- For other people with a similar name see Lawrence Friedman (disambiguation)
Bud Freeman, New York, 1947
|Birth name||Lawrence Freeman|
|Born||April 13, 1906|
|Origin||Chicago, Illinois, United States|
|Died||March 15, 1991
Chicago, Illinois, United States
|Occupation(s)||Saxophonist, bandleader, composer|
|Instruments||Tenor saxophone, clarinet, C melody saxophone|
|Years active||1920s – 1980s|
Lawrence "Bud" Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing the tenor saxophone, but also able at the clarinet. He had a smooth and full tenor sax style with a heavy robust swing. He was one of the most influential and important jazz tenor saxophonists of the big band era. His major recordings were "The Eel", "Tillie's Downtown Now", "Crazeology", "The Buzzard", and "After Awhile", composed with Benny Goodman.
One of the original members of the Austin High School Gang which began in 1922, Freeman played the C melody saxophone alongside his other band members such as Jimmy McPartland and Frank Teschemacher before switching to tenor saxophone two years later. Influenced by artists like the New Orleans Rhythm Kings and Louis Armstrong from the South, they would begin to formulate their own style, becoming part of the emerging Chicago Style of jazz.
In 1927, he moved to New York, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, Joe Venuti, among others. One of his most notable performances was a solo on Eddie Condon's 1933 recording, The Eel, which then became Freeman's nickname (for his long snake-like improvisations). Freeman played with Tommy Dorsey's Orchestra (1936–1938) as well as for a short time Benny Goodman's band in 1938 before forming his own band, the Summa Cum Laude Orchestra (1939–1940). Freeman joined the US Army during World War II, and headed a US Army band in the Aleutian Islands.
Following the war, Freeman returned to New York and led his own groups, yet still kept a close tie to the freewheeling bands of Eddie Condon as well as working in 'mainstream' groups with the likes of Buck Clayton, Ruby Braff, Vic Dickenson and Jo Jones. He wrote (along with Leon Pober) the ballad "Zen Is When", recorded by the Dave Brubeck Quartet on Jazz Impressions of Japan (1964). He was a member of the World's Greatest Jazz Band in 1969 and 1970, and occasionally thereafter. In 1974, he moved to England where he made numerous recordings and performances, as he did also in Europe. Returning to Chicago in 1980, he continued to work into his eighties.
In 1992, Bud Freeman was inducted into the Big Band and Jazz Hall of Fame.
|This section needs expansion. You can help by adding to it. (May 2012)|
- Chicago/Austin High School Jazz in Hi-Fi (1957)
- Something to Remember You By (1962)
- Something Tender (United Artists Jazz) (1962)
- California Session (1982)
- The Real Bud Freeman (1984)
With George Wein
- George Wein & the Newport All-Stars (Impulse!, 1962)
- Allmusic biography
- Woodard, Josef. "Temple of Shtick." Los Angeles Times. Published: June 16, 2000. Accessed: August 12, 2016.
- Chicago Jewish Historical Society. Search of "Chicago Jewish Historical Society". Findmypast.com. Published 2009. Accessed: August 12, 2016.
- Gerber, Mike. "Jazz Jews." Five Leaves Publications; Nottingham, United Kingdom: 2009. Accessed: August 12, 2016.