Breaker Morant (film)
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Theatrical release poster
|Directed by||Bruce Beresford|
|Produced by||Matt Carroll|
|Based on||Breaker Morant: A Play in Two Acts|
by Kenneth G. Ross
|Edited by||William M. Anderson|
|Distributed by||Roadshow Entertainment|
New World Pictures
|Box office||$4.7 million (Australia)|
The film concerns the 1902 court martial of Lieutenants Harry Morant, Peter Handcock, and George Witton—one of the first war crime prosecutions in British military history. Australians serving in the British Army during the Second Anglo-Boer War, Lts. Morant, Handcock, and Witton stood accused of murdering captured enemy combatants and an unarmed civilian in the Northern Transvaal. The film is notable for its exploration of the Nuremberg Defense, the politics of the death penalty, and the human cost of total war. As the trial unfolds, the events in question are shown in flashbacks.
In 1980, the film won ten Australian Film Institute Awards including: Best Film, Best Direction, Leading Actor, Supporting Actor, Screenplay, Art Direction, Cinematography, and Editing. It was also nominated for the 1980 Academy Award for the Best Writing (Screenplay Based on Material from Another Medium).
Breaker Morant remains the movie with which Beresford is most identified and has "hoisted the images of the accused officers to the level of Australian icons and martyrs." In a 1999 interview, however, Beresford explained that Breaker Morant "never pretended for a moment" that the defendants were not guilty as charged. He had intended the film to explore how wartime atrocities can be "committed by people who appear to be quite normal." Beresford concluded that he was "amazed" that so many people see his film as being about "poor Australians who were framed by the Brits."
- 1 Synopsis
- 2 Cast
- 3 Production
- 4 Historical inaccuracies
- 5 Critical response
- 6 Box office
- 7 Legacy
- 8 Awards
- 9 Home media
- 10 See also
- 11 References
- 12 External links
In Pretoria, South Africa, in 1902, Major Charles Bolton (Rod Mullinar) is summoned to a meeting with Lord Kitchener (Alan Cassell). He is told that three officers of the Bushveldt Carbineers—Lieutenants Harry Morant (Edward Woodward), Peter Handcock (Bryan Brown), and George Witton (Lewis Fitz-Gerald) -- have been arrested and charged with murdering captured Boers and a German missionary. Explaining ominously that the Kaiser has protested diplomatically about the latter killing, Kitchener asks Major Bolton to appear for the prosecution. To the Major's visible dismay, he is told that witnesses which would help the defence have been sent to India and that the defence counsel is expected to give him no trouble.
Meanwhile, the defense counsel, Major James Francis Thomas (Jack Thompson) meets Lieuts. Morant, Handcock, and Witton the day before he is to represent them in court. He tells them that he knows only the basic facts, which don't look good. A small town solicitor from New South Wales in civilian life, Major Thomas explains that he has never handled anything except legal documents like wills. Lieut. Handcock quips, "Might come in handy."
As court martial proceedings begin the following morning, Major Thomas argues, because his clients are Australians, that only the Australian Army can court martial them. Unmoved, the president of the court martial, Lt. Col. Denny, explains that the defendants may be tried for alleged crimes committed while serving under British command in the Bushveldt Carbineers. Without further ado, Denny reads the indictment. The three stand accused of the murder of a Boer prisoner named Visser and the subsequent shooting of six other captured Boers whose names are unknown. Furthermore, Lts. Morant and Handcock are also charged with the murder of the Reverend C.A.D. Heese.
Maj. Bolton begins by calling witnesses who describe a lack of discipline, drunkenness, widespread looting, and corruption among the Bushveldt Carbineers at Fort Edward. Maj. Thomas, however, manages to damage their credibility during cross examination. The testimony then turns to the shooting of Visser, which is shown in flashback.
