible in Waters' 1972 film Pink Flamingos. In an interview with Robert K. Elder for his book The Best Film You've Never Seen, Waters describes the film as “beyond bad. It’s the other side of camp. It’s beautiful, atrocious, and it’s perfect. It’s a perfect movie, really, and I never tire of it.”
- Boom! on IMDb
- Losey on 'broken promises' Barker, Dennis. The Guardian 1 Aug 1973: 6.
- "Trailer Takes Plunge Into Sea, but Not Liz", Chicago Tribune, October 8, 1967, p18
- Boom! at Rotten Tomatoes
- "New Movies: Boom!". Time. 31 May 1968.
- Abraham, Amelia (12 August 2015). "John Waters on the Terrible, Trashy Films That Changed His Life". Vice.com. Vice.com. Retrieved 15 July 2016.
- "Trash and Treasure: John Waters on 'Boom!'". MovieTime. ABC Radio National. 21 October 2011. Retrieved 15 July 2016.
- Elder, Robert K. (1 June 2013). The Best Film You've Never Seen: 35 Directors Champion the Forgotten or Critically Savaged Movies They Love. Chicago, IL: Chicago Review. ISBN 9781569768389.