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|Chamber orchestra on period instruments|
|Location||Cambridge, England, United Kingdom|
Britten Sinfonia is a chamber orchestra ensemble based in Cambridge, UK. It was created in 1992, following an initiative from Eastern Arts and a number of key figures including Nicholas Cleobury, who recognised the need for an orchestra in the East of England. It is a flexible ensemble composed of chamber musicians in Europe. The players are freelance musicians who are employed on a project-by-project basis and the ensemble performs around 70 concerts per year and works with hundreds of people in the communities where the orchestra is resident.
It is a not-for-profit organisation, and a registered charity.
The orchestra does not have a principal conductor or artistic director but chooses to work with a range of international guest artists from across the musical spectrum as suited to each particular project.
Recent seasons have included projects with Brad Mehldau, Thomas Adès, Pierre-Laurent Aimard, James MacMillan, Ian Bostridge, Joanna MacGregor, Masaaki Suzuki, Polyphony, director Katie Mitchell, Imogen Cooper, Dhafer Youssef, These New Puritans, Jaga Jazzist and Rufus Wainwright. In 2013-14 Britten Sinfonia collaborates with artists including Paul Lewis, Ian Bostridge, Netia Jones, Mark Padmore, Pekka Kuusisto, Iestyn Davies, Patricia Kopatchinskaja and the Richard Alston Dance Company with premières from composers including Sally Beamish, Roderick Williams, Mark Simpson, Brett Dean and Philip Cashian.
Britten Sinfonia performs in concert halls around Europe and Festivals and is a regular at the BBC Proms and has residencies in Cambridge, Norwich, and Brighton with a concert series at London’s Barbican Centre and Wigmore Hall. The ensemble enjoys an international profile, a recent highlight being a tour of South America, and is frequently heard on disc, BBC Radio 3 and commercial radio. The orchestra has received awards including a Gramophone Award and in 2007 won the prestigious Royal Philharmonic Society Ensemble Award in recognition for its work.
The Creative Learning department of the Sinfonia provides educational support to the mainstream concert season. These activities involve:
- Pre-concert talks
- The SinfoniaCast, a podcast featuring interviews with guest artists and composers
- Projects specifically for young people and schools
- Family Music Days, and
- Music-based training for businesses and corporations.
All of these activities are led by Britten Sinfonia’s musicians and associated composers and workshop leaders. For audiences of all ages and levels of experience, the Creative Learning programme offers opportunities to meet, talk to and work with performers and composers; discover more about the ensemble's wide-ranging repertoire; and develop new musical knowledge and skills.
Reviews and quotes
'Six out of seven pieces going nowhere: no pizzazz about this jazz/classical melée' - theartsdesk.com
'...infused with irresistible energy...cogent and compelling' - The Times 
'Britten Sinfonia has quietly established itself as one of the countries most flexible chamber orchestras' - Evening Standard 
- Nice, David. "Gomez, Osborne, Britten Sinfonia, Järvi, Milton Court". theartsdesk.com. Retrieved 25 June 2016.
- Jason Yarde, The Times, November 2005
- Nick Kimberly, Evening Standard, 11 December 2007