On 5 April 1901, Lt. Morant's close friend, Captain Simon Hunt, had led a group of men to a farmhouse at Duiwelskloof intending to capture or kill Boer Commando Field Cornet Barend Viljoen. On arrival, the Carbineers found the farm swarming with far more armed men than expected. Captain Hunt was wounded, pinned down by enemy fire, and left behind when he ordered his men to retreat.
When the patrol returned to Fort Edward without Captain Hunt, Intelligence Corps Captain Alfred Taylor (John Waters) suggests Morant "avenge Captain Hunt". After returning to the farm and finding Captain Hunt's body mutilated with knives, Morant gave chase, ambushed Viljoen's men, and forced them to retreat with heavy losses. After capturing a Boer named Visser who was wearing Captain Hunt's jacket, an enraged Morant ordered his men to line up into a firing squad and shoot him. They obey his order.
Back in the courtroom, Maj. Thomas argues that standing orders existed to shoot "all Boers captured wearing khaki". To the shock of Maj. Thomas and his clients, Maj. Bolton explains that those orders only applied to Boers wearing British uniforms as a ruse of war. When Morant takes the witness stand and is grilled by Bolton, he defends the shooting of Visser by saying that he fought the Boers as they fought him. When asked which of the rules of engagement justifies shooting an unarmed prisoner, Morant shouts, in reference to the caliber of his rifle, "Rule 303." That night, Maj. Thomas angrily tells Morant that he was the best witness the prosecution has yet had. The following day, testimony turns to the shooting of the six Boers.
Captain Taylor testifies that, prior to his death, Captain Hunt had paid a visit to Kitchener's headquarters. Following Hunt's return to Fort Edward, Lt. Morant had brought in a group of Boers who had surrendered, only to be told by Captain Hunt that new orders from Kitchener, relayed through Col. Hubert Hamilton, decreed that no more prisoners were to be taken. Saying, "The gentlemen's war is over", Hunt had had the prisoners all shot while Morant watched. Captain Taylor testifies, however, that Morant had continued to bring prisoners in until after Captain Hunt had been killed. Afterwards, he always ordered his men to shoot them. On cross examination, Maj. Bolton damages Taylor by forcing him to admit that he is also awaiting court martial for shooting prisoners.
According to other witnesses, a group of six Boer guerrillas had approached Fort Edward after Captain Hunt's death, bearing white flags. Morant ordered them disarmed, lined them up, and had them shot. When one prisoner attacks Witton, he kills him.
In response, Maj. Thomas demands that Kitchener be summoned as a witness. He argues that, as his clients only followed orders, all charges must be dropped. Lt. Col. Denny recoils at the suggestion that Kitchener, a man revered throughout the British Empire, would be capable of giving such criminal orders. Equally contemptuous of the idea, Maj. Bolton privately tells Maj. Thomas that, if Kitchener testifies and denies giving the orders, the defendants' lives will be doomed. He vainly urges Maj. Thomas not to insist.
In a private conversation, Kitchener tells Col. Hamilton that, when he had issued orders to take no prisoners, he was trying to break the Boer guerrillas by waging total war. Now, however, he is trying to win the hearts and minds of the Afrikaner people and arrange a peace conference. To this end, a few soldiers "have to be sacrificed" for the misdeeds of the whole British Army. He orders Col. Hamilton to testify in his place and, when asked for what to say, Kitchener comments, "I think you know what to do."
The following day, Col. Hamilton takes the stand and denies ever having spoken to Captain Hunt. An outraged Morant stands up and screams that the Colonel is a liar. Lt. Col. Denny, however, comments that there will be no more talk of orders to shoot prisoners. Maj. Thomas, however, explains that Col. Hamilton's testimony is irrelevant. The fact is, his clients believed that such orders existed and thus cannot be held accountable for following them. The trial then turns to the murder of the Reverend Heese.
A Corporal Sharp testifies that, shortly before the massacre of the six Boers, Rev. Heese had passed through Fort Edward in a buggy. Shortly after his departure, Lt. Handcock had ridden up to Morant, spoken briefly to him, and then ridden off, looking "agitated", in the same direction as Rev. Heese, with a rifle. Maj. Thomas damages Sharp on cross examination by revealing his hatred of the defendants.
