Bruce McCall

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Bruce McCall (born 1935) is a Canadian author and illustrator, best known for his frequent contributions to The New Yorker.

Life and career[edit]

Born and raised in Simcoe, Ontario, Canada, he was fascinated by comic books and showed an early aptitude for drawing fantastical flying machines, blimps, bulbous-nosed muscle cars and futuristic dioramas.

In his memoir, Thin Ice (1997), McCall admitted that he was never good at physical activity as a boy, but could count on his mother to encourage his creativity. Bruce's father T.C. was imperious and unemotional, and left his alcoholic wife Peg without the attention she needed. Peg and the children tried to establish an attachment to him, but his stormy moods frequently pushed them aside.

Without any serious technical training, McCall began his illustration career drawing cars for Ford Motor Company in Toronto in the 1950s. After several decades in advertising, he sought opportunities elsewhere in the publishing industry.

He went to New York City, and was hired by National Lampoon, where he made a name for himself as an artist with intelligent and whimsical humor. McCall also spent a brief period writing sketches for Saturday Night Live. A large proportion of McCall's work has a retrofuturistic theme.[1]

McCall has illustrated magazine covers, regularly appearing in The New Yorker and other magazines. He has been a contributor to the magazine since 1979.

McCall is also a humourist, and has written essays on some of the social ironies of modern life. He writes frequently for the "Shouts & Murmurs" section of The New Yorker.

McCall lives on the Upper West Side of New York near Central Park.





  1. ^ McCall, Bruce. "Transcript of "What is retro-futurism?"". Retrieved 2017-01-24. 

External links[edit]