C-mount lenses provide a male thread which mates with a female thread on the camera. The thread is nominally 1.000 inch (25.4 mm) in diameter, with 32 threads per inch, designated as "1-32 UN 2A" in the ANSI B1.1 standard for unified screw threads. The flange focal distance is 17.526 millimetres (0.6900 in) for a C mount.
Merely to say that a lens is "C-mount" says very little about the lens' intended use. C-mount lenses have been made for many different formats. C-mount lenses are built for the 8mm and 16mm film formats and the 1/3", 1/2", 2/3", 1", and 4/3" video formats, which corresponds to a range of image circles from 5 to 22 mm diameter, approximately.
This is no trivial difference. For example, for the 4/3 format, a 12-mm lens is a wide-angle lens and will have a retrofocus design. For the 2/3 inch format, a 12mm lens is "normal" and can have a simple and fast double Gauss layout. For the 1/3 inch format, a 12-mm lens is long and can have a telephoto design.
Some TV lenses lack provision to focus or vary the aperture, so may not operate properly with film cameras. Also, some TV lenses may have bits that protrude behind the mount far enough to interfere with the shutter or reflex finder mechanisms of a film camera.
Although C-mount lenses have a back focal distance far too short to be used with 35mm film SLRs or any existing digital SLR, they can be mounted on interchangeable-lens mirrorless digital cameras. One such system is the Micro Four Thirds, being used by Olympus and Panasonic. However, the vast majority of C-mount lenses produce an image circle too small to effectively cover the entire (micro-)four-thirds sensor, with its approximately 22-mm diagonal. This produces what is popularly called vignetting but is better described as a mismatch between camera format and lens format.
C-mount was created by Bell & Howell for their Filmo 70 cine cameras. The earliest Filmos had a slightly different mounts, known as A-mount, and B-mount. C-mount was found on Filmo 70 cameras with serial numbers 54090 and higher, probably from about 1926. Soon after, other camera manufacturers adopted the same mount, and it became a de facto standard for 16 mm cine cameras.
CS-mount has a flange focal distance of 12.50 millimetres (0.492 in), but is otherwise the same as C-mount, including the fact that lenses for many different formats are made for it. CS-mount lenses are built for the smaller formats, 1/2 inch and down.
|C||5.0 millimetres (0.20 in)||C||+5mm||Near-sighted||Narrower||Larger||Darker|
|C||5.0 millimetres (0.20 in)||CS||+10mm||Most Near-sighted||Narrowest||Largest||Darkest|
|CS||5.0 millimetres (0.20 in)||C||Normal||Normal||Normal||Normal|
|CS||5.0 millimetres (0.20 in)||CS||+5mm||Near-sighted||Narrower||Larger||Darker|
- ISO 10935:1996, "Optics and optical instruments -- Microscopes -- Interfacing connection type C"
- Lawrenceripsher.com: Switar 26mm f/1.1 Review
-  Yahoo Group discussion: Cine Camera Collectors
-  Kodak Movie News, Vol. 2, No. 3 (May–June 1954)
- Making Digital Camera Microscope Adapters. The section "Understanding C-Mount and CS-Mount Standard Mechanics, Optics, and Cameras" discusses the standards and custom machining of C-mount apparatus.
- List of some C-mount lenses. Collection of cine optics and photos of them.
- . Selection of Lens and extension ring/tube for machine vision