Upon taking the stand, Morant explains that Heese was under orders to never speak to prisoners while passing through Fort Edward and violated them. When Maj. Bolton asks why such orders existed, Morant explains, "It was for security reasons." When Morant had confronted the Reverend, he had been told that the prisoners had begged Heese to pray with them and that he could not refuse. Heese then left the Fort and was later found, shot to death, along the road. Bolton suggests that Heese was going to inform their commanding officer of Morant's plans to kill the prisoners and accuses Morant of ordering Handcock to silence him. Unmoved, Morant insists that his commanding officer already knew and suggests that he be recalled from India to testify. He smugly adds, "I don't mind waiting."
After Morant stands down, Maj. Thomas requests and is granted a brief recess to confer with Lt. Handcock before putting him on the stand. Late into the night, Maj. Thomas pleads with Handcock to tell him the truth, calling the Heese murder "the most serious charge." At last, Handcock opens up about his whereabouts.
The following morning, Handcock testifies that, when he left Fort Edward, he had travelled to the homes of two married Afrikaner women and slept with them. As Maj. Bolton eyes him, Maj. Thomas produces signed depositions from the women to confirm Handcock's story. The court and the prosecution accept the depositions without summoning the women to give evidence.
Later, in the prison courtyard, Lt. Witton wonders aloud about who really did kill Rev. Heese. Handcock smiles and says, "Me." To Witton's horror, Handcock explains that his visits to his "two lady friends" happened afterwards. When Witton asks whether Maj. Thomas knows, Morant explains that there is no reason for him to know. Morant explains that the Bushveldt Carbineers represent a new kind of warfare "for a new century". As the Boers do not wear uniforms, the enemy is everyone, including men, women, children, and even missionaries. That is why, after Rev. Heese had left the Fort, Morant had told Handcock that he believed that the Reverend was a Boer spy and had said that he was going towards Leydsdorp. A seething Handcock replied that anything could happen on the way there, had ridden after Heese, and shot him.
After a powerful summing up speech from Maj. Thomas, the defendants are found guilty of shooting the prisoners but acquitted of murdering Rev. Heese.
As they celebrate their probable evasion of the death penalty, Captain Taylor takes Morant aside and tells him that he and Handcock are almost certainly going to be shot. He offers to have a horse ready and says that many of the Highland Scots guards are sympathetic. He urges Morant to flee to Portuguese Mozambique, take ship from Lourenço Marques, and "see the world". Unmoved, Morant says, "I've seen it."
The next morning, all three defendants are sentenced to death, with Witton's commuted to "life in penal servitude". Desperate to save his clients, Maj. Thomas rushes to Kitchener's headquarters to demand a commutation. Upon arrival, he learns that Kitchener has already left. He is also told that both Whitehall and the Australian Government have expressed support for the verdict and sentences. Furthermore, there now will be a peace conference and every British and Commonwealth soldier will soon be going home.
The next morning, as Lt. Morant's poem Butchered to Make a Dutchmen's Holiday is recited in voiceover, both he and Lt. Handcock are led before a firing squad. Moments before being executed, Morant shouts, "Shoot straight, you bastards! Don't make a mess of it!" The final shot shows the bodies of both men being loaded into coffins.
Funding came from the SAFC, the Australian Film Commission, the Seven Network and PACT Productions. The distributors, Roadshow, insisted that Jack Thompson be given a role. The movie was the second of two films Beresford intended to make for the South Australian Film Corporation. He wanted to make Breakout, about the Cowra Breakout, but could not find a script he was happy with so he turned to the story of Breaker Morant.
Alleged German pressure
In conversation with Maj. Bolton, Lord Kitchener states that Kaiser Wilhelm II has formally protested about the murder of Rev. Heese, whom he describes as a German citizen. He elaborates that the German people support the Boer cause, that their elected representatives covet the gold and diamond mines of the Boer Republics, and that the British Government fears German entry into the ongoing conflict. This, Kitchener explains, is why Lieuts. Morant, Handcock, and Witton must be convicted at all cost.
