Bunny O'Hare

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Bunny O'Hare
Bunny O'Hare.jpg
Theatrical release poster
Directed by Gerd Oswald
Produced by Samuel Z. Arkoff
James H. Nicholson
Written by Stanley Z. Cherry
Coslough Johnson
Starring Bette Davis
Ernest Borgnine
Jack Cassidy
Joan Delaney
John Astin
Music by Billy Strange
Cinematography Loyal Griggs
John M. Stephens
Editing by Fred R. Feitshans Jr.
Distributed by American International Pictures
Release dates October 18, 1971 (1971-10-18)
Running time 91 min
Country  United States
Language English
Budget $900,000[1]

Bunny O'Hare is a 1971 American comedy film directed by Gerd Oswald, starring Bette Davis and Ernest Borgnine. The screenplay by Coslough Johnson and Stanley Z. Cherry focuses on a pair of senior citizens who, disguised as hippies, engage in a crime spree.

Plot[edit]

The title character, a widow whose savings have been depleted by her selfish, middle-aged children, Lulu and Ad, finds herself homeless when the bank forecloses on her mortgage. She becomes friendly with Bill Green, an aging itinerant salvaging the house's plumbing, who she soon discovers is really fugitive bank robber William Gruenwald. Hoping to recoup her losses from the bank that took her home, Bunny blackmails Bill into teaching her how to rob the institution in exchange for keeping his identity a secret. She wears a long blonde wig, over-sized hat, and sunglasses, while he dons a fake beard, leather vest, and bell-bottom pants, and the two pull off the caper and escape on a 250cc Triumph TRW Trophy motorcycle. Buoyed by their success, Bunny convinces Bill to join her in more heists, and the different modus operandi they use - setting free a canary to distract the guard, setting off smoke bombs - make it difficult for police lieutenant Horace Greeley and criminologist R.J. Hart to profile their suspects.

Cast[edit]

Production[edit]

The working titles for the film were Bunny and Claude, Bunny, Betty and Claude, and Bunny and Billy.[citation needed] The film marked the second on-screen pairing of Bette Davis and Ernest Borgnine, who co-starred in The Catered Affair in 1956.[citation needed] The American International Pictures release was filmed partially on location in Albuquerque. New Mexico Governor David F. Cargo made a cameo appearance as a state trooper.[citation needed] The film led to two lawsuits for American International Pictures. Davis, who had script approval, was upset with changes made in editing, and she sued the company for loss of income and damage to her career for changing the film into a "slapstick" production instead of the "humorous social commentary" for which she had signed. The suit eventually was dropped. Writer Cherry sued for $13,400, the balance of his fee, and also asked for 5% of the film's net profits. The outcome is unknown.[2]

Soundtrack[edit]

The soundtrack includes the following vocals:

  • "Monday Man," written by Billy Strange and Keith Roberts, performed by Billy Curb
  • "Right Or Wrong," written by Mack David and Billy Curb, performed by Billy Curb
  • "The Ballard Of Bunny O'Hare," written by Mack David and Billy Curb, performed by Billy Curb

Reception[edit]

Bette Davis was unhappy with the final film and sued AIP for $3.3 million in damages.[3]

Critical reception[edit]

In his review in the New York Times, Vincent Canby described the film as "a silly, foolishly entertaining movie . . . nonsense of a quite acceptable order, filled with absurd chases and stock characters who have been conceived and played with affection." Of its star he observed, "Miss Davis . . . gives a performance that may be one of the funniest and most legitimate of her career."[4] In the Cleveland Press, Toni Mastroianni said, "Bette Davis and Ernest Borgnine play a Bonnie and Clyde of the Geritol set and the result is about as satisfying as a bad television show."[5] Time Out London calls it an "embarrassingly unfunny caper".[6] According to TV Guide, "This clever script is ineptly directed by Oswald, who has no idea of how to embellish the comedy with pace, movement, or wit. Davis and Borgnine are excellent, though, showing that years of training and professionalism can overcome just about anything."[7]

References[edit]

  1. ^ The dime-store way to make movies-and money By Aljean Harmetz. New York Times (1923-Current file) [New York, N.Y] 04 Aug 1974: 202.
  2. ^ Bunny O'Hare at Turner Classic Movies
  3. ^ The Contract and the Cutting Room Floor The Washington Post, Times Herald (1959-1973) [Washington, D.C] 21 Aug 1971: E2
  4. ^ New York Times review
  5. ^ Cleveland Press review
  6. ^ Time Out London review
  7. ^ TV Guide review

External links[edit]