Cabaret Voltaire (Zurich)
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The founding of the Cabaret Voltaire was the beginning of dada Zurich, Switzerland. It was founded by Hugo Ball, with his companion Emmy Hennings on February 5, 1916 as a cabaret for artistic and political purposes. Other founding members were Marcel Janco, Richard Huelsenbeck, Tristan Tzara, and Sophie Taeuber-Arp and Jean Arp. Events at the cabaret proved pivotal in the founding of the anarchic art movement known as Dada.
Switzerland was a neutral country during World War I and among the many refugees coming to Zurich were artists from all over Europe. Ball and Hennings approached Ephraim Jan, patron of the Holländische Meierei at Spiegelgasse 1, which had already hosted Zurich's first literary Cabaret, the Pantagruel in 1915. Jan permitted them to use the back room for events. The press release which accompanied the opening of the nightclub reads:
Cabaret Voltaire. Under this name a group of young artists and writers has been formed whose aim is to create a centre for artistic entertainment. The idea of the cabaret will be that guest artists will come and give musical performances and readings at the daily meetings. The young artists of Zurich, whatever their orientation, are invited to come along with suggestions and contributions of all kinds. -Zurich, February 2, 1916
The cabaret featured spoken word, dance and music. The soirees were often raucous events with artists experimenting with new forms of performance, such as sound poetry and simultaneous poetry. Mirroring the maelstrom of World War I raging around it, the art it exhibited was often chaotic and brutal. On at least one occasion, the audience attacked the Cabaret's stage. Though the Cabaret was to be the birthplace of the Dadaist movement, it featured artists from every sector of the avant-garde, including Futurism's Marinetti. The Cabaret exhibited radically experimental artists, many of whom went on to change the face of their artistic disciplines; featured artists included Wassily Kandinsky, Paul Klee, Giorgio de Chirico, Sophie Taeuber-Arp, and Max Ernst.
On July 28, 1916, Ball read out the Dada Manifesto. In June, Ball had also published a journal with the same name. It featured work from artists such as the poet Guillaume Apollinaire and had a cover designed by Arp.
While the Dada movement was just beginning, by 1917 the excitement generated by the Cabaret Voltaire had fizzled out and the artists moved on to other places in Zurich such as the Galerie Dada at Bahnhofstrasse 19, then later Paris and Berlin.
In recent years, the building which housed Cabaret Voltaire fell into disrepair, and in the winter of 2001/2002 a group of artists describing themselves as neo-Dadaists, organised by Mark Divo, illegally occupied the cabaret to protest its planned closure. They declared that it was a signal for a new generation of artists to align themselves with a revival of Dada.
Over a period of three months there were a number of performances, parties, poetry evenings and film nights. Among the participating artists were Ingo Giezendanner, Lennie Lee, Leumund Cult, Mickry3, xeno volcano, elektra sturmschnell, Aiana Calugar, and Dan Jones. The building was decorated on the outside as well as the inside. Thousands of people from around Zurich took part in the experiment. On April 2, 2002 police evicted the occupants.
The building has since reopened as a cabaret with an extensive programme of events such as Hugo Ball: Fuga saeculi curated by Bazon Brock, the Summer 2008 exhibition Dreamachine: David Woodard, Sheela Birnstiel, Christian Kracht, and a performance of Gabriella Daris' corporeal poem LopLop: WORD or WOman biRD.
- Huonker, Gustav (1986). Literaturszene Zürich: Menschen, Geschichten und Bilder 1914 bis 1945. Zürich: Unionsverlag. p. 12. ISBN 3-293-00095-9.
- "The Dada Manifesto"
- 2002 occupation by neo-Dadaists
- Dreamachine: David Woodard, Sheela Birnstiel, Christian Kracht, May 2 - Aug. 24, 2008.
- Current usage of the building (in German)
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