According to South African historian Charles Leach, however, the widespread legend that the German Foreign Office protested about the case "cannot be proved through official channels." Furthermore, "no personal or direct communication" between the Kaiser and his uncle, King Edward VII, "has been found despite widespread legend that this was definitely the case." Lastly, questions raised in the House of Commons on 8 April 1902 were answered by an insistence that the War Office, the Foreign Office, or Lord Kitchener had not received "any such communication on this subject" "on behalf of the German government".
Under international law, the German government had no grounds to protest. Despite being attached to the Berlin Missionary Society, Rev. Heese had been born in Cape Colony and "was, technically speaking, a British, and not a German citizen".
The scene contains a kernel of truth, however. Leach writes, "Several eminent South African historians, local enthusiasts, and commentators share the opinion that had it not been for the murder of the Reverend Heese, none of the other Bushveldt Carbineers murders would have gone to trial."
Although only Lieuts. Morant, Handcock, and Witton are shown as being on trial, there were three other defendants:
- Lieutenant Henry Picton, a British-born Australian officer of the Bushveldt Carbineers, was charged with Lieuts. Morant, Handcock, and Witton with "committing the offense of murder" for delivering a coup de grâce after the shooting of the wounded prisoner Floris Visser. Lieut. Picton was found guilty of manslaughter and sentenced to be cashiered from the British Armed Forces.
- Captain Alfred James Taylor, the Irish-born commander of military intelligence at Fort Edward, stood accused of the murder of six unarmed Afrikaner men and boys, the theft of their money and livestock, and the subsequent murder of a Bushveldt Carbineers Trooper. He was acquitted.
- Maj. Robert W. Lenehan, the Australian Field Commander of the Bushveldt Carbineers, stood accused of covering up the murder of a Bushveldt Carbineers Trooper who had disapproved of shooting prisoners. The official charge was "When on active service by culpable neglect failing to make a report which it was duty to make." Maj. Lenehan was found guilty and sentenced to be reprimanded.
Role of enlisted men and Col. Hall
The enlisted men from the Fort Edward garrison who testify against Lieuts. Morant, Handcock, and Witton are depicted as motivated by personal grudges against their former officers. A prime example is Corp. Sharp, who expresses a willingness to walk across South Africa to serve in the defendants' firing squad. Other prosecution witnesses have been thrown out of the Bushveldt Carbineers by the defendants for looting, drunkenness, and other offenses. Furthermore, all are portrayed with British accents.
The officer commanding at Pietersburg, Col. Hall, is further depicted as having been fully aware and even complicit in the total war tactics of the Fort Edward garrison. He is also described as having been sent to India to prevent him from giving testimony favorable to the defense. Surviving documents, however, tell a very different story. The arrest of all six defendants was actually ordered by Col. Hall, in response to a letter that he had received from the enlisted men at Fort Edward. The letter, dated 4 October 1901, was written by BVC Trooper Robert Mitchell Cochrane, a former Justice of the Peace from Western Australia, and signed by 15 members of the Fort Edward garrison.
After listing numerous murders and attempted murders of unarmed Boer prisoners, local civilians, and BVC personnel who disapproved, the letter concluded, "Sir, many of us are Australians who have fought throughout nearly the whole war while others are Africaners who have fought from Colenso till now. We cannot return home with the stigma of these crimes attached to our names. Therefore we humbly pray that a full and exhaustive inquiry be made by Imperial officers in order that the truth be elicited and justice done. Also we beg that all witnesses may be kept in camp at Pietersburg till the inquiry is finished. So deeply do we deplore the opprobrium which must be inseparably attached to these crimes that scarcely a man once his time is up can be prevailed to reenlist in this corps. Trusting for the credit of thinking you will grant the inquiry we seek".
