The bow tie // is a type of traditional necktie. A modern bow tie is tied using a common shoelace knot, which is also called the bow knot for that reason. It consists of a ribbon of fabric tied around the collar of a shirt in a symmetrical manner so that the two opposite ends form loops.
There are generally three types of bow ties: the pre-tied, the clip on, and the self tie. Pre-tied bow ties are ties in which the distinctive bow is sewn onto a band that goes around the neck and clips to secure. Some "clip-ons" dispense with the band altogether, instead clipping straight to the collar. The traditional bow tie, consisting of a strip of cloth which the wearer has to tie by hand, is also known as a "self-tie," "tie-it-yourself," or "freestyle" bow tie.
Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. Some fabrics (e.g., wool or velvet) are much less common for bow ties than for ordinary four-in-hand neckties.
Origin and history
The bow tie originated among Croatian mercenaries during the Thirty Year war of the 17th century: the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted (under the name cravat, derived from the French for "Croat") by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. It is uncertain whether the cravat then evolved into the bow tie and four-in-hand necktie, or whether the cravat gave rise to the bow tie, which in turn led to the four-in-hand necktie.
The most traditional bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 19 inches as with a comparable shirt collar. Fixed-length bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Adjustable bow ties are the standard when the tie is to be worn with a less formal, lie-down collar shirts which obscure the neckband of the tie. "One-size-fits-all" adjustable bow ties are a later invention that help to moderate production costs.
Stereotypes of bow tie wearers
To its devotees the bow tie suggests iconoclasm of an Old World sort, a fusty adherence to a contrarian point of view. The bow tie hints at intellectualism, real or feigned, and sometimes suggests technical acumen, perhaps because it is so hard to tie. Bow ties are worn by magicians, country doctors, lawyers and professors and by people hoping to look like the above. But perhaps most of all, wearing a bow tie is a way of broadcasting an aggressive lack of concern for what other people think.
- Warren St John in The New York Times
Popular perception tends to associate bow tie wearers with particular professions, such as architects, finance receipt collectors, attorneys, university professors, teachers, waiters, and politicians. Pediatricians frequently wear bow ties since infants cannot grab them the way they could grab a four-in-hand necktie. Bow ties do not readily droop into places where they would get soiled or where they could, whether accidentally or deliberately, strangle the wearer. Clowns sometimes use an oversize bow tie for its comic effect. Classical musicians traditionally perform in white tie or black tie ensembles, of which both designs are bow ties. Bow ties are also associated with weddings, mainly because of their almost universal inclusion in traditional formal attire.
Bow ties, or slight variations thereof, have also made their way into women's wear, especially business attire. The 1980s saw professional women, especially in law, banking, and the corporate world, donning very conservative tailored suits, with a rise of almost 6 million units in sales. These were often worn with buttoned-up blouses, some with pleats up the front like tuxedo shirts, and accessorized with bow ties that were slightly fuller than the standard bow ties worn by their male counterparts, but typically consisting of the same fabrics, colors, and patterns as men's ties.
Russell Smith, style columnist for Toronto's The Globe and Mail, records mixed opinions of bow tie wearers. He observed that bow ties were experiencing a potential comeback among men, though "the class conscious man recoils at the idea" of pre-tied bow ties and "[l]eft-wingers" ... "recoil at what they perceive to be a symbol of political conservatism." He argues that, however, that anachronism is the point, and that bow tie wearers are making a public statement that they disdain changing fashion. Such people may not be economic conservatives, he argues, but they are social conservatives. In Smith's view, the bow tie is "the embodiment of propriety," an indicator of fastidiousness, and "an instant sign of nerddom in Hollywood movies," but "not the mark of a ladies' man" and "not exactly sexy." To this image he attributes the association of the bow tie with newspaper editors (because of their fastidiousness with words), high-school principals, and bachelor English teachers. Most men, he observes, only wear bow ties with formal dress.
The four-in-hand necktie is still more prominent in contemporary Western society, it being seen the most at business meetings, formal functions, schools, and sometimes even at home. However, the bow tie is making a comeback[when?] at fun-formal events such as dinners, cocktail parties, and nights out on the town. Bow ties are often worn with suits by those trying to convey a more dressed-up, formal image, whether in business or social venues. Certain bow ties, especially narrow "string ties," are still popular with men of all ages in the American South.
Traditional opinion remains that it is inappropriate to wear anything other than a bow tie with a dinner jacket.
Shown below on the right is one style of ready-tied bow tie; there is also a clip-on that does not go around the neck but clips to the collar points. Wearing a ready-tied bow tie at formal occasions requiring a black or white tie dress code is usually considered a faux pas, though at occasions such as Schools Leavers' Proms or ones at which the participants are unlikely to have had much experience wearing bow ties it may be commonplace. If choosing a self-tie/tie-it-yourself/freestyle bow tie, there are usually two shapes available: the "bat wing," which is parallel-sided like a cricket bat, and the "thistle," also known as the "butterfly." An example of each can also be seen below. Which is worn is a matter of personal preference. Some other shapes do exist; for instance, the Diamond Point, with pointed tips at both ends. This is a double-ended type, with both ends shaped, though occasionally, ties are tied in the single-ended type, in which only one end flares out to give the batwing or thistle shape, and the other remains thin. To tie one of these requires careful consideration, to ensure the broader end finishes in front of the thinner one.
Bright Yellow patterned self-tie bow tie, made of cotton, designed and made in the UK
Jim Rogers wearing a bow tie in 2010
Colonel Sanders wearing his distinctive string tie
Bill Nye the Science Guy, wearing his trademark blue lab coat and bowtie.
- St John, Warren (June 26, 2005). "A Red Flag That Comes in Many Colors". The New York Times. Retrieved 2008-10-22.
- Hammel, Bette Jones (1989). From Bauhaus to Bowties. Minneapolis, MN: Hammel, Green, & Abrahamson. p. 134. ISBN 978-0-9622610-0-8. Retrieved 30 December 2012.
- Cook, Joan (February 19, 1988). "The Law; In Celebration of 'Dignified Frivolity'". The New York Times. Retrieved 2008-10-22.
- Smith, Russell (2007). Men's Style. Macmillan. p. 135. ISBN 978-0-312-36165-5.
- Smith, Russell (2008-11-15). "Rock the bow tie without looking nerdy". Toronto Globe and Mail. CTV Globe media.
- Compare: Smith, Russell (2015-09-14). "Rock the bow tie without looking nerdy". Toronto Globe and Mail. CTV Globe media.
Bow ties are tricky. They carry strong connotations: conservative, newspaperman, high-school principal. They are instant signs of nerddom in Hollywood movies. They look fastidious but not exactly sexy.
- Gavenas, Mary Lisa (2008). Encyclopedia of Menswear, p.86. Fairchild Publications, New York. ISBN 978-1-56367-465-5
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