The examples and perspective in this article deal primarily with the United Kingdom and do not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page.(December 2010)
Brass rubbing was originally a largely British enthusiasm for reproducing onto paper monumental brasses – commemorative brass plaques found in churches, usually originally on the floor, from between the 13th and 16th centuries. The concept of recording textures of things is more generally called making a rubbing. What distinguishes rubbings from frottage is that rubbings are meant to reproduce the form of something being transferred, whereas frottage just desires to use rubbing to grab a random texture.
Brass rubbings are created by laying a sheet of paper on top of a brass (actually called "latten" - an alloy of brass and nickel) and rubbing the paper with graphite, wax, or chalk, a process similar to rubbing a pencil over a piece of paper placed on top of a coin. In the "old days" rubbings were most commonly made using the equivalent of what we[who?] would call "butcher's paper" [a 22–30-inch-wide (560–760 mm) roll of whitish paper] laid down over the brass and rubbed with "heelball", a waxy glob of black crayon once used to shine shoes. Now most brass rubbers purchase special paper rolls of heavy duty black velvety material, and the crayons are gold silver or bronze (other colours available).
Brass plaques are slowly but surely worn away by the rubbing process and in many cases creating rubbings is banned. Brass rubbing centres with replicas of original brass plaques have become a prime source for brass rubbings in the UK.  Replicas are often not the same scale as the original.