Arrest at Fort Edward
During his conversation with Lieuts. Handcock and Witton in the prison courtyard, Lt. Morant alleges that the British Army has marked them for death "ever since they arrested us at Fort Edward". In reality, their arrests took place elsewhere. In response to the letter written by Trooper Cochrane, Col. Hall summoned all Fort Edward officers and noncommissioned officers to Pietersburg on 21 October 1901. All were met by a party of mounted infantry five miles outside Pietersburg on the morning of 23 October 1901 and "brought into town like criminals". Lt. Morant was arrested after returning from leave in Pretoria, where he had gone to settle the affairs of his deceased friend Captain Hunt.
Rejection of deals for leniency
In the film, the British military is determined to obtain the maximum penalty against the defendants. According to Australian historians Margaret Carnegie and Frank Shields, however, Lieuts. Morant and Handcock rejected an offer of full immunity from prosecution in return for turning king's evidence. Military prosecutors allegedly hoped to use them as witnesses against BVC Major Robert Lenehan, who was believed to have issued orders to take no prisoners. Towards the end of the film, Captain Taylor informs Morant that the British Army will never dare to prosecute him, as he really can implicate Kitchener in war crimes. According to South African historian Andries Pretorius, the trial of Alfred Taylor was almost certainly saved for the last because "The prosecution must have been hoping", in vain for the accused officers, "to implicate Taylor". Their refusal to do so seems to have ensured that Taylor was not convicted at his own trial.
In the film, BVC Capt. Hunt is inaccurately depicted as having an Australian accent. According to South African historian Charles Leach, Captain Hunt "was an Englishman, a former Lieutenant in Kitchener's Fighting Scouts, and a fine horseman." A surviving photograph of Hunt also reveals that he was far younger than the actor who plays him onscreen.
The film also acted to stir debate on the ongoing effect and legacy of the trial with its antiwar theme. In one analysis of the film, D. L. Kershen comments: "Breaker Morant tells the story of the court martial of Harry Morant, Peter Handcock, and George Witton in South Africa in 1902. Yet, its overriding theme is that "war is evil". Breaker Morant is a beautiful antiwar statement — a plea for the end of the intrigues and crimes that war entails."
Another comments: "The clear issue of the film is the accountability of soldiers in war for acts condoned by their superiors. Another issue, which I find particularly fascinating, concerns the fairness of the hearing. We would ask whether due process was present, after accounting for the exigencies of the battlefield. Does Breaker Morant demonstrate what happens when due process is not observed?"
Bruce Beresford claimed the film is often misunderstood as the story of men railroaded by the British:
But that's not what it's about at all. The film never pretended for a moment that they weren't guilty. It said they were guilty. But what was interesting about it was that it analysed why men in this situation would behave as they had never behaved before in their lives. It's the pressures that are put to bear on people in war time... Look at all the things that happen in these countries committed by people who appear to be quite normal. That was what I was interested in examining. I always get amazed when people say to me that this is a film about poor Australians who were framed by the Brits.
After the success of Breaker Morant, Beresford was offered dozens of Hollywood scripts including Tender Mercies, which he later directed. The 1983 film earned him his only Academy Award nomination for Best Director to date, even though 1989's Driving Miss Daisy, which he directed, won Best Picture. Beresford said that Breaker Morant was not that successful commercially:
Critically, it was important, which is a key factor, and it has kept being shown over the years. Whenever I am in Los Angeles, it's always on TV. I get phone calls from people who say, 'I saw your movie, could you do something for us?' But, they're looking at a [then] twenty-year-old movie. At the time it never had an audience. Nobody went anywhere in the world. It opened and closed in America in less than a week. And in London, I remember it had four days in the West End. Commercially, a disaster, but... It's a film that people talk about to me all the time.
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Breaker Morant heavily influenced Australian New Wave war films such as Gallipoli (1981), The Lighthorsemen (1987), and the five-part TV series ANZACS (1985). Recurring themes of these films include the Australian identity, such as mateship and larrikinism, wartime loss of innocence, and the coming of age of the Australian nation. It has also influenced scores of other films, especially those with themes involving war crimes trials, capital punishment, military prosecutions, and government cover-ups.
- In the 1981 film Gallipoli, the character of Frank Dunne (Mel Gibson), an Irish-Australian drifter with a deep cynicism about the British Empire and a hatred for the "lofty bastards" of the British officer corps, is modeled on Lt. Peter Handcock.
- The final moments of the 1984 Argentine film Camila show the two lead characters sitting in chairs as they are executed by firing squad and being thrown into the same coffin afterwards. This also is an homage to Breaker Morant.
- In 1989, the British sitcom Blackadder Goes Forth, which is set in the British Army during World War I, aired an episode titled Corporal Punishment, which contained numerous homages to Breaker Morant.
- The 1992 film A Few Good Men, centers on the court martial of two U.S. Marines accused of murdering a member of their unit at Guantanamo Bay Naval Base. Their defense counsel (Tom Cruise) attempts to prove that they acted under verbal orders from the base commander (Jack Nicholson).
- The 2000 film, Rules of Engagement centers around the court martial of U.S. Marine Corps Colonel Terry Childers (Samuel L. Jackson) who stands accused of massacring unarmed protesters outside the U.S. Embassy in Yemen. As in Breaker Morant, the Colonel's defense lawyer (Tommy Lee Jones) finds himself at odds with the highest levels of Government. U.S. National Security Advisor Bill Sokal (Bruce Greenwood) is determined to salvage U.S. prestige in the Islamic World by ensuring that Col. Childers is convicted. Unlike Kitchener, however, Sokal is not covering up that the massacre was committed under orders. Instead, evidence is being buried that proves that some of the protesters were in fact armed, had shot first, and that Colonel Childers had only ordered the Marines guarding the Embassy to return fire after three of their comrades had been killed.
- The award-winning 2000 television movie Nuremberg, which focuses on the Nuremberg Trials, is also influenced by Breaker Morant. In a particular homage to Beresford's film, the last letter of Hermann Göring (Brian Cox) to his wife is read in voiceover as he writes it in his cell shortly before taking poison to avoid the gallows. This was inspired by a similar scene involving Lt. Peter Handcock.
- The 2002, American thriller High Crimes centers around the court martial of ex-Marine Ronald Chapman (Jim Caviezel), who stands accused of torturing and murdering a village full of civilians in El Salvador in 1988. As in Breaker Morant, the highest levels of Government are covering up that the massacre was committed under orders.
- The 2011 film The Conspirator, directed by Robert Redford, centers around the 1865 military tribunal which tried the surviving assassins of U.S. President Abraham Lincoln. The film's protagonist, former Union Army Colonel Frank Aiken (James McAvoy), is called upon to defend the sole female defendant, Mary Surratt (Robin Wright). Similar to Major Thomas, Aiken at first believes in his client's guilt, but slowly changes his mind. As a result of his fight for her life, Aiken is ostracized by his fellow Union veterans and repudiated by his fiancée (Alexis Bledel).
(1980 AFI Awards)
|Best Film||Matt Carroll||Won|
|Best Direction||Bruce Beresford||Won|
|Best Screenplay, Original or Adapted||Won|
|Best Actor||Jack Thompson||Won|
|Best Supporting Actor||Lewis Fitz-Gerald||Nominated|
|Charles 'Bud' Tingwell||Nominated|
|Best Cinematography||Donald McAlpine||Won|
|Best Editing||William M. Anderson||Won|
|Best Sound||William Anderson||Won|
|Best Production Design||David Copping||Won|
|Best Costume Design||Anna Senior||Won|
|Academy Award||Best Adapted Screenplay||Jonathan Hardy||Nominated|
|Cannes Film Festival||Palme d'Or||Nominated|
|Best Supporting Actor||Jack Thompson||Won|
|Golden Globe Award||Best Foreign Film||Bruce Beresford||Nominated|
|Kansas City Film Critics Circle||Best Foreign Film||Won|
|NBR Award||Top 10 Films||Won|
|NYFCC Award||Best Foreign Language Film||2nd place|
A DVD was released by REEL Corporation in 2001 with a running time of 104 minutes. Image Entertainment released a Blu-ray Disc version of the film in the US on 5 February 2008 (107 minutes), including the documentary "The Boer War", a detailed account of the historical facts depicted in the film. In 2015 the film was released by The Criterion Collection on both DVD and Blu-ray.
- Stratton, David. The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p.55
- Corman, Roger & Jerome, Jim. How I Made a Hundred Movies in Hollywood and Never Lost a Dime, Muller, 1990. p.191
- Subsequent to the film's release, Ross – who began writing under the name "Kenneth Ross" in order to set himself apart from other creative Australians known as "Ken Ross" – found that he must write under the name of "Kenneth G. Ross" in order to distinguish himself from that other, also famous, Kenneth Ross: the Scottish/American Kenneth Ross who was the scriptwriter for The Day of the Jackal.
- Kit Denton's 1973 book The Breaker was not the source (see Ross' successful legal action for details).
- Bennett, C., "Breaker Morant: a veldt Vietnam", The Age, (Friday, 4 July 1980), p.10.
- "Kangaroo Court: On Bruce Beresford's Breaker Morant" Bright Lights Film Journal, April 30, 2013.
- Charles Leach (2012), The Legend of Breaker Morant is Dead and Buried. A South African Version of the Bushveldt Carbineers in the Zoutpansberg, May 1901-April 1902, Leach Printers & Signs, Louis Trinchardt, South Africa. Page xxxii.
- Phone interview with Bruce Beresford (15 May 1999) accessed 17 October 2012 wayback machine archive 9 September 2015
- Leach (2012), page 80.
- Leach (2012), pages 105-113, 117, 203.
- Leach (2012), pages 105-107.
- Leach (2012), page 203.
- Leach (2012), pages 98-101.
- Arthur Davey (1987), Breaker Morant and the Bushveldt Carbineers, Second Series No. 18. Van Riebeeck Society, Cape Town. Pages 78-82.
- Leach (2012), page 101.
- Leach (2012), pages 97-98.
- Carnegie and Shields (1979), In Search of Breaker Morant, pages 124-125.
- Leach (2012), page 189.
- Leach (2012), page 27.
- "Breaker Morant (1980)" on Rotten Tomatoes. Retrieved 24 July 2009.
- "Breaker Morant" Archived 6 January 2009 at the Wayback Machine. Oklahoma City University Law Review Volume 22, Number 1 (1997). Retrieved 24 July 2009.
- "Breaker Morant" on the University of Central Florida website Retrieved 24 July 2009
- Malone. Phone interview with Bruce Beresford (15 May 1999) accessed 17 October 2012
- "Film Victoria – Australian Films at the Australian Box Office" Archived 18 February 2011 at the Wayback Machine.
- "Inflation Calculator". Reserve Bank of Australia. contact=Media Office, Information Department. Retrieved 2017-10-06.
- Ross, K.G., Breaker Morant: A Play in Two Acts, Edward Arnold, (Melbourne), 1979. ISBN 0-7267-0997-2
- Ross, Kenneth (26 February 2002). "The truth about Harry". The Age. Written on the hundredth anniversary of Morant's execution and the twenty-fourth anniversary of the first performance of his play. Article was reprinted in The Sydney Morning Herald on the same date.
- Breaker Morant on IMDb
- Breaker Morant at AllMovie
- Criterion Collection essay by Neil Sinyard
- "Kangaroo Court: On Bruce Beresford's 'Breaker Morant'" Bright Lights Film Journal
- Breaker Morant at the National Film and Sound Archive at Archive.is (archived 2012-11-28)
- Breaker Morant at Australian Screen Online
- Breaker Morant at Oz Movies
- Breaker Morant at the British Film Institute